100 books like Trip Through Your Wires

I’m not sure where my love of thrillers in dark settings originated. I’ve always loved mysteries – starting out with Nancy Drew as a kid and then graduating to more mature material as I got older – and a setting that feels like a character in itself is fascinating to me. My love of the dark, moody element has developed as I’ve gotten older – I spent my twenties reading a lot of chick lit and upbeat fiction, but something has shifted in the last decade or so that caused me to embrace the darkness a bit more. 

Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.

Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.

I am a writer whose passion for Dark Academia developed in the academic world, teaching and studying at universities, as well as working in libraries and archives across the U.S. and Europe. I hold a master’s degree and Ph.D. in History from the University of St Andrews, Scotland, and an MFA in Creative Writing from New York University. The hallowed halls of historic universities provide an ideal backdrop to explore ruthless competition and the relentless drive for intellectual supremacy, which is integral to the Academy. It’s a happy coincidence to me that Dark Academia books have become so popular recently. Fun fact: The Bequest was written before I had ever heard the term! 

I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.

I am a lifelong Southerner and former journalist who believes that the region holds a unique place in American literature. I have a passion for the ultra-twisty ending because I try to incorporate it into each of my own mysteries. I want a reader to stay up late reading one of my books, then finish it in astonishment, thinking, “Wow! I didn’t see that coming!” (And then mention it to her friend over coffee the next morning.) I have read mysteries since I was 12 years old and always appreciate an author who can fool me.  

I’m a Pushcart-nominated writer of (mostly) young adult and adult horror and suspense. I primarily write about the fear of isolated and sparsely populated places, which makes sense: I grew up in the rural hinterlands of northeast Pennsylvania, steeped in dark cornfields, eerie quiet, and weird characters. I now live in the Philadelphia area with my husband and rescue dog in a creaky, century-old house, giving myself agita about the creepy crawlspace in the basement. I’m the author of two novels: A Misfortune of Lake Monsters (YA horror, July 2024) and The Trajectory of Dreams (adult psychological suspense, 2013).

I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.

Half a century ago (hard to believe!), as a young newspaper reporter, I began every day at a police station, reading the log and talking to the watch commander. Occasionally, I was able to contact the detectives as well. For me, the way crimes and criminal investigations unfolded, and the personalities of the officers involved, were multi-dimensional and touched with surprising, and often unexpected, moments of humor. In my reading as well as my writing, I seek a balance between authenticity and a sense of the absurd, without which the experience of solving murders—real or fictional—could become emotionally crushing. 

I adore suspense, mystery, and romance, but more so, I love books that inspire me and also aren’t necessarily easy to figure out. I’m a published and Christy award-winning author in this genre myself, but I have been reading this genre for over thirty-three years. I would definitely have to say my qualifications as a reader of suspense and mystery far outweigh those of an author. When I read suspense and romance, I look for two key elements: hard-to-figure out suspense and believable romance. I’m not out for bells and whistles as a reader, but instead look for well-crafted stories that are more like a puzzle that must be solved.