Here are 84 books that Oscar Wilde and a Death of No Importance fans have personally recommended if you like
Oscar Wilde and a Death of No Importance.
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I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.
Jane and the Unpleasantness at Scargrave Manoris the first of Stephanie Barron’s 14 Jane Austen mysteries, based on Austen’s “discovered” diaries about her adventures as a sleuth. The series’ witty tone is true to Austen’s, and portrayals of Austen’s family are based in fact. In this opening volume, Jane is visiting a friend “of more fashion than means” newly married a middle aged earl—who dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb.
For everyone who loves Jane Austen...a marvelously entertaining new series that turns the incomparable author into an extraordinary sleuth!
On a visit to the estate of her friend, the young and beautiful Isobel Payne, Countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband—a gentleman of mature years—is felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the Earl's nephew of adultery—and murder. Desperately afraid…
My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
Talk about feisty women who advance against tremendous odds! Despite the stultifyingly constrained life of “almost-poor” women in early Victorian England, out in the moor country, the three Brontë sisters (Charlotte, Emily, and Anne) slip around the rules, their father, and manage their wayward but beloved brother—all while being determined to become writers—and solve the occasional murder that happens in their neighborhood. Great period details and fascinating information about these three remarkable sisters, along with a great mystery read. This is the first book in the series.
Before they became legendary writers, Charlotte Brontë, Emily Brontë, and Anne Brontë were detectors in this charming historical mystery...
Yorkshire, 1845. A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson’s daughters—the Brontë sisters—learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.
These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent “lady detectors.” Not yet published novelists, they have well-honed imaginations…
I’ve obviously read a lot of Holmes retellings. Part of the impetus behind my new novella was trying to figure out whyI was so attracted to them. Part of it, I realized, is the neurodivergence aspect: fundamental to the Holmes story is the idea of someone who thinks differently—and who finds a way to interact with the world that uses that as an asset. The other component I love is the Holmes-Watson dynamic. Whether it's romantic or not, the development of a relationship of affection between two people who think very differently is an emotional counterpoint to plot-driven mysteries. Those elements—along with stellar writing, gripping mysteries, and characters I love spending time with.
I just did a reread of this timed for the release of the seventh in the series, and every time I read it I’m blown away by the genius way Thomas deconstructs the Holmes mythology and then puts it back together again in a new, fascinating, plausible, entirely satisfying way.
In this retelling Holmes is not only a woman, but one who has been exiled from society for—well, behaving like Sherlock Holmes. The characterization—not only of Holmes, but also of her family, associates, and enemies—is rich and believable, and the mysteries are complex and gripping.
The whole series explores the fundamental injustice of women being treated differently from men, as well as the many ingenious ways women find to escape, avoid, and subvert that norm—and the price they pay.
USA Today bestselling author Sherry Thomas turns the story of the renowned Sherlock Holmes upside down in the first novel in this Victorian mystery series....
With her inquisitive mind, Charlotte Holmes has never felt comfortable with the demureness expected of the fairer sex in upper class society. But even she never thought that she would become a social pariah, an outcast fending for herself on the mean streets of London.
When the city is struck by a trio of unexpected deaths and suspicion falls on her sister and her father, Charlotte is desperate to find the true culprits and clear…
My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
This book is a haunting and haunted story of the young Edgar Allen Poe when he was a cadet at West Point in 1830. Already a published poet at that point, young Edgar is a moody and very unlikely candidate for the army, but his inclination for the darker side of human life comes in handy when a cadet is found hanging—with his heart cut out—and Edgar is chosen to help the big city detective who comes on campus to solve the murder. I just learned this was made into a movie! I loved the book, read it years ago, and have never forgotten it—now I’ve got to go get the movie.
**Soon to be a major Netflix film starring Christian Bale and Gillian Anderson**
April 19th, 1831. In two or three hours I'll be dead.
So begins the chilling last testament of Gus Landor, a retired New York City police constable, whose numerous talents include code-breaking, riot control and the 'gloveless interrogation'. A young cadet has been found hanged at a military academy on the shores of the Hudson River. Before his body could be buried, however, it was stolen and his heart brutally carved out.
Fearing a scandal, the top brass at West Point have summoned Landor to help catch…
Even though I’m an engineer and accountant by education, I love to write and growing up, I read many historical fiction and murder mysteries. History spanning from the Victorian Era until the mid-twentieth century has always fascinated me, and I’ve studied various events from that period. Therefore, I wrote A Bloody Hot Summer, a crime novel using some historical events as a background. The interwar years were the heyday of crime fiction, and that is why I set my novel during that period. While researching, I get to expand my knowledge regarding history, culture, art, language, and values of those times, which I add to the novel.
In this book, a murder takes place in a manor house just like in my novel, but during Christmas time. There is a connection to a diamond mine in South Africa, and how that played a part in the murder of the patriarch of the family. Detective Hercule Poirot has to delve into the family’s past to connect the dots and determine the motive and the identity of the killer. For those who like murders set during Christmas time, this is a novel for you.
It is Christmas Eve. The Lee family reunion is shattered by a deafening crash of furniture, followed by a high-pitched wailing scream. Upstairs, the tyrannical Simeon Lee lies dead in a pool of blood, his throat slashed.
But when Hercule Poirot, who is staying in the village with a friend for Christmas, offers to assist, he finds an atmosphere not of mourning but of mutual suspicion. It seems everyone had their own reason to hate the old man...
I am by no means an expert on the Victorian era, but I am most certainly passionate – I have written seven novels set in this period and have researched different aspects of the social, domestic, and gender-related issues for each of those books. The Victorian era is such a fascinating time – from the huge differences in money and class, to the beginnings of women starting to initiate (or maybe even demand) change with the first murmurings of women’s suffrage and, of course, the Married Women’s Property Act 1882. Rich in storytelling possibility and the opportunity to bring societal, gender, and sexual issues to the fore, I find writing in the Victorian period immensely exciting.
I stumbled across this book while browsing through a charity shop – a murder/mystery set in Whitechapel when Jack the Ripper is still roaming free. I am by no means a follower of Ripper stories, legend or myth, despite recommending this book, but there is something about Victorian London in the 1880s that fascinates me.
The Yard is the first in a series that I have devoured over the last few years. I love Alex Grecian’s easy writing style and the main character, Detective Inspector Walter Day is one I wish I had created myself. He has a brilliant mind, a quick and quiet humour, and a soul that is truly good. Of course, he does have his faults, but they are all forgivable…at least for me!
If you were fascinated by The Five, you'll love this gripping and atmospheric historical thriller set in Victorian London in the wake of Jack the Ripper.
A killer is haunting London's streets . . .
A year after Jack the Ripper claimed his last victim, London is in the grip of a wave of terror. The newly formed Murder Squad of Scotland Yard battles in vain against the tide of horror.
When the body of a detective is found in a suitcase, his lips sewn together and his eyes sewn shut, it becomes clear that no one is safe from…
As soon as I found out about Zephyrettes, I knew I had to write about these real-life train hostesses who rode the rails on the old California Zephyr, which existed from 1949 to 1970. The only woman on a train crew, someone who keeps an eye on passengers and situations, anticipating and solving problems—who would be better placed to solve a mystery on a train? Jill is my traveling Miss Marple. I’m a former newspaper reporter, Navy journalist, and have been writing for decades, first the Jeri Howard series, then the Jill McLeod series, and lately a book featuring geriatric care manager Kay Dexter, The Sacrificial Daughter.
Another Christie, out of a handful of books Dame Agatha wrote set on trains. Much as I like Poirot, I love Jane Marple, the quiet spinster from St. Mary Mead who knits, knows everyone, and is well-schooled in human nature and foibles. Talk about powers of observation. In this classic, Miss Marple’s friend Mrs. Elspeth McGillicuddy is traveling by train. At a moment when two trains are traveling side by side on different tracks, she looks out the window of her compartment and sees a man strangling a woman. The railway authorities don’t believe her—quelle surprise! With no other witnesses, no suspects, and no corpse, who will believe her? Jane Marple, of course, who has a plan to out the killer.
Agatha Christie's classic Miss Marple railway mystery, reissued in a beautiful new classic hardcover edition designed to appeal to the latest generation of Agatha Christie fans and book lovers.
'Oh, Jane! I've just seen a murder!'
For an instant the two trains ran together, side by side. In that frozen moment, Elspeth witnessed a murder. Helplessly, she stared out of her carriage window as a man remorselessly tightened his grip around a woman's throat. The body crumpled. Then the other train drew away.
But who, apart from Miss Marple, would take her story seriously? After all, there were no suspects,…
I am a science fiction and fantasy novelist and also a screenwriter and prolific writer of audio dramas for BBC Radio. I began my career many eons ago writing for the crime drama series The Bill and during that period I spent a lot of time mixing with coppers & villains and attending crime scenes. I have a great passion for detective and crime writing as well as all forms of speculative fiction, and I’m a sucker for crime/fantasy mash-ups.
Arguably the greatest of all detectives, Sherlock Holmes died early in his career when his creator Sir Arthur Conan Doyle sent him hurtling down the Reichenbach Falls in ‘The Final Problem’. But Holmes soon came back to life—firstly in The Return of Sherlock Holmes and in later years as a character in numerous spinoffs/riffs/reboots. One of the best of these is James Lovegrove’s series of Lovecraftian horror stories featuring Holmes and Watson. They are all great but the third one, Sherlock Holmes and the Sussex Sea-Devils, has the best title. Lovegrove writes stylishly and wittily and his deadpan approach to the absurd monsters he conjures up makes these a delicious read.
The stunning new novel from the New York Times bestselling author of The Age of Odin, in which the worlds of Arthur Conan Doyle and H.P. Lovecraft collide.
It is the autumn of 1910, and for fifteen long years Sherlock Holmes and Dr John Watson have battled R'lluhloig, the Hidden Mind that was once Professor James Moriarty. Europe is creeping inexorably towards war, and a more cosmic conflict is nearing its zenith, as in a single night all the most eminent members of the Diogenes Club die horribly, seemingly by their own hands. Holmes suspects it is the handiwork of…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
The first of Lovegrove’s Cthulhu Casebooks series. This was my introduction to the idea of a mash-up between classic and modern stories.
In Shadwell Shadows we see the brilliant Holmes and loyal Watson that everyone is familiar with, but Lovegrove takes the characters and shakes up their worlds.
He takes their documented histories and adds new, darker elements among the old. These are the hidden stories which Watson could never commit to paper for fear of what they would do to humanity.
What if, while pursuing Doctor Moriarity, Holmes and Watson were actually on the trail of something much older and more evil.
It is the autumn of 1880, and Dr John Watson has just returned from Afghanistan. Badly injured and desperate to forget a nightmarish expedition that left him doubting his sanity, Watson is close to destitution when he meets the extraordinary Sherlock Holmes, who is investigating a series of deaths in the Shadwell district of London. Several bodies have been found, the victims appearing to have starved to death over the course of several weeks, and yet they were reported alive and well mere days before. Moreover, there are disturbing reports of creeping shadows that inspire dread in any who stray…
Ever since I read Flowers in the Attic as a preteen, I’ve been fascinated with the idea that the family that is supposed to nurture you might actually mess you up. Like, beyond the normal dysfunction that most of us experience. That theme keeps coming up in my writing, especially in my current work in progress. It started out as a ghost story with some creepy paranormal elements, but when an editor asked “Yeah, but what really scares you?” the whole story shifted. It became much more horrific when I started examining how the main character’s family was contributing to her fear through their disbelief and her discovery of dark family secrets.
Mary is described on the first page of Allegedly as “just born bad, plain and simple.”
When readers learn that Mary has been incarcerated since the age of nine for killing a baby, the claim is easier to believe. Yet, as the story unfolds, the reader learns that Mary’s mother is an abusive narcissist and the actual events of the death are put into question.
This story brings up important issues about nature versus nurture, mental illness, and a justice system predicated on the assumption that to be Black is to be born guilty.
Orange Is the New Black meets Walter Dean Myer's Monster in this gritty, twisty, and haunting debut by Tiffany D. Jackson about a girl convicted of murder seeking the truth while surviving life in a group home. Mary B. Addison killed a baby. Allegedly. She didn't say much in that first interview with detectives, and the media filled in the only blanks that mattered: a white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? There wasn't a…
