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Turks, Moors, and Englishmen in the Age of Discovery.
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I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
A brilliant and incisive reading of European-Caribbean relations from the first encounters on Christopher Columbus’s voyages.
Peter Hulme shows how central the Caribbean was to English and European thinking about the world and how the region defined English approaches to the rest of the world in the first age of the British Empire.
Europe encountered America in 1492, a meeting of cultures graphically described in the log-book kept by Christopher Columbus. His stories of peaceful savages and cruel "cannibals" have formed the matrix for all subsequent descriptions of that native Caribbean society. The encounter itself has obsesssed colonialist writing. It reappears in the early 17th century in the story of John Smith and Pocahontas, and on the Jacobean stage in the figures of Prospero and Caliban. In the 18th century, over two hundred years after the European discovery of the Caribbean, the idea of a pristine encounter still permeated European literature through Robinson…
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
This book contains a series of inspired readings that show how the newly discovered American continent transformed English/European notions of what it was to be human in an age dominated by religion.
The peoples found in America generated fear, hatred, confusion, but, most of all, wonder at the possibilities of human life, challenging the ways in which Europeans had habitually thought.
A masterwork of history and cultural studies, Marvelous Possessions is a brilliant meditation on the interconnected ways in which Europeans of the Age of Discovery represented non-European peoples and took possession of their lands, particularly in the New World. In a series of innovative readings of travel narratives, judicial documents, and official reports, Stephen Greenblatt shows that the experience of the marvelous, central to both art and philosophy, was manipulated by Columbus and others in the service of colonial appropriation. Much more than simply a collection of the odd and exotic, Marvelous Possessions is both a highly original extension of…
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
The Madoc legend claimed that a Welsh prince discovered America long before Columbus, the traces remaining in a few words and through some later accounts.
The Welsh historian Gwyn Williams shows how the myth was used to establish racist genealogies through the myth of ‘white Indians’, detailing how dangerous and offensive an apparently confused and confusing legend could be. A magnificent piece of hard-headed historical analysis.
This examination of the story of Madoc, the Welsh prince alleged to have sailed to America centuries before Columbus, is a work of historical detection which not only tracks down strange stories and beliefs to their factual origins, but shows how myth can actually shape history. Readership: all those interested in Wales, Welsh history, overseas colonization, especially of America
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
A careful, meticulous, and thoughtful analysis of the ways in which the opening up of the world for English audiences left its mark on the work of the most celebrated author of the period.
Gillies shows how Shakespeare thought about the key areas of the world, in passing as well as when writing directly about specific regions, notably, southern Europe, the Americas, the Mediterranean, France, Italy, and elsewhere.
In this engaging book, John Gillies explores Shakespeare's geographic imagination, and discovers an intimate relationship between Renaissance geography and theatre, arising from their shared dependence on the opposing impulses of taboo-laden closure and hubristic expansiveness. Dr Gillies shows that Shakespeare's images of the exotic, the 'barbarous, outlandish or strange', are grounded in concrete historical fact: to be marginalised was not just a matter of social status, but of belonging, quite literally, to the margins of contemporary maps. Through an examination of the icons and emblems of contemporary cartography, Dr Gillies challenges the map-makers' overt intentions, and the attitudes and assumptions…
I'm a historian of early modern Britain and the British Atlantic world who realized years ago that Britain, like the United States, hadn't yet fully acknowledged or come to terms with its involvement in the transatlantic slave trade and African slavery and its global afterlives. Although awareness of Britain's role in the African slave trade and Atlantic slavery has begun to feature more prominently in national consciousness, particularly due to the work of The Movement for Black Lives and calls for an overdue reckoning with the legacies of colonialism, slavery, and racial injustice, much work remains to be done. Using the archival record--as flawed as it may be--to piece together Britain's imperial past, confront calculated historical silences, and track the full extent of British participation in the enslavement of millions of Africans will help to ensure that the histories and voices of enslaved people and their descendants aren't distorted or forgotten by current and future generations.
A fascinating exploration of how British imperial ambitions influenced popular representations of Black slavery and white mastery during the peak years of Britain’s involvement in the transatlantic slave trade (c. 1680s to 1807). Using a wide variety of sources—including shop signs, tea trays, product advertisements, portraiture, graphic satires, plays, and more—Molineux argues that British artists, writers, and shop keepers obscured the horrific realities of Atlantic slavery in favor of idealized power relations that supported Britain’s imperial fantasies and developing racial ideologies.
This book helps to answer the question: what role did Africans and people of African descent play in the British popular imagination during the height of the transatlantic slave trade?
Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery,…
Spencer Jones is an award-winning historian who has written several critically acclaimed books about the British Army in the First World War. He teaches history at the University of Wolverhampton, serves as the Regimental Historian of the Royal Artillery, and is the President of the International Guild of Battlefield Guides.
At first glance, this volume may seem out of place in a list of books about the British Army. However, Christopher Duffy’s work is one of the most interesting studies of the British Army on the Somme to have emerged in recent years. By using German sources, particularly interrogation reports from captured British, Canadian and Australian soldiers, he paints a unique picture of the British Army as viewed through the eyes of its chief opponent. The result is an unusual, illuminating, and delightfully readable study.
The key battle of the First World War from the German point of view
The Battle of the Somme has an enduring legacy, the image established by Alan Clark of 'lions led by donkeys': brave British soldiers sent to their deaths by incompetent generals. However, from the German point of view the battle was a disaster. Their own casualties were horrendous. The Germans did not hold the (modern) view that the British Army was useless. As Christopher Duffy reveals, they had great respect for the British forces and German reports shed a fascinating light on the volunteer army recruited by…
They say your childhood shapes your life. By the time I reached thirteen, work began to teach me how to survive. After working a wide range of jobs, I ended up teaching students aged from fifteen to fifty. It was a joy. They opened my eyes. They were my inspiration. They kept me writing around the paid job. I was there to teach them, but I also learned from them. They gave me another special gift. To share their truly amazing stories with you.
This story captured my attention because of the period, and drama that explodes in and behind the scenes. It intertwines the lives and sagas of ordinary families and ordinary lives. I love to read and write about characters that have depth, believability, and the all-time favourite, coincidence. I found myself immersed immediately.
The world is at war. I learned how middle-class Harry Chaseand his working-class girlfriend Lois Bennett fought against the Blackshirts, that was until Harry headed to Warsaw as a translator. Lois is busy with her factory work, whilst managing her pacifist father. Harry promises to write but soon finds himself conflicted as he has a Polish sweetheart, Kasia. What becomes of Lois? I was delighted when this book was turned into a drama production by the BBC. Though great, I stand by the book. It is a great read.
10 BEST BOOKS • THE NEW YORK TIMES BOOK REVIEW • 2011
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • The New Yorker • Chicago Tribune • The Economist • Nancy Pearl, NPR • Bloomberg.com • Library Journal • Publishers Weekly
In this brilliant narrative, Amanda Foreman tells the fascinating story of the American Civil War—and the major role played by Britain and its citizens in that epic struggle. Between 1861 and 1865, thousands of British citizens volunteered for service on both sides of the Civil War. From the first…
I am an associate professor of history at Trinity University in San Antonio, TX, where I teach courses on modern United States history, U.S. foreign relations, and public history, direct our minor in museum studies, and direct the Mellon Initiative for Undergraduate Research in the Arts and Humanities. I am particularly interested in how domestic culture, ideology, and values have informed how the United States has engaged with the world around it. My recent work has explored the influence of conservative religious groups in foreign affairs, and I’m at work on a new book about national security and the congressional debates that unfolded over foreign aid after World War II.
McAlister’s book is one I return to time and again because it so beautifully illustrates that U.S. foreign relations history is bigger and broader than just the story of policymaking. McAlister is an expert at dissecting and explaining American culture, particularly religious culture. In this stimulating read, she uses films, television shows, and other media as key texts that reveal how post-World War II Americans portrayed and understood the Middle East—and what those portrayals can tell us about the United States’ vision for itself as a global power during the Cold War. In so doing, she reminds us of how much events abroad can shape and reshape political culture at home. Her chapter on the 1967 Arab-Israeli War also highlights how conceptions of the Middle East played into domestic racial and religious tensions at home, particularly between American Jews and African Americans, while her chapter on the 1979 Iranian Hostage…
"Epic Encounters" examines how popular culture has shaped the ways Americans define their 'interests' in the Middle East. In this innovative book - now brought up-to-date to include 9/11 and the Iraq war - Melani McAlister argues that U.S. foreign policy, while grounded in material and military realities, is also developed in a cultural context. American understandings of the region are framed by narratives that draw on religious belief, news media accounts, and popular culture. This remarkable and pathbreaking book skillfully weaves lively and accessible readings of film, media, and music with a rigorous analysis of U.S. foreign policy, race…
Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
Iconoclasm isn’t new. The word means, literally, “image destroying.”
History is littered with instances going back to Antiquity. But something fresh is happening right now in the United States.
Smashing Monumentsis a lively, bracing, much-needed account of the iconoclasm roiling contemporary America’s public landscape, particularly in the wake of the white supremacists’ murderous march in Charlottesville in 2017 and George Floyd’s killing by Minneapolis police in 2020.
Captivating reportage and historically informed analysis, from the unique perspective of a scholar of art history and law, propels our reconsideration of American public icons, their origins, their sometimes-sordid purposes, their standing, and what might replace them.
Thompson doesn’t fully answer this last question, but she rouses us to rethink U.S. public history, commemoration, and the form and function of monuments themselves.
An urgent and fractious national debate over public monuments has erupted in America. Some people risk imprisonment to tear down long-ignored hunks of marble; others form armed patrols to defend them. Why do we care so much about statues? And who gets to decide which ones should stay up and which should come down?
Erin L. Thompson, the country's leading expert in the tangled aesthetic, legal, political and social issues involved in such battles brings much-needed clarity in Smashing Statues. She traces the turbulent history of American monuments and its abundant ironies, starting with the enslaved man who helped make…
I have been researching and writing about the era of the American Civil War for something over half a century. My passion for the subject remains strong today, having just published my seventh book. Given the seemingly endless amounts of material from soldiers and civilians alike, I have enjoyed deeply researching neglected subjects and writing about them in a way that appeals to both historians and general readers. For me the Civil War never grows stale, there are always little-used sources to research and fresh ideas to consider. The American Civil is omnipresent in my life—not excluding weekends and holidays!
As the title states, Elizabeth Varon’s book rests on the theme of deliverance, in this case the deliverance of the seceding states from slaveholder domination.
In an innovative, provocative, and utterly convincing fashion, Armies of Deliverance literally delivers on its promise to present a new history of the Civil War. With fresh material throughout, and careful attention to usually neglected moderate voices, Varon deftly weaves together military, political, and social history into a brilliantly conceived and highly original approach that will please a wide variety of readers.
Loyal Americans marched off to war in 1861 not to conquer the South but to liberate it. In Armies of Deliverance, Elizabeth Varon offers both a sweeping narrative of the Civil War and a bold new interpretation of Union and Confederate war aims. Lincoln's Union coalition sought to deliver the South from slaveholder tyranny and deliver to it the blessings of modern civilization. Over the course of the war, supporters of black freedom built the case that slavery was the obstacle to national reunion and that emancipation would secure military victory and benefit Northern and Southern whites alike. To sustain…
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