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I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Love is made more possible by every violence it has overcome.
Throughout Summerhill’s sophomoric collection, I found myself turning toward play, both in the pause that suddenly arrived after a line that hits and in the music I turned on after a line that urged reconsideration.
Even for the avid fan of Frank Ocean’s discography, this book serves as a vital push toward questioning what it is we deem valuable. A must-read for self-declarations of grace and hope in the face of racial, historical, and social brutality.
A poetry collection that celebrates Black culture, creativity, and memory.
From Kendrick to Kanye, to a Sunday in Oakland with Frank Ocean's falsetto in the foreground, Mausoleum of Flowers is still life set against the backdrop of demise. Daniel Summerhill's sophomore collection grabs fate by the throat and confronts it. What does it mean to continue living when your friends are dying beside you? This collection melds an exploration of spirituality and rebellion with Black tradition. Summerhill's poems invite the reader near in order to self-excavate and explore tones of loss, love, and light.
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Noting my fortune to have been a reader of this book before its official surfacing to the national public, I was first drawn to those poems that again gave me back my memory. Poems reminisced on Migos, Blu & Exile, and others.
Soon after, it's display of self-portraiture unfolded into a mastery of wit, celebrating how music is always a task of discovery first.
“I saw stranger; looked again, I saw friend,” Watkins writes with an intelligence marked by the fruit of reorientation and heart that comes with inhabiting and celebrating your own tribe.
Poems on Black joy, masculinity, and the music that transforms a space into a home
Jorrell Watkins's debut poetry collection is a polyvocal, musically charged disruption of the United States's fixation on drug and gun culture. The poems in Play|House embody many identities, including son, brother, fugitive, bluesman, karate practitioner, and witness. Throughout, Watkins inflects a Black/trap vernacular that defamiliarizes the urban Southern landscape. Across three sections of poetry scored by hip-hop, blues, and trap, Watkins considers how music is a dwelling and wonders which histories, memories, and people haunt each home. Past figures such as John Coltrane, Billie Holiday,…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Both keen and forgiving, this book traces the amorous and lofty histories of Black masculinity in America while also delighting in the surprises surrounding its speaker(s).
No song is without a community to which it belongs. We sing our songs together. This realization is especially stark and exacting in this book as it chronicles the bounty of lyrics from Marvin Gaye to the Delfonics.
Imperial Liquor is a chronicle of melancholy, a reaction to the monotony of racism. These poems concern loneliness, fear, fatigue, rage, and love; they hold fatherhood held against the vulnerability of the black male body, aging, and urban decay. Part remembrance, part swan song for the Compton, California of the 1980s, Johnson examines the limitations of romance to heal broken relationships or rebuild a broken city. Slow Jams, red-lit rooms, cheap liquor, like seduction and betrayal - what's more American? This book tracks echoes, rides the residue of music "after the love is gone."
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
For only the fifth of what could be more recommendations on musical collections, I wanted to draw attention to Avery Young’s book for its relentless approach to enactment and what movements manifest in the aftermath of music’s touch.
I read this collection during a low period of 2022 when COVID was still rampant, and it was a reminder of what it is I am listening for. Past our doctoring or our purities, our humanity is most clear when we are true about our experiences.
I would highly encourage readers to grab a copy of this dream of a book and look out for what’s next from Chicago’s inaugural poet laureate.
The ""blk alter"" of Avery R. Young's poetic vision makes its stunning debut in a multidisciplinary arsenal entitled, neckbone: visual verses. Young's years of supernatural fieldwork within the black experience and the gospel of his transitions between poetry, art and music, become the stitch, paint brush, metaphor, and narrative of arresting visual metaphors of childhood teachings and traumas, identity, and the personal reverence of pop culture's beauty and beast. A mastermind in a new language of poetry, that engages and challenges readers to see beyond the traditional spaces poems are shaped and exist, Young's neckbone extends tentacles in literature, art,…
My favorite genre, historical fiction, inserts characters into real-life events. As a former news reporter, I enjoyed doing research when communicating factual information to readers. I love learning about different time periods and coming away with a fresh perspective on times gone by. History is subjective and always revised and revisited, but factual dates and occurrences remain the same. All the stories I chose to review reveal how fictionalized characters, in real events, deal with coming out on the other side of loss or pain with a stronger spirit. None of us escape loss. It’s inevitable. But there’s healing over time and trust in a God that loves us beyond expectations.
I cried at the conclusion of this book. I cried because I cared so deeply for the women I met on their journeys. And I cried to release the anguish I felt from their rejection, constriction, and subjugation to arranged marriages.
I’m so very grateful for a book written by an Afghan with a clear-eyed perspective of his culture and sensitivity to the tyranny of suppression, especially for women treated as unequal to men. But there’s so much more to this book; it is an homage to courage, resilience, and, ultimately, love, namely, a mother’s self-sacrificing love. The characters conquer despair and limited freedoms with enduring hope.
Mariam is only fifteen when she is sent to Kabul to marry Rasheed. Nearly two decades later, a friendship grows between Mariam and a local teenager, Laila, as strong as the ties between mother and daughter. When the Taliban take over, life becomes a desperate struggle against starvation, brutality and fear. Yet love can move a person to act in unexpected ways, and lead them to overcome the most daunting obstacles with a startling heroism.
I love thrillers. Mysteries, police procedurals, domestic noir, horror—no matter the sub-genre, I love books that grip me in a well-structured plot. But the books that I re-read, that leave me thinking about them long after, have more than just the pull of a page-turner. There’s a lushness to the language, a psychological complexity to the characters, and the landscapes are alive, vivid, and filled with menace. I call these books “chewy” because, like excellent food, there’s so much to savor. They satisfy my cravings and fill me up, but their flavors and textures add layers to the experience. I hope you’ll devour andsavor these books as much as I have.
This book is a meticulous and gut-wrenching story of the unraveling of a family. At its center, is a young woman who is abducted while running in the Rockies, but it is so much more than that (and that story in and of itself is riveting). I’ve always been drawn to stories that look at the ripples of an act of violence. There’s the shock of the act itself, but then there’s all of the days and years after. What Johnston does so beautifully in this story is show how this family unravels but also how each one of them fights like hell to survive within that unraveling and how that hope ultimately saves them all.
As their world comes undone, the Courtlands are drawn into a vortex of dread and recrimination. Why weren't they more careful? What has happened to their daughter? Is she alive? Will they ever know? Caitlin's disappearance, all the more devastating for its mystery, is the beginning of the family's harrowing journey down increasingly divergent and solitary paths until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life? Written with a precision that captures…
As someone who has experienced a lot of loss in my life, I’ve done a good amount of research and exploration into the soulful nature in all of us (the living and the dead) through reading nonfiction (Laura Lynn Jackson, Brian Weiss, Edgar Cayce, Jane Roberts, John Edward and Suzane Northrop among them) and fiction that deals with strong soulful connections. Through my own work as an author, I seek to provide the message love, in any form, transcends life and death. We only have to be open to the possibility to know it and experience it. Nothing is a coincidence and we are all connected. I hope these selections open you to the possibility.
When Chris, the main character of this novel, dies, he teeters between a majestic heaven and the depths of hell when he can’t let go of his life because of his wife’s descent into depression.
This is a love story about a spirit that cannot move on because his soul is so deeply connected to his wife in the human world even though the peace heaven offers is tempting. This is the first novel opened my mind to the connections between souls on earth and those in the afterlife.
What happens to us after we die? Chris Nielsen had no idea, until an unexpected accident cut his life short, separating him abruptly from his beloved wife. Now Chris must discover the true nature of life after death. He also has to risk his very soul to save Annie from an eternity of despair.
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
I absolutely love when poets write memoirs. They bring their vision and facility for sparse and exact language to the task, and Alexander’s memoir about the loss of her beloved husband is a shining example of a story that is both full and tightly woven with imagery, emotion, and action. Her words and sentences slay you, then, like a battery, or rather, lightning, shock the stunned thing in your chest back to life again. How can we write beautifully about grief and pain in a way that also heals by the sheer power of language and deep reflection? This. This is how.
In THE LIGHT OF THE WORLD, Elizabeth Alexander finds herself at an existential crossroads after the sudden death of her husband. Reflecting with gratitude on the exquisite beauty of the intimacy they shared, grappling with the resulting void, and finding solace in caring for her two teenage sons, Alexander channels her poetic sensibilities into rich, lucid prose that universalizes a very personal quest for meaning and acceptance in the wake of loss. THE LIGHT OF THE WORLD is both an endlessly compelling memoir and a deeply felt meditation on the blessings of love, family, art, and community. For those who…
I have always been intrigued by missing persons. I wonder how their family copes with having no closure on the situation and how they can live wondering where their loved one is and whether they are dead or alive. I have read these recommended books many times to satisfy this craving. I enjoy a sense of the macabre even though the story may be about mundane everyday topics. This only adds to the sense of dread and wonder. I enjoy the intriguing twists and turns, keeping me on my toes and wanting more until the end. I hope you enjoy the books on this list as much as I have.
I recommend this book and the author’s fabulous writing, comprising of
dread and humour (which I love), all rolled into one. Three separate case
histories, interlinked, each littered with fabulous, memorable
characters. Jackson Brodie, the Detective trying to solve the case, is one of the best, with brilliant detective skills and a haunting
personal life.
An intriguing mix of family drama and mystery, giving it
more depth than just an ordinary thriller. I have read this book many
times, and it’s always new, never boring, and the ending is still a surprise.
Case one: A little girl goes missing in the night. Case two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.Thirty years after the first incident, as private investigator Jackson Brodie begins investigating all three cases, startling connections and discoveries emerge ...
All my life, books have been a safe space for me to explore emotions, recognize that what I’m experiencing is universal, and see that we can cope with difficult situations. As I pursued my MFA in Writing, I studied and wrote books that address heavy topics in hopeful ways. As Matt de la Pena says, “I can’t think of a safer place to explore complex emotions … than inside the pages of a book.” The picture books I have chosen address the heavy topic of loss in sensitive, hopeful, and empowering ways. I hope these books will touch your life as much as they’ve touched mine.
“In the far north, in a small snug house, four children lived with their beloved grandmother,” begins this gentle tale. I’ve never made it through this book without crying. I bet you’ll cry, too.
Translated from Danish, Glenn hits the chord of loss with universal truths shared by a visit from Death himself. He’s a respectful visitor who leaves his scythe outside to not scare the children when he comes for their grandmother.
Death has a “heart as red as a beautiful sunset and beats with the great love of life.” He tells them of opposites, of dark and light, of sorrow and delight, of grief and joy. “What would life be worth if there was no death?”
Aware their grandmother is gravely ill, four siblings make a pact to keep death from taking her away. But Death does arrive all the same, as it must. He comes gently, naturally. And he comes with enough time to share a story with the children that helps them to realize the value of loss to life and the importance of being able to say goodbye. Glenn Ringtved is a best-selling and award-winning Danish children's author, whose books have been widely translated. Charlotte Pardi is a well-beloved Danish illustrator, who has created numerous books since her first picture book in 2000.…
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