100 books like Howl's Moving Castle

I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”

Growing up, I didn’t read that much. My school-assigned books felt like enough. The turning point, as I remember it, was my introduction to Terry Pratchett. His Discworld novels were lighthearted and fun, but they still explored serious themes and presented honest reflections on humanity. That blend of levity and sincerity stuck with me and introduced me to the style of storytelling I now aim for in my own work. I find a lighter-hearted approach can make difficult or elusive topics more approachable, and mixing a little humor into the narrative helps us care. It connects us more deeply to the characters and makes a story’s heartfelt moments shine.

I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.

I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.

When I was six, my father, a tall, bearded naval officer, read me Coleridge’s “Rime of the Ancient Mariner.” I thought it might be autobiography. Ever since, I've been fascinated by stories where fantasy and reality meet and blend. I studied English literature, taught Dead English Poets to undergraduates, became an editor/writer for hire. Along the way, I canoed, hiked the Rockies, and learned to sail a traditional Nova Scotian schooner. I have two sons, to whom I read stories night after night when they were much younger than they are now. Since retiring, I write fantasy adventure novels set aboard real sailing ships and stories about dragons who talk to exceptional people.

I’ve always been an avid reader, ever since I was old enough to hold a book upright. Today, I’m a writer of science fiction, fantasy, and thrillers, with credits spanning novels, short fiction, television, comic books, and video games. I’m especially fond of heroic tales that feature female main characters, both in books and on-screen. Several of my nearly 40 novels have featured heroic female main characters, including my newest book, Star Trek: Picard: Firewall, which is a coming-of-age tale about Seven of Nine’s journey to becoming a Fenris Ranger.

My true passion is ultimately the supernatural version of The Hero’s Journey so well described by Joseph P. Campbell in his book of the same name. I’m inspired by the world’s legends about men and women who are forced by fate and destiny to a greater purpose against powerful demons and gods. The price is their normal life. Their first enemies are their own fears. The first sacrifice is the death of the old self, as they discover who they truly are meant to be. I feel this is ultimately the challenge we all face. The world is waiting. Live your dream… just without the 20ft. demon-forged ribbon sword and rescue hellhound.

With every book we read, we engage in a complex act of telepathy and empathy. We are entering another human’s thoughts, interpreting them with our own, and come out changed from this colossal encounter. These five books I mentioned, with their extraordinary kindness, insight, humor, wisdom, warmth, compassion, and wholeness—many of them fantasies, many of them focusing on communities—have informed the writer I am today: a World Fantasy Award Winner. But I wouldn’t be without all the books that helped make me. These books are some of the best that built me, and keep building in me: the kind of books I try to write myself.

I grew up with Irish folklore, Lord of the Rings, and X-Men comics as my bedtime stories, but I am also a domestic violence survivor twice over with c-PTSD. I was never able to get justice for anyone who hurt me. I created my stories as a way to cope and understand my feelings and triggers by making them their own personalities. So, I made my trauma available for everyone in a fantasy setting with two love interests to adore the heroine who had to endure so much but never gave up on giving people someone to root for when they couldn’t for themselves anymore.

I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.