Here are 100 books that True Story fans have personally recommended if you like
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I’m a window-seat person. If I’m on a trip, I want to see much
more than the device propelling me forward. In crime books, the vehicle is
always the crime, but I want that felonious little engine to also propel me
through realms where I become more explorer than passenger, where I’ve entered marvelous
and unexpected worlds that become characters in themselves. It almost doesn’t
matter what that world is, whether it’s 19th-century Chicago
architecture, bitcoin cartels or octopus linguistics. As long as it’s well-researched and rendered with depth, precision, and passion, your ticket to a
crime gets you at least two books, or even genres, for one!
Erik Larson is known for his masterful ability to combine meticulous research with rich prose to breathe life into history. This book, with intersecting narratives of a serial killer and a brilliant architect set at the 1893 World’s Fair in Chicago, painted such a living picture for me that I still felt stuck to the canvas even when I wasn’t reading.
I learned about astonishing true events and characters I barely knew existed. The contrast between the great inventors on the grand stage of the fair and the killer haunting its shadow was superbly done.
The Chicago World Fair was the greatest fair in American history. This is the story of the men and women whose lives it irrevocably changed and of two men in particular- an architect and a serial killer. The architect is Daniel Burnham, a man of great integrity and depth. It was his vision of the fair that attracted the best minds and talents of the day. The killer is Henry H. Holmes. Intelligent as well as handsome and charming, Holmes opened a boarding house which he advertised as 'The World's Fair Hotel' Here in the neighbourhood where he was once…
I grew up on a small farm in Mississippi and discovered the wide world through a movable feast of books provided by the Bookmobile. The hayloft was my favorite reading spot. I could look across the lake to imagine myself in WWII Paris, the frozen tundras of Alaska, or anywhere beyond the pastures where Daddy’s cattle grazed. I fell in love with words when I was eight years old, a dreamer spinning stories inspired by the ones I read between the covers of my beloved books. I still love words and hear their music as they flow onto the pages of the thrillers I currently write.
I was first drawn to Capote’s book because it’s an amazing hybrid—a page-turning, true crime story about the Clutter family murders in Kansas that reads like fiction. Capote and I are both products of the Deep South, so I knew to expect lyrical writing and rich details, two elements I treasure in a novel.
When I drive from my home to visit my son in Florida, I go through Monroeville, Alabama, where Capote grew up next door to Harper Lee (To Kill a Mockingbird), and I think of how she helped him interview friends of the victims and watched him almost lose his soul as he interviewed the killers.
Those interviews are the beating heart that sucked me into the story and ensured this novel would become a classic.
The chilling true crime 'non-fiction novel' that made Truman Capote's name, In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative published in Penguin Modern Classics.
Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved. At the centre of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly…
One of my first newspaper jobs was as a crime writer, covering and discovering crime stories in Bucks County, Pennsylvania. There's a lot of chaff among the wheat in the true crime genre. Some books are padded with the author's personal lives. Some have paper-thin plots. The books I've recommended are well-told, well-researched stories that are hard to put down.
Michelle McNamara waded into a new area of criminal investigation—hive investigation.
McNamara, a crime writer, got crime buffs together online, each using specific talents to search for the burglar-kidnapper-murderer who terrorized Californians for 12 years. With their help and DNA from an ancestry website, police were able to arrest ex-cop Joseph DeAngelo.
He pled guilty to 13 counts of murder and kidnapping in exchange for taking the death penalty off the table. Prosecutors called DeAngelo a poster boy for the death penalty.
Mc Namara's dogged detective work helped nab him and she is credited with the appellation Golden State Killer.
THE BASIS FOR THE MAJOR 6-PART HBO® DOCUMENTARY SERIES
#1 NEW YORK TIMES BESTSELLER
A BEST BOOK OF THE YEAR:
Washington Post | Maureen Corrigan, NPR | Paste | Seattle Times | Entertainment Weekly | Esquire | Slate | Buzzfeed | Jezebel | Philadelphia Inquirer | Publishers Weekly | Kirkus Reviews | Library Journal | Bustle
Winner of the Goodreads Choice Awards for Nonfiction | Anthony Award Winner | SCIBA Book Award Winner | Finalist for the Edgar Award for Best Fact Crime | Longlisted for the Carnegie Medal for Excellence
The haunting true story of the elusive serial rapist…
I have always been fascinated by the dark side of human nature and the socio-psychological aspects of criminal behavior, especially those of serial killers, and my legal training and experience afforded me apt tools for exploring and writing about true crime. I have been interviewed and appeared on a wide range of podcasts, radio, and TV shows about true crime for nearly a decade.
Written by one of the founding fathers of the FBI’s vaunted Behavioral Sciences Unit, this book covers an amazing array of cases that he worked, including those of Ted Bundy, John Wayne Gacy, Edmund Kemper, Jeffrey Dahmer, and Richard Trenton Chase (and even the lesser-known John Crutchley). Full of great details from the perspective of a veteran serial killer expert, this book belongs on any serious true crime aficionado’s bookshelf.
The author of this book played a major part in the FBI's development of psychological profiles for serial killers, he even invented the term "serial killer". Whilst Thomas Harris made Ressler's work famous in fiction, Ressler did it for real. His work in the Behavioural Science Unit led him to meet some of the most notorious criminals of the 20th century - Ted Bundy, Charles Manson, John Wayne Gacy and many more. In this book, Ressler describes the process of catching these men.
I am a history professor at Boston University, where I teach and write about modern American popular thought, political culture, trade, travel, and war especially in urban and transnational contexts. I enjoy histories that are based on deep and creative bodies of research and that push past timeworn myths and clichés about the American past.
The efforts of antifascist foreign correspondents to bring the United States into the war on the side of the Allies are well known.
Olmsted shines a light on the less-recognized but equally consequential collaboration between American and British rightwing journalists who did not want their nations to war against Hitler. Olmsted’s account brims with hilarious passages about the eccentric lifestyles of media moguls such as William Randolph Hearst and Lord Beaverbrook, as well as jaw-dropping quotes from the editorial pages of their newspapers.
How six conservative media moguls hindered America and Britain from entering World War II
"A damning indictment. . . . The parallels with today's right-wing media, on both sides of the Atlantic, are unavoidable."-Matthew Pressman, Washington Post
"A first-rate work of history."-Ben Yagoda, Wall Street Journal
As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the…
I have been studying and writing about, anarchism, gender, and the Spanish Civil War for almost 4 decades. I first explored what it would mean to organize a society without formal institutions of authority; and, as part of that research, I looked at how anarcho-syndicalist organizations related to governmental institutions and the struggle against fascism in Spain. I then engaged in a multi-year investigation of the social revolution that occurred in the midst of the ensuing Civil War and, in particular, the activities of the anarchist women’s organization, Mujeres Libres. Through the research for my book, Free Women of Spain: Anarchism and the Struggle for the Emancipation of Women, I was captivated by the extraordinary strength and enthusiasm of those women, and committed myself to telling their stories in ways that would be relevant to contemporary readers.
This is a now-classic essay that explores the ways mainstream news media (and subsequent academic studies) downplayed and/or misrepresented the revolutionary nature of the Spanish Civil War. Although the war began as a result of a failed military coup d’etat against a legally-elected republican government, it came to be seen simply as a battle between communists (identified with the government) and supporters of order (who were actually the fascist rebels!). Drawing parallels with the ways U.S. media represented the revolutionary forces in Southeast Asia during the Vietnam War, Chomsky makes clear just how significant that misrepresentation became—not just at the time, but in the continuing historiography of the Spanish Civil War.
Objectivity and Liberal Scholarship is Chomsky's powerful indictment of a liberal intelligentsia that provided self-serving arguments for war in Vietnam, legitimizing U.S. commitment to autocratic rule, to intervention in Asia and, ultimately, the "pacification" of millions. Over thirty years after their first printing, these are prophetic words, as today America effects "regime change" in Iraq and an increasingly boisterous militarism around the globe. Included here is Chomsky's classic counter-analysis of the Spanish Civil War as a revolutionary war from below, as he lays bare the hostility of even liberal scholarly elites to engage in mass movements and social change, revealing…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
From the country’s capital, the city’s journalists translated political power and social news – as well as a thriving social scene. They covered stories that were shared across the country. A mix of men and women, big names and freelancers, these journalists reveals behind-the-scenes reporting and relationships. The stories reveal how and why news is made. These watchdogs of government were often intertwined with politicians professionally and sometimes personally. This book offers a helpful understanding of Washington, D.C. journalism – and is highly entertaining.
An irreverent, warts-and-all look at the Washington Press corps--from big name stars to lowly stringers--offers fascinating insights into the Washington news pack and the people and events they cover
I’ve been fascinated by the news media and technology for as long as I can remember. I successfully campaigned for a VCR as a five-year-old, and watched multiple news programs with my grandfather growing up. Alongside these interests, I managed to read as many books as I possibly could. I’ve managed to somehow parlay that into a job as a researcher, where I study the news media sector and technological transformation. I read everything on this list while I was writing my latest book, and hope you enjoy them as much as I did!
I had the privilege of talking with Angèle at an event and discussing our different book projects.
The wonderful thing about this book it is reveals that the interaction between technology and journalism is incredibly culturally specific. We tend to think that every newsroom engages with technology in the same way, but Angèle shows that long-standing national journalistic cultures influence how technologies are adopted and used.
The book is also an ethnography, which means that it offers a wonderful insight into the day-to-day practices of the newsroom.
The starkly different ways that American and French online news companies respond to audience analytics and what this means for the future of news
When the news moved online, journalists suddenly learned what their audiences actually liked, through algorithmic technologies that scrutinize web traffic and activity. Has this advent of audience metrics changed journalists' work practices and professional identities? In Metrics at Work, Angele Christin documents the ways that journalists grapple with audience data in the form of clicks, and analyzes how new forms of clickbait journalism travel across national borders.
Drawing on four years of fieldwork in web newsrooms…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
Covers some of the same ground as Joanne Freeman, regarding dueling, reputation, politics, and the press in the antebellum U.S.A. But what I really like about this book is how it makes those historical issues relatable to our contemporary era by drawing parallels and connections between the politicized press of the 19th century and present-day debates about free speech in social media. If modern Twitter warriors had lived in the 1800s, they would have needed to know how to handle a sword.
This book argues that dueling should be looked at as a fundamental part of the history of journalism. By examining the nineteenth century Code Duello, the accepted standards under which a duel could be conducted, the author examines the causes of combative responses between journalists. Each chapter examines an aspect of this relationship from the nineteenth century until the present, including the connections between the ritualized aggression of the nineteenth century and the feuding among blog journalists today. A comprehensive bibliography as well as an overview of accepted practices under the Code of Honor as faced by nineteenth century journalists…
We all need to understand more about how the world ticks, who is in control, and why they act as they do. And we need to salute those of courage who refuse to go along with the flow in a craven or unthinking way. I was an MP for 18 years and a government minister at the Department for Transport with a portfolio that included rail, bus, active travel, and then at the Home Office as Crime Prevention minister. After leaving Parliament, I became managing director of The Big Lemon, an environmentally friendly bus and coach company in Brighton. I now act as an advisor to the Campaign for Better Transport, am a regular columnist and broadcaster, and undertake consultancy and lecturing work.
A highly perceptive if rather depressing examination of how the British media works, how expensive investigative journalism has largely given way to opinion columns and trivia about so-called celebrities, how stories are often not stories, how papers dress up partisan opinion as fact. In short, an exposure of the falsehoods, distortion, and propaganda that have corrupted the media. Nick Davies was a journalist at the Guardian.
Does 'fake news' really exist? Find out from the ultimate insider.
After years of working as a respected journalist, Nick Davies, in this shocking expose, reveals what really goes on behind the scenes of this contentious industry.
From a prestigious newspaper that allowed intelligence agencies to plant fiction in its columns, to the newsroom that routinely rejected stories due to racial bias, to the number of papers that accepted cash bribes. Gripping, thought-provoking and revelatory, this is an insider's look at one of the most tainted professions.
'Meticulous, fair-minded and utterly gripping' Telegraph
'Powerful and timely...his analysis is fair, meticulously…
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