100 books like Robots in Space

Astronomers have explored space for centuries without leaving the ground. Some of the most important astronomical discoveries of the twentieth century were made by women who overcame discrimination and whose work is just now being recognized.

Sobel’s book not only tells the story of a group of women who revolutionized our view of the universe, but it also helps us understand how astronomers go about their work of discovery.

As someone who loves biographies, I can think of few better books than this thorough and readable biography of the colorful and controversial figure who was a leading figure in World War II, the Cold War, and the race to the Moon, Wernher von Braun.

His amazing life saw him working with the likes of Adolf Hitler, Walt Disney, and President John F. Kennedy and took him from the depths of the Nazi war machine to the heights of celebrity in America.

I have read many books about the Apollo astronauts and their journeys to the Moon, but this very readable book is the only one that took me along on the greatest human adventure in space.

Chaikin also left me knowing each one of these astronauts better than I did when I started.

The Space Shuttle program opened up space travel to women and visible minorities, changing the whole meaning of who astronauts are.

This book tells the story of the first group of shuttle astronauts and their exploits in the Space Shuttle era in a form that I enjoyed, and that will appeal to readers who aren’t familiar with the history of the shuttle program.

I fell in love with Murderbot in the first paragraph. Every book afterward in the series just made me love it more.

The hero of the Murderbot Diaries is part robot, part humanoid, and all done-with-everyone’s-crap. Everyone seemed to think that if a construct like it gained its freedom, it would rampage around killing everyone. Instead, it just wanted to be left alone to watch some good shows, and read a book or ten. Been there.

I cracked up at the sarcasm, got pulled in by the action, and felt the compassion that drove Murderbot to jump into the mouth of a deadly creature to save a human’s life. I went through the angst of Murderbot learning how to connect with people without compromising itself, and identified all too well.

One of my philosophy professors said science fiction writers were the new philosophers. I couldn’t agree more. Science fiction authors can create worlds to test hypotheses about social structures. Hogan creates a world seeded with humans with the goal of finding a planet they can move to before the impending self-inflicted destruction of Earth. Without the connection to Earth, the society that forms is a highly productive world without an exchangeable currency. The robots that brought the ship to the planet can build everything they need. After generations, Earthlings make their way to the planet, bringing the ideas and philosophies that destroyed Earth. The locals welcome them and are amused at the absurd ideas. This book does a wonderful job exploring concepts of wealth, social structure, and so much more. 

"Reason" is a science fiction short story first published in the April 1941 issue of Astounding Science Fiction and collected in I, Robot (1950), The Complete Robot (1982), and Robot Visions (1990). It is part of Asimov's Robot series and was the second of Asimov's positronic robot stories to see publication. It tells the story of Cutie, a new class of robot that was designed to autonomously run a space station, which supplies energy via microwave beams to an energy-starved Earth. Cutie comes to realize, because he is so perfect and his human companions are so imperfect, that humans could not have created him. The book explores what it means to be human.

A boy and a robot decide to play together. The robot’s switch is bumped, and he turns off. The boy tries to help—he feeds the robot applesauce, reads him a story, and tucks him in. When his switch is bumped again, Bot tries to help the sleeping boy, giving him oil, reading him an instruction manual, and getting a battery. Only when the inventor shouts, “Stop! That is a boy!” do the friends sort of understand each other. You can do your best robot voice reading this aloud, and the brightly-colored pictures add warmth and jokes to the story.

I love this novel. I read it well after my own came out, but the strong, badass, stoic female main character reminded me a lot of Delia from What Branches Grow (despite Brittle being a robot). The often dark and gritty scenes interspersed with moments of emotion and laugh-out-loud absurd humour turned a story that could have been depressing into one that was a helluva lot of fun. The raiders in this novel also fit the trope in the same homage to Mad Max/Fallout that mine do in What Branches Grow, albeit in a way I didn’t expect. The novel is also a quest through the wasteland with a ragtag group that culminates in a final battle, which is a similar trajectory to my novel (and a plotfline in this genre I very much enjoy).

For me speculative fiction is about twisting one aspect of the real world, and then playing with the consequences. I love the way that Philip K Dick does this.

Some of his ideas seem absurd, but as a reader you quickly buy into them. This is not a traditional crime novel in any sense, but is about a bounty hunter tracking down escaped androids. As he confronts questions about his own humanity, it raises ethical issues for the reader as to what it is to be human.

Like all Dick’s works it is clever, entertaining, and thought-provoking.