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Long before I became a filmmaker and many years before I knew what pre-history meant, I was a restless traveler. I was an adventurer and a hiker, fascinated by maps and mountain peaks and constantly searching for the best place for a coffee break. In my list, I have tried to combine my passion for traveling with what is really important in life: people, friends, and travel companions.
My recent literary quest across the Levant ends around 6000 years ago. A few years later, at the end of the 19th century, Twain made his journey in the same region. Surprisingly, not much has changed.
His book is a witty, arrogant, and very funny look at a land full of history…and annoying flying insects.
'Who could read the programme for the excursion without longing to make one of the party?'
So Mark Twain acclaims his voyage from New York City to Europe and the Holy Land in June 1867. His adventures produced The Innocents Abroad, a book so funny and provocative it made him an international star for the rest of his life. He was making his first responses to the Old World - to Paris, Milan, Florence, Venice, Pompeii, Constantinople, Sebastopol, Balaklava, Damascus, Jerusalem, Nazareth, and Bethlehem.
For the first time he was seeing the great paintings and sculptures of the 'Old Masters'.…
I love humorous tales with quirky characters who find themselves in bizarre situations, especially in foreign countries. This mirrors my own experience of the world! After Brown University, I found myself teaching rowdy Egyptian girls; I resided in a converted classroom in Istanbul; and I was tamed by an eighty-year-old Spanish nun at a girls’ school in Tokyo. In my late thirties, I dropped my anchor in Lattakia, Syria, only to be tailed by the Syrian secret police. Like the character in my novel, Confessions of a Knight Errant, I returned to Cairo from Almeria, Spain where I was on a writers’ residency on January 28th, the Friday of Rage, of the Egyptian uprising, 2011.
We read The Girl Who Saved the King of Sweden for my book club, but even more outlandish is The Hundred-Year Old Man Who Climbed out of the Window and Disappeared.
I wish I had written it! It is completely far-fetched and reads like a wacky Ian Fleming novel. If you are into quirky and wacky, you will love this novel. To avoid his hundredth birthday party, Allen Karlsson climbs out of the window of a nursing home and walks to the bus station. There, he takes care of a suitcase for a fellow passenger, which turns out to be full of drug money.
He is then chased by a gang, as well as the police. This adventure is right in keeping with the rest of his life. He was a weapons expert who worked in Spain during the civil war, China, and Russia. A colorful character, he met some…
A larger-than-life old man with a fondness for vodka goes on an unexpected adventure in this whimsical novel -- perfect for fans of Forrest Gump and A Man Called Ove.
The international publishing sensation -- more than six million copies sold worldwide!
A reluctant centenarian much like Forrest Gump (if Gump were an explosives expert) decides it's not too late to start over . . .
After a long and eventful life, Allan Karlsson ends up in a nursing home, believing it to be his last stop. The only problem is that he's still in good health, and in one…
I love humorous tales with quirky characters who find themselves in bizarre situations, especially in foreign countries. This mirrors my own experience of the world! After Brown University, I found myself teaching rowdy Egyptian girls; I resided in a converted classroom in Istanbul; and I was tamed by an eighty-year-old Spanish nun at a girls’ school in Tokyo. In my late thirties, I dropped my anchor in Lattakia, Syria, only to be tailed by the Syrian secret police. Like the character in my novel, Confessions of a Knight Errant, I returned to Cairo from Almeria, Spain where I was on a writers’ residency on January 28th, the Friday of Rage, of the Egyptian uprising, 2011.
On a recent visit to Ireland, A Thousand Moons was recommended by an Irish writer.
I did not know that there were Irish soldiers who fought in the Civil War. Since my family was originally from Ireland, (although they immigrated around the time of the Revolutionary War), this interested me. Thomas McNulty, one of the main characters in the novel, is an Irishman who fought in the Civil War and then later in the Indian War.
Winona, an orphan from the Lakota tribe, who used to Ojinjintka tells this tale. She was rescued by Thomas McNulty from being massacred. McNulty might be a tough guy, but he is also a cross-dresser! McNulty and his fellow soldier and partner, Cole adopt Winona as their own. When they are attacked by lawless militias, they must flee for their lives.
This novel really gives the reader a clear picture of the lawlessness of…
Old God's Time (March 2023), Sebastian Barry's stunning new novel, available to pre-order now
From the Costa Book of the Year-winning author of Days Without End
Even when you come out of bloodshed and disaster in the end you have got to learn to live.
Winona is a young Lakota orphan adopted by former soldiers Thomas McNulty and John Cole. Living with Thomas and John on the farm they work in 1870s Tennessee, she is educated and loved, forging a life for herself beyond the violence and dispossession of her past. But the fragile harmony of her unlikely family unit,…
I love humorous tales with quirky characters who find themselves in bizarre situations, especially in foreign countries. This mirrors my own experience of the world! After Brown University, I found myself teaching rowdy Egyptian girls; I resided in a converted classroom in Istanbul; and I was tamed by an eighty-year-old Spanish nun at a girls’ school in Tokyo. In my late thirties, I dropped my anchor in Lattakia, Syria, only to be tailed by the Syrian secret police. Like the character in my novel, Confessions of a Knight Errant, I returned to Cairo from Almeria, Spain where I was on a writers’ residency on January 28th, the Friday of Rage, of the Egyptian uprising, 2011.
I reviewed this novel, and I really loved it. Many folks think they know what migrants experience from the news, but this novel tells the story with a different spin: an Egyptian Bedouin who tries to get to Italy via Libya.
Living in Libya is as absurd as it is dangerous. The narrator is a hassler, but you still feel sorry for him when he almost gets killed by a customer for using cheap spray paint in a body shop in Libya. Besides the body shop, he works as a bootlegger, cook, and a concrete-block maker before he makes a harrowing crossing on a flimsy boat across the Mediterranean.
Once in Italy, he gets a few jobs in construction but then falls into a gang of drug dealers. He is Egyptian but pretends to be an Iraqi named “Baffo.” One crazy thing happens after another until he needs to make…
Abu Golayyel’s gritty tale of two men’s ill-conceived quest for a better life via the deserts of the Middle East and the cities of Europe is pure storytelling
Two Bedouin men from Egypt’s Western Desert seek to escape poverty through different routes. One—the intellectual, terminally self-doubting, and avowedly autobiographical Hamdi—gets no further than southern Libya’s fly-blown oasis of Sabha, while his cousin—the dashing, irrepressible Phantom Raider—makes it to the fleshpots of Milan.
The backdrop of this darkly comic and unsentimental story of illegal immigration is a brutal Europe and Muammar Gaddafi’s rickety, rhetoric-propped Great State of the Masses, where “the…
I write historical crime fiction, and my latest novel is set in a hospital, a real place, now closed. The South London Hospital for Women and Children (1912–1985) was set up by pioneering suffragists and women surgeons Maud Chadburn and Eleanor Davies-Colley (the first woman admitted to the Royal College of Surgeons) and I recreate the now almost-forgotten hospital in my book. Events take place in 1946 when wartime trauma still impacts upon a society exhausted by conflict, and my book choices also reflect this.
I love Michael Ondaatje’s prose; that is reason enough to read this book, but the Booker Prize-winning novel is also filled with mystery. Set in an Italian villa–the Villa San Girolamo, a real place–which is being used as a field hospital at the end of the Second World War and with a small cast of characters, it resembles a classic mystery story, but this is far more.
Each character’s history is gradually revealed to the reader, focusing on the "English Patient," a man burned and bandaged beyond recognition and unable to recall who he is, but whose memory returns to him in sporadic bursts when he is read to from his copy of Herodotus.
In this narrative, the stories of the other characters are wound with consummate skill as we learn how the English Patient came there. A novel about memory, love, and the desire for survival, its central image…
Hana, a Canadian nurse, exhausted by death, and grieving for her own dead father; the maimed thief-turned-Allied-agent, Caravaggio; Kip, the emotionally detached Indian sapper - each is haunted in different ways by the man they know only as the English patient, a nameless burn victim who lies in an upstairs room. His extraordinary knowledge and morphine-induced memories - of the North African desert, of explorers and tribes, of history and cartography; and also of forbidden love, suffering and betrayal - illuminate the story, and leave all the characters for ever changed.
I landed in Samoa when I was 36 and spent the next 26 years there, working for environmental, cultural, and historical resource preservation. The islands took me in. I found in the islands a natural and social intimacy unlike any I had known possible back stateside. I became committed to conserving it from the incursions of continental crudity. My final 13 years there I was State Historic Preservation Officer for American Samoa. Before I left, I wrote a series of novels to share by illustration what I had managed to learn about the cultural interface.
Before M*A*S*H and Catch 22, Michner’s book gave American readers a captivating view of the human side of U.S. soldiers and sailors at war in the South Pacific. This sequential series of interconnected short stories set in Vanuatu and the Solomon Islands works like the best TV mini-series. There are not just sailors and marines; there are locals and colonial characters.
A great read. Don’t just take my word for it: it won a Pulitzer in 1947. And yes, the highly successful musical play South Pacific by Rodgers and Hammerstein is based on stories from this Michener classic.
Tales of the South Pacific is the iconic, Pulitzer Prize–winning masterpiece that inspired a Broadway classic and launched the career of James A. Michener, one of America’s most beloved storytellers. This thrilling work invites the reader to enter the exotic world of the South Pacific and luxuriate in the endless ocean, the coconut palms, the waves breaking into spray against the reefs, the full moon rising behind the volcanoes. And yet here also are the men and women caught up in the heady drama of World War II: the young Marine who falls for a beautiful Tonkinese girl; the Navy…
I’m an old guy. I say this with a bit of cheek and a certain amount of incongruity. All the books on my list are old. That’s one area of continuity. Another, and I’ll probably stop at two, is that they all deal with ordinary people caught in extraordinary circumstances—those curveballs of life we flail at with an unfamiliar bat; the getting stuck on the Interstate behind a semi and some geezer in a golf cap hogging the passing lane in a Buick Le Sabre. No one makes it through this life unscathed. How we cope does more to define us than a thousand smiles when things are rosy. Thus endeth the lesson.
A masterful debut novel, post-WWII, and dealing with characters in the heat of battle, internally and externally.
I was forced to read it in eleventh grade Honors English (what they called AP pre-AP. Like I said, I’m old). I reread it for edification as a young writer and was awed by the craftsmanship. The writing is dense and requires patience. War is never pretty.
Hailed as one of the finest novels to come out of the Second World War, The Naked and the Dead received unprecedented critical acclaim upon its publication and has since enjoyed a long and well-deserved tenure in the American canon. This fiftieth anniversary edition features a new introduction created especially for the occasion by Norman Mailer.
Written in gritty, journalistic detail, the story follows a platoon of Marines who are stationed on the Japanese-held island of Anopopei. Composed in 1948 with the wisdom of a man twice Mailer's age and the raw courage of the young man he was, The…
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this book because, long ago, it was one of the books that sparked my initial interest in the Second World War and the Holocaust. Through Wouk’s vivid and wonderful story of a fictional family living through the period, he also unexpectedly provided me with a terrific foundation of well-researched historical knowledge.
I had read the prequel a few years earlier and when I discovered this book was coming out (as a poor student, I couldn’t afford it), I eagerly asked for it for Christmas. When the big day arrived, I gleefully tore open the present and spent the next two days reading it nonstop, ignoring all else.
A masterpiece of historical fiction and "a journey of extraordinary riches" (New York Times Book Review), War and Remembrance stands as perhaps the great novel of America's "Greatest Generation."
These two classic works capture the tide of world events even as they unfold the compelling tale of a single American family drawn into the very center of the war's maelstrom.
The multimillion-copy bestsellers that capture all the drama, romance, heroism, and tragedy of the Second World War -- and that constitute Wouk's crowning achievement -- are available for the first time in trade paperback.
I grew up in white South Africa, a racist, philistine, authoritarian, and puritanical society. The first four books I have chosen appeared in the 1950s, and I read them in my teens. Catch-22 was published in the ‘60s, but all five heroes–or anti-heroes–of these novels were of the same generation, about ten years my senior, so they were perfectly placed to be role models. They were rebels and mavericks, and except for Yossarian, they were all would-be writers. I recognised a kinship with them and took them as my guides into adulthood. And so I left for Paris and became a writer and an anthropologist. No regrets.
This book is set during World War II. Captain John Yossarian, bombardier, has a hard time maintaining his sanity, let alone keeping alive. His crazed commander demands that the crew fly ever more dangerous missions. Yossarian realises a terrible truth: “The enemy is anybody who's going to get you killed, no matter which side he's on.” When men request leave because they are going crazy, the camp doctor explains the catch-22. "Anyone who wants to get out of combat duty isn't really crazy."
Yossarian’s predicament was more extreme, his adults more dangerous, but like my other big brothers, he insisted on doing things his way.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
I was a foreign correspondent seven time zones from home when my father died of a sudden heart attack. My grief mixed with guilt for never having sat down with him to unravel his vague vignettes about life and loss in the Holocaust. I wondered, how did he survive when so many perished? How much depended on resilience, smarts, or dumb luck? As reporters do, I started digging. I uncovered a Nazi paper trial that tracked his life from home, through ghettos, slave labor, concentration camps, death marches, and more. The tattered documents revealed a man very different from the quiet, quintessential Type-B Dad I knew…or thought I knew.
I first read Slaughterhouse-Five as a callow college student, concluding with the certainty of youth that this was a brilliant but weird amalgam of dark humor and sci-fi wrapped inside an autobiographical anti-war screed. However, my real ‘duh’ moment came after rereading the book decades later.
The opening line, “Listen: Billy Pilgrim has come unstuck in time” – tells you everything you need to know: It’s about PTSD, written from the inside looking out. Like Billy Pilgrim, I could see myself time-jumping and being abducted by aliens to escape the trauma of war. Interestingly, the term “PTSD,” the acronym for Post-Traumatic Stress Disorder, had not entered our lexicon when Vonnegut wrote Slaughterhouse Five in the 1960s. Poignant and personal, it's still a brilliant amalgam of dark humor and sci-fi.
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
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