91 books like Sojourner Truth

This non-fiction book is giving Harriet Tubman the recognition she deserves. She was a hero in the true sense, who lived a life of service to others, and truly helped change the world. We have all heard of her, but few know who she really was, how much she did, and how incredibly brave she was.

Sometimes when I’m having a hard time, I think of how much she did all by herself, literally walking alone into enemy territory to save others, and leading an army of men. I could never compare myself to her, but thinking of her inspires me and gives me courage. 

In 1761, the slave ship Phillis departed from Africa and headed toward America. Among the human cargo was a young girl. Judging by her missing incisors, she was seven or eight years old. Soon after the ship’s arrival in Boston, John and Susann Wheatley purchased the girl and named her after the ship that had delivered her to them. Mrs. Wheatley taught their servant to read and write and introduced her to classical and English literature, including revered poets. Around 1765, Phillis began writing poetry, and her first poem, “On Messrs. Hussey and Coffin,” published in 1767, when she was only about fourteen years old, rendered her the first black person in America to publish a poem. Carretta’s collection of Wheatley’s work includes a fascinating, thoroughly researched introduction.

Though not published until 2002, after Harvard University professor Henry Louis Gates, Jr. purchased and authenticated the manuscript, the autobiographical novel The Bondwoman's Narrative by Hannah Crafts is widely considered the first book known to have been written by a fugitive enslaved woman. Crafts was the author’s pseudonym, and the novel, estimated to have been written in 1858, parallels the life of Hannah Bond, a woman who is documented to have escaped enslavement on a North Carolina plantation and who, like the novel’s protagonist, eventually settled in New Jersey. The preface and introduction of the published book read like a mystery adventure as Professor Gates reveals his multifaceted strategies to identify the real-life author and the real-life characters of her book.

I think everyone should read at least one slave narrative, and Jacobs’s is a gem of both exquisite storytelling and powerful testimony.

Jacobs tells her own story but also the story of a whole town and a whole society, and she paints a devastating portrait of the rot at the heart of the Old South, the sham that slave power made of all human relations that came into contact with it.

Howe is best known for writing the song that inspired countless Northerners during the Civil War, “The Battle Hymn of the Republic.” Showalter pulls back the curtain on Howe’s life to reveal a woman stuck in a bad marriage with a stifling husband, overwhelmed by childbearing and rearing. Howe took up writing, first completing a novel before turning to poetry. She embraced the abolitionist movement and after the Civil War--after writing her most famous work--focused her energy on women’s rights, serving as president of the American Woman Suffrage Association.

With all the research skills of a historian, McMillen pulled together fascinating information to show that Lucy Stone deserves recognition as a founder of the women’s rights movement right along with Susan B. Anthony and Elizabeth Cady Stanton. Stone risked her reputation to become a public speaker on the topics of slavery and abolition and women’s rights (it wasn’t considered appropriate for a woman to talk in front of audiences). Her dedication to securing rights for the newly freed enslaved people after the Civil War caused a break with Anthony and Stanton, which resulted in her near-erasure from the history of the postwar women’s suffrage movement.

Goldsmith vividly recreates the life and times of Woodhull, a shrewd manipulator who traded on her physical beauty and her intellect to run a successful brokerage firm after the Civil War. Woodhull, along with her sister Tennessee Claflin, used some of her profits to publish a women’s rights newspaper that supported suffrage and other women’s rights causes. Stanton and Anthony, initially intrigued by her keen business sense and her suffrage commitment, soon shunned her for her radical views on sexuality. Woodhull pushed all sorts of boundaries designed to contain women, even political ones--she ran for president in 1872.

Wickenden’s three agitating friends were Harriet Tubman, Frances Seward, and Martha Coffin Wright, women who likely first connected through their work on the underground railroad. Of this estimable trio, Tubman remains the most well-known to history as the formerly enslaved woman who regularly risked her life to guide enslaved people out of bondage before and during the Civil War. Seward, the wife of Lincoln’s secretary of state, used her wealth and power to fight for the rights of Blacks and women. Wright, a Quaker, was the sister of Lucretia Mott, and the two of them helped plan the first women’s rights conference, held at Seneca Falls, New York, in 1848. Wickenden skillfully excavates existing source material to craft this compelling group biography.

Alice James changed my life as a writer. It completely opened up the field of biography and pointed the way to the work I’ve been doing for almost four decades: writing women’s lives. Before Alice James, biographies had to be of famous people, usually men. Here was a book about the little sister of the great novelist Henry James and the eminent philosopher William James, a woman who had essentially done nothing with her own talent and brilliance except—luckily!—keep a diary. Jean Strouse read that diary and used it as the entry point for a whole book about the dynamics of an extraordinary family, about women’s choices in 19th century America, about invalidism and suppressed ambition. It’s a riveting psychological tale full of poignance and unexpected heroism.  

Stacy Schiff is a master biographer. Any subject she chooses (Cleopatra, Benjamin Franklin, Antoine de St. Exupéry, the accused witches of Salem) is elevated by the passion and persistence she brings to research and writing. Her Pulitzer Prize-winning biography of Véra Nabokov, the wife of Vladimir, is another pioneering work that proves you don’t have to be at center stage to be worthy of a book. What did Véra do for Vladimir, and he for her? This is no take-down, not the kind of exposé that reveals the great man’s wife as the true genius, exploited and forgotten. It’s a love story of equals, two against (and for) the world.