Here are 100 books that The Moth and Moon fans have personally recommended if you like
The Moth and Moon.
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I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This novel weaves three unique stories told by three very distinctive gay men who live in London at completely different periods of time. What unites them? Internalised homophobia, something as a gay person I remember from a long time ago. Each character yearns for someone. Each in a distinct way. Rent boy, Jack, longs for his regular client, Oscar Wilde. Lonely artist Colin desires the model he paints while staying closeted in the 1950s. And David’s desire lands him in prison in the 1980s.
Each story travels at the same pace with each character reflecting similar highs and lows. And you don’t have to be gay to identify with this well-written novel.
"London itself is as powerful a presence here as the three gay men whose lives it absorbs." —The Times Literary Supplement
"Vivid and visceral, London Triptych cuts deep to reveal the hidden layers of a secret history." —Jake Arnott, author of The Long Firm
Rent boys, aristocrats, artists, and criminals populate this sweeping novel in which author Jonathan Kemp skillfully interweaves the lives and loves of three very different men in gay London across the decades.
In the 1890s, a young man named Jack apprentices as a rent boy and discovers a life of pleasure and excess that leads to…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is the first of a trilogy of which any book in the series is worth reading. In this farce written long before marriage equality, a gay man hatches an outlandish scheme to throw a wedding, just for the expensive gifts. What follows is a comedy that incorporates blackmail and the mafia. You read this novel for pure pleasure, enjoying the clever one-liners while the plot spirals out of control. Flamboyant, camp, and ridiculously funny.
Set in contemporary New York, this book revolves around four characters, all either unemployed or barely employed. The calamities begin when Gilbert, who is gay, and Moira, an arch bitch, devise a seemingly brilliant plan to swindle their respective monied families - by getting married.
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is deliciously dark. It’s a tale about Eric, a twisted teenager who has tied up a home invader and is keeping him downstairs while his mother has left him alone. She’s busy trying to seek fame overseas. Eric keeps his teachers and his classmates unsettled while paying his daily expenses by entertaining older clients in Sydney’s richer suburbs.There is nothing charming about this story, yet its cast of disturbing eccentric characters makes this a real page turner.
A school in turmoil over its senior play, a sly career as a teenage gigolo, an unpredictable girlfriend with damage of her own, and a dangerous housebreaker tied up downstairs. Any of these would make a great plot for budding filmmaker Eric's first movie. Unfortunately, they're his real life. When Julien, a handsome wannabe actor, transfers to Eric's class, he's a distraction, a rival, and one complication too many. Yet Eric can't stop thinking about him. Helped by Eric's girlfriend, Mary, they embark on a project that dangerously crosses the line between filmmaking and reality. As the boys become close,…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
Charlie is homeless and lives in an abandoned carnival, just one of the places full of wonder and mystery in this novel. He is sometimes fed by a mature-aged gay couple and has an unrequited love. But he dies and we continue reading his story in a surreal version of the world he inhabited while alive. Yes, Charlie is a ghost. The carnival he still lives in has a life of its own, and he needs to protect the living who showed him kindness. A truly beautiful tale.
My name’s Charlie. I’m many things, though none of them having to do with any real talent. I’m a runaway, a hustler when I need to be, a ghost when I have to scare hoodlums away from my home, and a loner who maybe reads too much. But most of all, I’m the keeper of the carnival. That’s how I see myself. I look after the place ’cause even dying things need to be cared for. Maybe it’s illegal. Maybe that rusty metal fence around the carnival is supposed to keep me out too. Or maybe me and this place…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
This book is probably the single most praised underground gay novel of my generation, and deservedly so. It’s so many things—beautiful writing, an old west setting in all its ugliness and adventure and hope, and a highly original narrative voice in the bisexual native orphan, Shed, who is being raised in a bordello. All the characters are well-drawn and as odd as the narrator, and the erotic journey, if I can call it that, is one of the most original, thought-provoking, and beautiful expressions of the possibilities of queer I’ve ever encountered. Spanbauer has helped me to write more skillfully about class and race and sexuality and how they are everywhere and how they can warp—and sometimes, oftentimes—set people free.
The cult gay classic of the early 1990s, reissued to mark the year of the 50th anniversary of the Stonewall riots
Between nights, earning his keep at Excellent, Idaho's outrageously pink whorehouse, Shed or, Duivichi-un-Dua - lives a life of drinking, talking and smoking opium stardust with his eccentric family. But soon, he will leave this tiny turn-of-the-century town in search of the true meaning of his Shoshone name - and in search of himself.
Along the way Shed will fall in love with the philosophical, green-eyed, half-crazy cowboy Dellwood Barker, a man who talks to the moon, on a…
My first published novel, Mahu, was about a gay cop coming out of the closet in Honolulu while investigating a dangerous case. I didn’t even realize there was a whole genre of gay mysteries until I’d finished it, but since then I have made it my business to read as much as I can of these books, both classics and new ones. My reading has deepened my understanding only of my protagonist’s life, but of my own.
Daniel Owen is a cop in a small Welsh town where everyone knows everyone else, and it seems like everyone is holding secrets. I love this book because of the atmosphere and the chance to see a different culture. Daniel is a great guy and I’ve enjoyed all the books featuring him so far.
Why don’t the local police want to find out who dumped the body in the woods?
Just how unpopular will Daniel be if he investigates the murder himself? Why is DCI Kent always there when Daniel needs rescuing, and why is he so hostile the rest of the time?
The abandoned mine shafts give Daniel the creeps, especially when he finds another dumped body. No one wants Daniel around. And no one wants DCI Kent around either.
Unless the two men work together the murderer will go free.
As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.
The first book in Nava’s best-known series, Lay Your Sleeping Head introduces defense attorney Henry Rios. Rios is struggling with addiction and an existential crisis; when he is drawn into investigating the murder of a young man he loved, he finds he is the only one willing to dig for the truth. Nava’s books are lyrical, intricate, and intensely thoughtful about what it means to be a gay man.
Set in the summer of 1981, in a university town 30 miles south of San Francisco. Henry Rios, a gifted and humane lawyer driven to drink to by personal and professional demons, meets Hugh Paris, a charming junkie struggling to stay clean. Hugh tells Rios an improbable tale of long-ago murders in his wealthy family. Rios disbelieves him but the erotic spark between the two men ignites an obsessive affair that ends only when Hugh is discovered with a needle in his arm on the campus of the great university founded by his ancestor. Rios refused to believe Hugh’s death…
I grew up attending Catholic school in conservative Indiana. Sex—especially if it was of the homosexual variety—was the ultimate taboo. I can’t overstate how damaging it is to believe that one of your natural urges is proof of your depravity. Books that depict queer sexual relations, be they fleeting or romantic, gave me my first glimpse of a wider world where my sexual identity could be expressed. These books liberated me. Even now, I find that sexy and subversive novels help me understand parts of myself that can still be difficult to discuss in polite company. We all need our boundaries pushed.
I’m a gay Black man, and I’ve worked as a television writer (The Chi, Bel-Air) for more than a decade, so I know from experience the burdens of representation. There is tremendous pressure to make sure we craft Black and/or gay characters that remain relatable or sympathetic. Otherwise, we risk losing the general audience.
That’s why it brought revolutionary joy to my heart when I read 100 Boyfriends in 2021. With this story collection, Brontez Purnell lays our collective burdens down and gives us Black queer men with messy lives. The result is characters that can be infuriating, endearing, disturbing, and hilarious. The book challenges readers to recognize the facets of humanity—commendable, questionable, and despicable—in Black queer men. It feels like the dawn of a new age.
Winner of the 2022 Lambda Literary Award in Gay Fiction. A New York Times Book Review Editors' Choice. Longlisted for the 2022 Mark Twain American Voice in Literature Award and the 2021 Brooklyn Public Library Literary Prize. One of Buzzfeed's Best LGBTQ+ Books of 2021, NBC's 10 Most Notable LGBTQ Books of 2021, and Pink News' Best LGBTQ Books of 2021.
"This hurricane of delirious, lonely, lewd tales is a taxonomy and grand unified theory of the boyfriend, in every tense." —Parul Sehgal, The New York Times
"I loved this book—raunchy, irreverent, deliberate, sexy, angry, and tender, in its own…
As a queer fantasy author, my work strongly focuses on detailed plots and lush world-building, but as a reader, I have to admit that the things that hook me on a story are vibrant characters—particularly when they come in couples. After all, it’s the characters that explore their lush worlds and who bring detailed plots to life. One of my absolute favorite reading experiences is following a dynamic couple as they play off each other’s strengths and defend one another’s weaknesses to overcome all odds. It’s just the best feeling, in my opinion. So if you’re looking for a great fantasy book—or series—featuring gay couples, here are five of my favorites!
The world of The Sea
of Stars is amazingly creative; a modern setting that flawlessly incorporates
magicians, scheming courtiers, enchanted animals, and prophetic astronomy in
an age of cell phones, animal activists, and labor agencies. The majority of
common people are ruled over by nobles and magicians who regularly strip human
beings of their souls and lock them away inside animals, thus creating a
soulless human workforce as well as intelligent animal servants. As weird as
that may sound, the characters are so well written that the book is
astoundingly humane and moving.
I sympathized completely with Grand Magician Zachary Drake
in his disdain for the ruling class and its dehumanizing practices. Though,
I’ll admit, a couple of times I was so fascinated by the unexpected creativity of
the world that I almost wanted to see more. And I definitely appreciated
Drake’s snark and cynical commentary.
Thomas Myrdin knows that intrigue is part of life at court, but that doesn’t make his king’s betrayal any easier to take. Yet heartbreak troubles him less than the apocalyptic visions that haunt him. Fiery premonitions that show the world burning in ruins—and the cause, the king’s daughter. Visions and vengeance awaken a strange new power within him, but not even he is sure if those visions are prophecy or madness.
Lord Adam Wexley harbors a secret longing for the elegant Thomas, but his duty is to protect the newborn princess. When a sudden threat arises, Adam…
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
As befitting the cheeky title, this book – about what it means to be, and to become, a gay man – is incisive, erudite, and a lot of fun to read. A pioneer of queer theory (and with this intervention, I suspect, a renegade from it), David Halperin is an unapologetic camp. He challenges received wisdom about how gay sensibility supposedly is misogynist, passé, irrelevant or dead, and his reflections on everything from Joan Crawford’s pizazz,to the current state of gay marriage, vacillate between being capacious and withering. “Sometimes I think homosexuality is wasted on gay people” he sniffs at one point, dispensing a delightful, and typically barbed, aperçu.
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as…
