Here are 100 books that Japanese Woodworking Tools fans have personally recommended if you like
Japanese Woodworking Tools.
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I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
This is on many people’s lists—and for good reason: an essential book, it will give you a solid foundation on which to build your knowledge and skill set, most specially if you are just starting out, though there is much to learn here for even the more experienced woodworker. Frid’s training contains the practical knowledge of centuries of woodworking passed through an apprenticeship system as it began its transition into the 21st Century, adapting power tools, new materials, and ways of working that will give you the information that will let you build almost anything. He wrote 2 more books in the set, also valuable, but if you can only afford one, get this one.
As a tribute to Tage Frid who passed away in 2004, combined with the 30th anniversary of The Taunton Press, this three-volume slipcase set is the most complete, authoritative guide to woodworking for readers of all skill levels. The books in the slipcase include: ""Book 1: Joinery,"" ""Book 2: Shaping, Veneering, Finishing,"" and ""Book 3: Furnituremaking,"" The techniques illustrated in these books are demonstrated step by step, with clarity and organization that allows readers to understand and carry out virtually any woodworking project. This is a limited edition.
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This book, first published in 1995, is a detailed how-to guide that answers a lot of questions about how carpentry is practiced in contemporary Japan. The drawings and plans are fabulously informative. It does not focus on tool use per se, but beautifully conveys the structural logic and reasoning that lie behind the joints and connections themselves. I keep it handy as a reference.
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This book is a classic and is a beautifully informative excerpt from the author’s longer and more extensive The Japanese House: A Tradition for Contemporary Architecture which is long out of print. The drawings and plans are wonderful, and illuminate the Japanese House layout, modularity, proportions, and many structural and ornamental details. I particularly love the white-on-black visual treatment used for many of the plans.
A remarkable classic work on traditional Japanese architecture and its general integrative quality, the order of space and form, the flexibility of partitions and room functions and other important or unique qualities. The author describes in detail, and with numerous architectural plans and drawings, the influence of the anatomy of the Japanese human body on traditional units of measurement and on house construction. This work is not simply a description of the features of the Japanese house, but "an invitation to probe the possibilities of utilizing this architectural achievement of the Japanese ...in modern living and building," according to the…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This is the book that got me hooked on Japanese carpentry when I was in college in the late 1970s. There’s not much explanation, really, but the black-and-white photos convey the sheer beauty of Japanese joinery in an evocative and compelling way. The drawings resolve some of the mystery.
This lively introduction to Japanese joinery not only delves lovingly into the unique history and development of Japanese carpentry, but also reveals many secrets of Japanese joinery. Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
Len Brackett trained with superb carpenters in Japan and returned to the US West Coast to create exquisite Japanese-stye houses and other buildings. His work is in extremely high demand. This book shows how high-quality Japanese-style design and construction can be adapted to our current lifestyles without sacrificing either aesthetically or functionally. Brackett’s descriptions of his design and construction process, as well as of the wood material he uses, are enticing and provide a lot of technical and philosophical insight.
Built like a piece of fine furniture, the traditional Japanese house is universally admired for its clean lines, intricate joinery, and unparalleled woodworking. Focusing primarily on a new guesthouse in California, this elegant volume shows how a classic Japanese house can be built to offer the warmth and comfort that modern homemakers require.Len Brackett, rigorously trained as a temple carpenter in Kyoto, has spent decades adapting the ancient Japanese design aesthetic to Western needs. Here he demonstrates step-by-step how both the traditional live-on-the-floor house, as well as models that accommodate furniture, can be constructed to provide such modern essentials as…
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
Many would say Krenov’s approach stands in strong contrast to Frid’s books. Krenov’s books contain much valuable practical information, but I believe the great value of this book is in his attitude toward his work. It is— and I know this is an overused word — but I think it is inspirational. He speaks clearly and in-depth about his approach to and interaction with his materials; their interplay with design and function; how the physical act of doing the work affects it; his attitude towards time, energy, genuineness, and patronage, and achieving the highest levels of art, craft, and satisfaction. Highly recommended for artists and woodworkers.
Cabinetmaking at the highest level is an art, a discipline, a philosophy--even a way of life--in addition to being a useful craft. In this book one of the greatest living cabinetmakers reflects on the deeper meanings of his craft and explains for less accomplished workers how the right attitudes toward materials, tools, and time can increase the joys of this complex activity. Craftspeople in every medium will be inspired by this account of getting started and developing habits that lessen the difficulties of a complex craft.
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
R. A. Salaman has cataloged virtually every woodworking handtool and holding device used in the trades up into the 20th Century. What’s better is he understands the use of the tools and describes their use in practical detail with accurate drawings and text. You can find solutions to problems here that have been around for centuries but may have been overlooked by the modern woodworker. The information here will help you make and modify tools and will add to your overall understanding and use of hand tools.
Since its first publication in 1975, R.A. Salaman's Dictionary of Woodworking Tools has come to be recognized as a definitive pioneering reference work, one of unparalleled value to craftsmen, collectors, antique dealers and all who are interested in the subject of woodworking tools and their uses. His rich language describes and explains the tools, not only of the more obvious woodworking trades (such as the cabinetmaker, chairmaker, joiner, coachbuilder, cooper, shipwright, plane maker, wheelwright and instrument maker) but of the less obvious trades as well, such as broom and brush makers, tree feller, hoop maker, upholsterer, millwright, coffin maker and…
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
Franz Karg's book is a challenge: Design and build cabinets without any sheet goods—all solid wood— and make the designs exciting, the joinery accommodate stress and expansion and contraction while adding to the quality of design, or even inspiring the design. Working your way through these designs will kick your thinking and your construction approach up a notch!
A master cabinetmaker shows how to build a wide array of lasting furniture for your living room, dining room and bedroom. Sharp photographs and detailed drawings provide the technical information needed to build wall cabinets and other pieces of furniture.
Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.
From witchets to moulding planes, from Roman tools to eighteenth-century American tools, this was my first "bible" on the subject. A more thorough grounding — with amazing photographs — would be hard to find. Reading this book puts two millennia of woodworking into a useful perspective. Once read it will illustrate in greater detail every other book on the subject. Totally essential.
Classic reference describes in detail hundreds of implements in use in the American colonies in the 18th century. Over 250 illustrations depict tools identical in construction to ancient devices once used by the Greeks, Egyptians, and Chinese, among them axes, saws, clamps, chisels, mallets, and much more. An invaluable sourcebook.
Michael Dresdner is a nationally known finishing and woodworking expert and guitar maker/designer, author of five books and several videos on wood finishing and guitar making. He’s been a Contributing Editor to Fine Woodworking Magazine, American Woodworker Magazine, and Woodworker’s Journal, wrote the Just Finishing byline column for American Woodworker Magazine for over 7 years, and the Finishing Thoughts byline column for Woodworker’s Journal for almost 20 years. While a consultant to one of the country’s largest coatings conglomerates, he wrote answers to over 8,000 questions for the www.woodanswers.com website blog and edited the Woodworker’s Journal eZine, an award-winning online woodworking magazine with over a quarter of a million subscribers.
Forget the tape measure. Leave the fractions, decimals, and mathematics behind. Long before the tape measure was a universal adornment on the woodworker’s belt, people designed furniture, houses, bridges, and cathedrals using nothing more than simple whole number ratios. This slender tome will show you how to do just that and will entertain you along the way.
Cartoon character, "Journeyman" and his dog, "Snidely" teach the basics of furniture making. Geometry is a major component of the instruction plus the basic tools of the trade are explained and applied to this art. A novice will truly learn the craft while an experienced carpenter will find this enjoyable reading.
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