Here are 100 books that Henderson the Rain King fans have personally recommended if you like
Henderson the Rain King.
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I grew up in white South Africa, a racist, philistine, authoritarian, and puritanical society. The first four books I have chosen appeared in the 1950s, and I read them in my teens. Catch-22 was published in the ‘60s, but all five heroes–or anti-heroes–of these novels were of the same generation, about ten years my senior, so they were perfectly placed to be role models. They were rebels and mavericks, and except for Yossarian, they were all would-be writers. I recognised a kinship with them and took them as my guides into adulthood. And so I left for Paris and became a writer and an anthropologist. No regrets.
This book is set during World War II. Captain John Yossarian, bombardier, has a hard time maintaining his sanity, let alone keeping alive. His crazed commander demands that the crew fly ever more dangerous missions. Yossarian realises a terrible truth: “The enemy is anybody who's going to get you killed, no matter which side he's on.” When men request leave because they are going crazy, the camp doctor explains the catch-22. "Anyone who wants to get out of combat duty isn't really crazy."
Yossarian’s predicament was more extreme, his adults more dangerous, but like my other big brothers, he insisted on doing things his way.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
I grew up in white South Africa, a racist, philistine, authoritarian, and puritanical society. The first four books I have chosen appeared in the 1950s, and I read them in my teens. Catch-22 was published in the ‘60s, but all five heroes–or anti-heroes–of these novels were of the same generation, about ten years my senior, so they were perfectly placed to be role models. They were rebels and mavericks, and except for Yossarian, they were all would-be writers. I recognised a kinship with them and took them as my guides into adulthood. And so I left for Paris and became a writer and an anthropologist. No regrets.
Sebastian Dangerfield, a scruffy Yank studying at Trinity College Dublin under the GI Bill, loses his wife, finds a lover, and talks to himself–“In my heart where no one else can hear me.”
The book was banned for decades after publication in the 1950s, not so much for indecency (though there is that) as for sheer insolence. The Irish writer Sean O’Reilly asks: “Is there, even after all this time, something risky, illicit perhaps, about Sebastian Dangerfield whispering in your ear while your heart is bursting with laughter?"
Another 1950s anti-hero in the same gang as Holden Caulfield and Jake Donaghue. Another bad example for my guidance.
*Accompanied by unseen photographs from the Donleavy archive *Includes a poignant memoir of Gainor Crist, the man who inspired Sebastian Dangerfield, by his daughter, Mariana *The Lilliput Press will publish Donleavy's 27th book, the novel 'A Letter Marked Personal' in the spring of 2019.
Showcasing for the first time 220 of renowned author J.P. Donleavy's most intimate letters, this scrupulously edited collection throws an extraordinary light on the composition, publication and afterlife of The Ginger Man --- the genesis of a masterpiece that went on to sell 60 million copies around the world. Spanning the late 1940s to the early…
I have always felt like an outsider and so have been preoccupied by questions of identity and belonging. In my youth, I became fascinated by the great Irish writers W. B. Yeats and James Joyce and their struggles with such questions after my family moved from Ulster to Scotland. As a young academic in Brisbane, I encountered fierce debates about Australian national identity as it shifted from a British heritage to a multicultural society. In the flux of the modern world, our identities are always under challenge and often require painful renovation.
Discovering Joyce in my youth was a revelation. In this fictionalised autobiography, Joyce rejects Yeats’s Irish folk models, seeking to emancipate the individual from the nets of family, religion, and nationality.
Whereas the early Yeats romanticises the idea of blood sacrifice for Mother Ireland, Joyce has his hero, Stephen Dedalus, declare Ireland is the old sow that devours her own farrow. Stephen flees Dublin for Europe, choosing the vocation of the cosmopolitan artist who, from exile, will liberate his benighted nation.
Like Yeats, Joyce remains obsessed with Ireland and the tension between the national and the universal.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
I’m a multi-genre writer who loves hearing the characters’ voices and getting their stories out there in the world. A lot of my characters are shaped by their gifts, whether they have supernatural ones or not. The things that happen to them shape who they are and how they react to future events. I exist on sarcasm, sass, and hot tea, so many of my characters do too.
It’s been a while since I read this book, but I remember thinking every place described felt real. It hits all the right notes of thriller with a fallible yet strong heroine who gets the job done, sometimes at great personal cost. Michael is as close to a shapeshifter as normal humans can be. She can become anybody. (Content warning – contains strong language)
Governments pay her. Criminals fear her. Nobody sees her coming.
Vanessa “Michael” Munroe deals in information—expensive information—working for corporations, heads of state, private clients, and anyone else who can pay for her unique brand of expertise. Born to missionary parents in lawless central Africa, Munroe took up with an infamous gunrunner and his mercenary crew when she was just fourteen. As his protégé, she earned the respect of the jungle's most dangerous men, cultivating her own reputation for years until something sent her running. After almost a decade building a new life and lucrative career from her home base in…
I’ve lived and worked intensely in the medical field for over two decades in many countries in Africa. I’ve seen global health programs from the academic, research, developmental, and humanitarian viewpoints of both Africans and Europeans. It’s a complicated mix of politics, good intentions, and, sometimes, egos. There’s much to be learned from both fiction and nonfiction about the complexity of it all.
This isthe best Peace Corps Volunteer memoir I’ve read. It’s unusual in that it’s focused on the story of Monique Dembele, a traditional birth attendant in a small village in Mali, rather than on the PCV, Kris Holloway. We get to know Monique through Kris’s eyes—and Kris so obviously loves her friend and delights in the rural Malian community where she’s stationed. The cultural exchange and friendship that Kris experienced and describes are what Peace Corps is supposed to be about. This was a satisfying matchup of two young women from radically different worlds who saw beyond their differences into their common humanity. Holloway is a gifted writer, providing a chance to look into the world of rural West African women in the late 1980s. Mali slipped into ongoing civil unrest in the years after Kris left; it's heart wrenching to realize what that meant to the very communities…
Monique Dembele saves lives and dispenses hope in a place where childbirth is a life-and-death matter. Her unquenchable passion to improve the lot of the women and children in her West African village is matched by her buoyant humour in the face of unhappy marriage and backbreaking work. This is the deeply compelling story of the rare friendship between a young development volunteer and this midwife who defies tradition and becomes - too early in her own life - a legend.
I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring.
Jeffrey Herbst also looks at the past and present of the African continent, and ecology and demography also come into his story. But his main subject is the specific nature of power and state in Sub–Saharan Africa and the inter-relations between the two. He traces this defining aspect of Africa’s reality through several centuries and presents it within the global context by drawing in experiences of self-organisation of power and state in other continents and regions. Continuity is for him the key to understanding the precolonial, colonial, and postcolonial past and even the future of the continent.
Theories of international relations, assumed to be universally applicable, have failed to explain the creation of states in Africa. There, the interaction of power and space is dramatically different from what occurred in Europe. In States and Power in Africa, Jeffrey Herbst places the African state-building process in a truly comparative perspective. Herbst's bold contention--that the conditions now facing African state-builders existed long before European penetration of the continent--is sure to provoke controversy, for it runs counter to the prevailing assumption that colonialism changed everything. This revised edition includes a new preface in which the author links the enormous changes…
Injustice has always motivated my research and activism. I have always been fascinated by nature and by the complexity of cities. For 25 years I have pursued these passions through the lens of sustainability. In 1996, I co-founded the not-for-profit Sustainable Calgary Society. My extensive work and travel in Asia, Africa, and Latin America, have given me a healthy skepticism of the West’s dominant cultural myths of superiority and benevolence and a keen awareness of the injustice of the global economic order. My book selections shed light on these myths and suggest alternative stories of where we come from, who we are, and who we might become.
In these times of Black Lives Matter, emboldened white-supremicists, and with European dominance descendant, Born into Blackness is a revelatory and blunt dose of historical reality. I was not fully aware of the centrality of the slave economy in Europe’s rise to global dominance. Most importantly, I was ignorant of the level of cultural, political, and economic sophistication of the African nations when the Portuguese first explored the west coast of Africa. I had some understanding of the Haitian revolution and its manifestation of the enlightenment ideals, but this book opened my eyes to the historical ripples of the revolution: the Louisiana purchase, ceding much of present-day Southern US from Napoleon’s France; the sale and forced-march of thousands of slaves into the cotton-growing south, fueling an economic take-off that made the US an imperial power.
In a sweeping narrative that traverses 600 years, one that eloquently weaves precise historical detail with poignant personal reportage, Pulitzer Prize finalist Howard W. French retells the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in America and the fulfillment of so-called Enlightenment ideals all grew out of Europe's dehumanising engagement with the "darkest" continent.
Born in Blackness dramatically retrieves the lives of major African historical figures whose stories have been repeatedly etiolated and erased over centuries, from unimaginably rich medieval African emperors who traded with Asia; to Kongo sovereigns who…
I am an African Australian writer and have a deep passion for black people's stories. I write across genres and forms, and my award-winning works are mostly Afrocentric. I have a master's degree in distributed computer systems, with distinction, a master's degree in creative writing, and a PhD in creative writing. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt. I am an author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’.
Dominion is a unique black speculative fiction that integrates stories from prominent voices from Africa and the diaspora, including Suyi Davies Okungbowa, Dare Segun Falowo, Mame Bougouma Diene, Dilma Dila, and more. Featuring a foreword by Tananarive Due, the award-winning anthology offers African spirituality, magical realism, Afrofuturistic stories, dystopian worlds and tales that confront in many ways colonialism, social injustice, and capitalism.
Dominion is the first anthology of speculative fiction and poetry by Africans and the African Diaspora. An old god rises up each fall to test his subjects. Once an old woman's pet, a robot sent to mine an asteroid faces an existential crisis. A magician and his son time-travel to Ngoni country and try to change the course of history. A dead child returns to haunt his grieving mother with terrifying consequences. Candace, an ambitious middle manager, is handed a project that will force her to confront the ethical ramifications of her company's latest project—the monetization of human memory. Osupa,…
I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring.
There are thousands of histories of Africa, but only this one ties together environment, economy, demography, and society. In just 300 pages Iliffe presents Africa’s history from the birth of humankind to the mid-1990s. His history of Africa is the story of hardship and social adjustment in which population numbers are not just the result of variable, though mostly unfavourable, environmental situations, but a tool of survival and progress. This social adjustability, different as it may be from European patterns, allowed the continent’s people to build one of the greatest civilisations on earth. It carried them through natural disasters, invasions, the slave trade, and colonial brutalities, but it struggles with the present pace of demographic expansion – the result of modern medicine and globalisation.
In a vast and all-embracing study of Africa, from the origins of mankind to the present day, John Iliffe refocuses its history on the peopling of an environmentally hostile continent. Africans have been pioneers struggling against disease and nature, but during the last century their inherited culture has interacted with medical progress to produce the most rapid population growth the world has ever seen. This new edition incorporates genetic and linguistic findings, throwing light on early African history and summarises research that has transformed the study of the Atlantic slave trade. It also examines the consequences of a rapidly growing…
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