100 books like Howard B Wigglebottom And The Monkey on His Back

This is my favourite book to read to children about honesty. It illustrates why it is good to tell the truth.

Often books focus on the negative aspects of lying. My research shows that it is important to show there are positive consequences for honesty.

In this book, the Emperor gives a seed to each child in the kingdom, proclaiming, “Whoever can show me their best in a year’s time, shall succeed me to the throne!”. The boy, Ping, plants his seed but it does not grow and he has nothing but an empty pot. He truthfully presents his failure. It turns into a triumphant end when his honesty (even as others are dishonest) is rewarded.

The artwork is delicate and the text simple, but powerful.

What makes this a great book for parents of young children, is all the examples it provides on how children can be honest. 

It clearly illustrates to children concrete examples of honesty that are relevant to their everyday lives. It also has helpful suggestions at the back of the book of questions parents can ask children to promote deeper thinking, as well as activities and games to help children’s understanding.

As I discuss in my book about fostering children’s honesty, having conversations about honesty and illustrating how to tell the truth are crucial for developing children’s honest behaviour. This book is ideal for parents who want to start having these conversations with their preschool and kindergarten children.

This is my go-to book when suggesting read-alouds for teachers and parents who want a charming and engaging story about honesty and compassion.

I love Libby (the main character) for many reasons. She embodies so much of what I was taught as a child about “telling the truth” and also experienced much of what I did before I learned the difference between hurtful and helpful words. My inner child can relate to the character’s missteps—as can my adult self—thus the reason I recommend it for all ages. (As a side note, and for all the right reasons, I also recommend Libby for President.) 

This is a well-known legend about George Washington. 

It also happens to be an excellent example of how to tell the truth about something you have done wrong and how it can lead to positive consequences. When examining the impact of stories on children’s truth-telling in our research, we found that when children heard this story they were more likely to subsequently tell the truth about their own transgression. 

We found that what made this story so good for children was hearing how George confessed about doing something wrong (cutting the cherry tree down) and then hearing how his father was proud of his son for telling the truth.

There is also a message for parents here. It’s important to give credit for honesty when you find it. It isn’t always easy telling the truth! 

This book describes how meaningless talk has conquered the world. It explains why so much written text is entirely meaningless and yet it gets published. But bullshit is not just meaningless – it is speech directly or indirectly intended to mislead or obfuscate. Its very acceptance as false reveals a collusion between the writer or the speaker and their audience – a collusion which precludes the audience from challenging what they hear. Bullshit is not just fashionable babble, it is a serious threat to democratic values and to meaningful public discourse.

By the early twentieth century, violent crime was the number one political issue in America. In response, Congress passed the Swift and Sure Anti-Crime Bill, which gave a previously convicted violent criminal one fair trail, one quick appeal, then immediate execution. But to prevent abuse of the law, it was necessary to create a machine that could detect lies with one-hundred percent accuracy. It was clear that such a Truth Machine would change the world. But the race to perfect the Truth Machine forces one man to commit a shocking act of treachery. Now he must conceal the truth from his own creation---or face execution.

The conflict here is truth versus justice, as is often the case in human affairs. I was extremely interested in seeing how the author would balance these two seemingly irreconcilable factors. The book does a startingly job in resolving this conflict, in the process creating… show more.

The life of a homeless teen is pretty dark. But for Paul Reid, his life is nothing compared to his death. After being taken out by an untimely accident, Paul finds himself caught in a war between the forces of light and dark. Unfortunately, the forces of darkness are winning, and light doesn't seem to care.

This is a horrifying vision of an afterlife run by a faceless bureaucracy, where a newly dead young man will have to defeat all the forces of evil, just for a chance to rest in peace.

It’s the post-modern apotheosis of all conspiracy theories: convince enough people something is true, it becomes true. Doesn’t matter how far-fetched – the Earth is flat, the world is overcome with Bigfoots, shape-changing lizardmen are secretly controlling everything – convince enough people, and it happens.  Except, who’s trying to convince people? And who’s trying to stop them? And are either of them on our side? It’s really a bottomless hole in the most enjoyable way (if paranoid fables are your thing): no matter how bad you realize it is, it’s actually worse. But wait, it’s even worse than that. And even worse than that. This is an ongoing comic series (even the art makes reality seem haunted and insubstantial), so while there are already several collected editions, there’s no end in sight.

Sometimes things happen in life that bring us to our knees – illness, relationships fail, job losses.

And we may feel small, overwhelmed, incapable. In this awesome book about living audaciously, Jones advises the reader to write their own oriki, or personal hype mantra.

When we are at our lowest, we need to look back and see how far we’ve come, remind ourselves of who we were, who we are, and who we will be.

Just as we have the power to write our own orikis, we have the power to write our own next steps. That’s pretty bad-ass.

For an architect to take an incisive, unflinching look at his own profession is refreshing and enlightening. Francis-Jones positions architecture’s strengths and failings in reflection to society, politics, equity, aspiration, ecology, power, and defiance. As a promoter of architects and what they do, I’m happy to see a title that places architecture in a broader scope, and in the same breath as other creative expressions, such as film, music, and literature. He raises questions and observations about the nature of architects and architecture that make one think: Is there any truth in architecture? Why are we driven to build so tall? Why do architects feel so sad, overwhelmed, and helpless? Conversely, within its rubric of architecture, Truth and Lies is a book about us—about how people engage and disengage from society and the consequences that ensue.