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The Authentic Life of Billy, The Kid.
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I wrote my first cover story on climate change circa 1996, when the computer modeling made clear what would happen. Then I began to see clear physical evidence that the planet was warming, and not much was being written about it outside academic circles. That led to the book Feeling the Heat. I recruited a bunch of experienced environmental journalists, sent them around the world, and they came back with very detailed and important reporting based on what they’d seen—melting glaciers, rising seas, changing ecosystems.
This is one of many Wild West autobiographies posted in various formats at the invaluable and for the most part free to use Archive.org. The book is remarkable because it’s one long excuse for the author’s many murders. Hardin—far from the sympathetic figure portrayed in Bob Dylan’s “John Wesley Harding” (with an extra “g”)—comes across as a vicious racist and dissembler. He maintains that the people he shot all but begged him to finish them off. Remarkably, he became a lawyer before being plugged himself.
In an era and an area notable for badmen and gunslingers, John Wesley Hardin was perhaps the most notorious. Considered by many of his contemporaries to be almost illiterate, he nevertheless left for publication after his death in 1895 this autobiography, which, though biased, is remarkably accurate and readable.
Hardin was born in 1853 in Bonham, Texas, the son of a Methodist preacher. His first brush with the law came at the age of fifteen when he killed a Negro during an altercation typical of the strife-torn Reconstruction era. In the ten years between his first killing in 1868 and…
I wrote my first cover story on climate change circa 1996, when the computer modeling made clear what would happen. Then I began to see clear physical evidence that the planet was warming, and not much was being written about it outside academic circles. That led to the book Feeling the Heat. I recruited a bunch of experienced environmental journalists, sent them around the world, and they came back with very detailed and important reporting based on what they’d seen—melting glaciers, rising seas, changing ecosystems.
There are many media depictions of Deadwood, including in a popular HBO series with a lot of swearing in it. This book is fascinating because it’s a report by an eyewitness. Want to know what an evening was like at Al Swearengen’s Gem Theater, portrayed in the show? The Gem was “a clangorous, tangling, insidious part of Deadwood’s nightly life,” Bennett tells us.
Deadwood in the late 1800's was a rowdy mining town where fortunes were made overnight (and guarded with a Winchester). Local characters like Cold Deck Johnny, Slippery Sam, and Swill Barrel Jimmy rubbed elbows with the infamous Calamity Jane and Wild Bill Hickock. Preacher Smith, a "sky pilot without a compass" tried to keep everyone's souls in order while the author's father, Judge Bennett, upheld the law. The author grew up along with the town, and saw it change from a semi-permanent miner's camp to a real town when the railroad came. Full of real wild west exploits and notorious…
I wrote my first cover story on climate change circa 1996, when the computer modeling made clear what would happen. Then I began to see clear physical evidence that the planet was warming, and not much was being written about it outside academic circles. That led to the book Feeling the Heat. I recruited a bunch of experienced environmental journalists, sent them around the world, and they came back with very detailed and important reporting based on what they’d seen—melting glaciers, rising seas, changing ecosystems.
By some estimates, a quarter of the cowboys on the frontier were African-Americans. I tell some of their stories in my Outlaws book, but this is a much more complete account. Some of the prominent figures of color—Nat Love, Bass Reeves, Rufus Buck, Cherokee Bill, Jim Beckwourth—are portrayed in the 2021 Netflix movie They Harder They Fall, but any resemblance to actual history in that film is purely coincidental.
Who were the black cowboys? They were drovers, foremen, fiddlers, cowpunchers, cattle rustlers, cooks, and singers. They worked as wranglers, riders, ropers, bulldoggers, and bronc busters. They came from varied backgrounds - some grew up in slavery, while free blacks often got their start in Texas and Mexico. Most who joined the long trail drives were men, but black women also rode and worked on western ranches and farms.
The first overview of the subject in more than fifty years, Black Cowboys in the American West surveys the life and work of these cattle drivers from the years before the…
I wrote my first cover story on climate change circa 1996, when the computer modeling made clear what would happen. Then I began to see clear physical evidence that the planet was warming, and not much was being written about it outside academic circles. That led to the book Feeling the Heat. I recruited a bunch of experienced environmental journalists, sent them around the world, and they came back with very detailed and important reporting based on what they’d seen—melting glaciers, rising seas, changing ecosystems.
Why isn’t Soapy Smith better known? He was one of the most outrageous con men who ever lived, and would make a fine subject for a film. After a colorful life of fleecing people with three-card monte and bunco of every description (and getting run out of Denver), he turned up in Skagway, Alaska during the Gold Rush of 1896, and his gambling parlor took the miners for every penny. He was finally gunned down in 1898.
*Includes pictures *Includes a bibliography for further reading Before there was Charles Ponzi, there was Jefferson Randolph “Soapy” Smith II. The famed Old West con artist and gangster's criminal career ranged from Texas to Alaska, from Denver to the Klondike. But Smith was not predestined to become a criminal; if genetics and environment typically determine one’s destiny, he could have become a farmer, a lawyer, or a politician. He was born in Coweta County, Georgia, on November 2, 1860, to Jefferson Randolph Smith, Jr., and Emily Dawson Smith, right as the Southern society his family was a part of was…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
Utley, a respected historian of (mostly) Indian-related research, offers the cold, hard facts of Billy’s life and remains true to objectivity, leaving the reader with the job of analyzing the right and the wrong of decisions, reactions, and events.
What tantalizes me about his book is that a researcher of such stature would choose to write about a teenaged outlaw and killer, when so many other topics of greater significance await their turn in his pen.
Whatever his name or alias at the moment-Henry McCarty, Henry Antrim, Kid Antrim, Billy Bonney-people always called him the Kid. Not until his final month did anyone call him Billy the Kid. Newspapers pictured him as a king of outlaws; and his highly publicized capture, trial, escape, and end fixed his image in the public mind for all time. He was only twenty-one years old when a bullet from Sheriff Pat Garett's six-shooter killed him on July 14, 1881. Within a year Billy the Kid became the subject of five dime-novel "biographies" as well as Garett's ghost-written account, and that…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
Nolan, an Englishman who researched from his home country, has long been considered the world authority on Billy the Kid.
It can still be said that all research on Billy begins with Nolan, who died in 2022. His book undertakes the massive quest to explain the Lincoln County War in detail and to reveal the endless cast of characters interwoven throughout the struggle.
Nolan’s supple mind has delivered unto us provocative motives for Billy’s actions and thereby expanded our understanding of the Kid’s mind. Without Nolan, historians would be left with mere nuggets of information and not necessarily hold the larger story in perspective.
In The West of Billy the Kid, renowned authority Frederick Nolan has assembled a comprehensive photo gallery of the life and times of Billy the Kid. In text and in more than 250 images-many of them published here for the first time-Nolan recreates the life Billy lived and the places and people he knew. This unique assemblage is complemented by maps and a full biography that incorporates Nolan's original research, adding fresh depth and detail to the Kid's story and to the lives and backgrounds of those who witnessed the events of his life and death.Here are the faces of…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
As it is often said, “history is written by the winners.”
The Hispanic population had very little voice in the outcome of the Lincoln County War, but it is they who had the deepest insight into who Billy was, for they were his friends and he their champion. Mills has mined that forgotten voice to publish a more thorough understanding of who the Kid was.
The result is a greater appreciation for Billy as a human being. This is a long overdue perspective that better defines Billy Bonney’s admirable traits.
In the annals of American western history, few people have left behind such lasting and far-reaching fame as Billy the Kid. Some have suggested that his legend began with his death at the end of Pat Garrett's revolver on the night of July 14, 1881, in Fort Sumner. Others believe that the legend began with his unforgettable jailbreak in Lincoln, New Mexico, several months prior on April 28, 1881. Others still insist his legend began with the publication in 1926 of Walter Noble Burns's book, The Saga of Billy the Kid.
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.
Estleman has taken a well-known story—the chase, capture, and assassination of Billy the Kid—and given it new life by exploring the occult and its effect on Sheriff Pat Garrett as he stumbles toward his destiny as the killer of the Kid.
This novel is a perfect example of how fiction can sometimes offer a richer probe into history by exposing the inner workings of the characters.
In Loren D. Estleman's Journey of the Dead, when Pat Garrett killed his poker buddy, Billy the Kid, he had no idea what a terrible emotional price he would pay. Haunted by memories of Billy, Garrett wanders the New Mexico desert in a fruitless pursuit of peace.
Deep in the same desert, an ancient Spanish alchemist searches for the fabled philosopher's stone. Resolutely alone in his quest he devotes his long life to hunting the secrets of the old gods.
As these two men seek answers to questions that have confounded mankind for centuries, their stories encompass the panorama of…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
Most people with even a casual familiarity with Billy the Kid know at least three things about the young outlaw:
1) Billy was captured and found guilty of murder.
2) Before he could be hanged, he affected a spectacular escape.
3) He was hunted down and killed by Sheriff Pat Garrett. Because of the high drama of that last point (a shooting in a dark room at midnight near the bedroom of Billy’s paramour) and because of the machinations of the sheriff’s ghostwriter and publicist, Garrett has received all the glory for the Kid being brought to justice.
But there was another lawman who deserves just as much credit—Frank Stewart, lead detective for a Texas cattleman’s association. Stewart played an equal role in Billy’s capture, but his name was suppressed by those who did not want to divvy up fame. This new information is the subject of this book.
New, hardcover copy of the latest book on the life of Billy the Kid, concentrating on the fall and winter 1880 chase-and-capture of Billy and the boys at Stinking Spring. 424 pp., pages 8 1/2 x 11, over 120 illustrations and documents, many never before published. Much new material. Also available: SIGNED copies; and limited edition in slipcase.
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
This book does a fine job of laying out the complex plots and cross-plots of a most complicated New Mexico Territory of the 1870s.
The full spectrum of politics, murders, and factions can be overwhelming to a first-time student. There are clearly too many players in the story for a reader to grasp the overarching drama. Mr. Wallis found a way to guide the reader across this challenging terrain without shortcuts.
Award-winning historian Michael Wallis has spent several years re-creating the rich, anecdotal saga of Billy the Kid (1859-1881), a deeply mythologized young man who became a legend in his own time and yet remains an enigma to this day. With the Gilded Age in full swing and the Industrial Revolution reshaping the American landscape, "the Kid," who was gunned down by Sheriff Pat Garrett in the New Mexico Territory at the age of twenty-one, became a new breed of celebrity outlaw. He arose amid the mystery and myth of the swiftly vanishing frontier and, sensationalized beyond recognition by the tabloids…
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