100 books like Midnight in the Piazza

Long a favorite of mine, every couple of years I enjoy returning to this book about two brothers who fall in with a group of Venetian street children and the young master-thief who oversees them. Funke's classic, assured style grants this relatively contemporary novel (first published in Germany in 2000) a charming, old-fashioned sensibility, while the pacing and characterization should appeal to the most modern of readers, at least to my eyes. The book has everything I love in stories for young readers–mystery, magic, friendship, and startling plot twists–and the interior illustrations done by Funke herself are lovely.

Here’s another magical adventure that has such potential to be a series. Set in a Venice that is full of actual magic this book will appeal to the Harry Potter lovers in your life. Aribella must use her newly found magic to save the city from a grim future at the hands of the villain Zio. Although a fantastical Venice there are plenty of true-to-life details like the Lion’s Mouth, gondolas, and a ruling doge. I really loved the twists at the end. Middle grade readers will be captivated. 

Da Vinci’s Cat is the right book for middle grade readers who like some magic and mystery along with their history. This book slips between present-day New Jersey, where Beatrice is having to spend the summer with her moms in boring suburbia instead of in Italy with her grandparents like she usually does, and 1511 Rome where Federico is held hostage in the Pope’s palace. It’s a wonderful melding of times and places. I really enjoyed the addition of the cat, Juno into the mix as well. Famous artists Michelangelo, Rafael, and Leonardo Da Vinci all make appearances in the book. A definite winner for the middle grade set.

This last book is a classic and part of a series that would be helpful for other travel adventures. It’s the only non-fiction book on the list. But it’s a great introduction for kids wanting to know more about the place they are travelling. While originally published in 1960 the book was updated in 2007. This is a great overall introduction to Rome and its history and a good place to start piquing a young traveler’s interest. 

If you love Italy—and if you don't love it now, you definitely will—after reading this engaging, vibrant tribute to Italy! Knighted by the President of Italy for her writing about Italy, author Dianne Hales describes the native, inherent passion of Italians—la passione italiana— as the source and nurturer of our civilization's love for art, music, architecture, cars, ceramics, sculpture, design, literature, film, food, and wine. Bursting with talent and passion, the legacy of Italian passion for life in our culture is ubiquitous and all-encompassing. Italy and its passion itself have taken hold of our imaginations, and your imagination will take you directly to la bella Italia, as it did for me, while reading this engaging book.

A large part of the last book of my trilogy focuses on one character’s involvement in the construction of the Flavian Amphitheater, known today as The Colosseum. As with other complex issues I’ve written about — the Jewish Revolt, social constraints on women, relationships between masters and slaves — I’ve had to make sense of this grandest construction project of the first century. Elkins’ scholarly book helped me get out of the “tourist-in-Rome mindset” and into the “you-are-there-as-it’s-being-built mindset.” I’m currently writing that section, so the jury is still out, but Elkins’ in-depth research and clear exposition provide a good road map.

This was the first Anthony Doerr book I read—the literary equivalent of eating dessert first. I’ve since savored his novels, but this irresistible feast of delicious morsels of Italian life lingers in my mind. Doerr doesn’t show you Rome. He invites you to live in it with him—during his sleepless nights, in the company of his twin babies, as a beloved Pope lies dying and the seasons bring new enchantments. 

I can’t say whether I love this book more for the writing or for its tender portrait of Rome. Read it for the double pleasures of exquisitely crafted vignettes and a virtual visit to a city that eternally surprises and seduces visitors.  

In seventeenth-century Rome, a talented young woman artist, Artemesia Gentileschi, is put on trial for accusing her painting instructor of rape. Unwilling to bow to convention, Artemesia pours her rage into her art, inventing an aesthetic against the voyeurism and female submissiveness found in traditional artistic representations of women.

Fremantle heightens the drama and contemporary relevance of Artemisia’s life and art by telling her story in the present tense. Drawing subtle connections between women’s struggles for autonomy and dignity in the past and those in the present, this page-turner of a novel is a searing, nuanced portrait of a woman’s passion for art, determination to right being wronged, and steadfast resolve to be recognized as a great artist. 

If you diligently work your way down this list, you’ll travel to Sicily, Venice, Florence, and Naples. But none of these cities beat Rome. I’m biased, of course. My wife and I lived in Rome when we were first married. When I close my eyes, I swear I see Caravaggios and I can still smell the woodsmoke and simmering pasta sauce that perfume Rome’s air. All of which brings me to Hewson’s Nic Costa novels. I don’t think anyone nails Rome’s sinister criminal quality the way Hewson does, but he still manages to capture the Eternal City’s beauty, food, and art. (Hewson’s a Brit who travels to Italy often; it's totally worth checking out his Instagram account.) Currently 10 books in the series. If you like them, investigate his standalone novels, some of which are also set in Italy.

This book made me fall in love with Puglia, the hot, dusty “heel of the boot” with its lemons, olives, and cactus, its boxy farmhouses. Not that the story, bouncing from Paris to New York to a long-gone Rome, doesn’t deliver—the narrator, Alina, talks about a family secret passed from woman to woman, disintegrating memories, a past she must understand before the movers arrive and the house with its mural of a naked woman painted on a patio wall is no longer theirs. Present and past, the known and the unknown combine, and all of it is tied to alluring, sensual Puglia. As a storyteller, Marciano demands your attention, painting the life story of a family whose Italy is unlike the one you think you know.