100 books like Catch-22

This is, quite simply, the greatest escape story of all time.

I’ve chosen this book because I’ve read it so often, at least five times, mostly when I was a teenager. It is brilliant storytelling, and it may just be the book that most got me hooked on World War 2 history.

It tells the story of a tunnel dug from under a vaulting horse in the middle of an exercise yard in a German POW camp. The original plan was for a mass escape of prisoners through the tunnel, but in the end, only three prisoners made it back to England and freedom. All brilliantly told.

Siddhartha is a profound exploration of spirituality, self-discovery, and the pursuit of meaning in life.

It encourages readers to seek their own paths, embrace the present moment, and develop a deep sense of interconnectedness with the world around them. The books protagonist Siddhartha encounters various forms of suffering throughout his journey, and he comes to recognize the necessity and inevitability of pain and hardship in life.

The novel teaches that true wisdom and growth can arise from embracing and accepting suffering rather than trying to escape or avoid it.

I have read virtually all of Le Carre’s books because I don’t believe anyone goes so deeply into the psyche of men who enlisted in the fight for perhaps noble reasons but who now continue on almost as automatons. They have not only lost their idealism, their morality and even humanity are either gone or hanging by a thread. It is what I imagine is the furthest edge of what can happen to young soldiers who don’t die—just keep soldiering.

I don’t think anyone has done it better.

This classic Beat Generation novel narrates a road trip by two young Americans, Sal Paradise (obviously Kerouac himself) and his friend Dean Moriarty. They ride from coast to coast without a plan, looking for adventure, calling on like-minded friends, and hoping to find some meaning in their lives.

Kerouac and his pals had a lot in common with the other heroes—and anti-heroes—of my youth, and like them, he was a joyful, fearless writer. 

Grossman consciously attempted to write the War and Peace of the Second World War, and in this panoramic masterpiece, he pulled it off. Like War and Peace, the book focuses both on the travails of a single family and the broader sweep of history, as we witness events from the perspective of persecuted Jewish scientists, soldiers (both Soviet and German), partisans, peasants, and generals.

This is an intensely personal work – Grossman covered the battle of Stalingrad for the Soviet press and knew his subject matter firsthand. Writing it was also an extremely courageous act. The KGB confiscated the manuscript and Grossman never lived to see the book published.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

Reading Graves’ biography, I get the sense of not just his wry humour but of his enduring pain. When he covers his First World War service, his jokes are cracked out of exasperation at the orders he receives that led to a succession of “bloody balls-ups,” and retold through a wince.

Graves’ biography has been described as “a version of events that told the poetic truth about his experiences…rather than being primarily fact-driven.” I believe all biographies are a form of fiction as our own memories are more often a product of our imagination than photographic recall.

Graves’ poetic retelling allows a more universal resonance beyond the trenches of the Somme than if he just stuck to the facts of that time and place, and resonated more for me because of this. 

The masterpiece memoir by Elie Wiesel is an astonishingly short autobiographical of his survival as a teenager in the Nazi death camps. His account of surviving a concentration camp is important as any other, a narrative that is chilling, yet with compassion put into each word. Night is a book that has to be read. Elie would become an important human rights activist and this continued beyond the subject matter of the Holocaust. During the refugee crisis on the Thai-Cambodia border in 1980, he and several other notables (such as Joan Baez, Liv Ullman, and Bayard Rustin), mobilized to bring relief assistance for Cambodians fleeing the dangerous borders of their country. When asked by a journalist why help Cambodia, he replied, “When I needed people to come, they didn't. That's why I am here.” It demonstrated Elie’s resolve and will to prevent the next genocide from happening somewhere else.

I’ll end with a book that started it all for me!

I still remember, in the year 2010, reaching the end of the essay "Goodbye to All That" where the date of publication is noted—1967—and how startled I was to realize something that feels so contemporary and alive had been written decades earlier. As in so much of her work, in this collection Didion offers vivid details from her life and brings her extraordinary powers of analysis to understanding their meaning.

As she once put it herself—in another essay, "Why I Write"—"Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means.”

I first read Slaughterhouse-Five as a callow college student, concluding with the certainty of youth that this was a brilliant but weird amalgam of dark humor and sci-fi wrapped inside an autobiographical anti-war screed. However, my real ‘duh’ moment came after rereading the book decades later.

The opening line, “Listen: Billy Pilgrim has come unstuck in time” – tells you everything you need to know: It’s about PTSD, written from the inside looking out. Like Billy Pilgrim, I could see myself time-jumping and being abducted by aliens to escape the trauma of war. Interestingly, the term “PTSD,” the acronym for Post-Traumatic Stress Disorder, had not entered our lexicon when Vonnegut wrote Slaughterhouse Five in the 1960s. Poignant and personal, it's still a brilliant amalgam of dark humor and sci-fi.