100 books like Du côté de chez Swann

In his tragicomic novel The Good Soldier, Ford Madox Ford’s thickheaded narrator John Dowell trolls, over and over again, through the detritus of his life, searching vainly for the origins of his predicament—namely, that he has been duped by his wife and her lover, his supposedly best friend and the “good soldier” of the novel’s title. When Dowell finally succumbs to the utter hopelessness of his situation, he turns away from his audience in a brash attempt to bargain with a misbegotten universe, and his dreams of an impossible reconciliation with the world become our own: “Is there any terrestrial paradise where, amidst the whispering of the olive-leaves, people can be with whom they like and have what they like and take their ease in shadows and in coolness?” In his greatest moment of anguish and uncertainty, Dowell grasps for the poetry of language to sate his weary soul.

Reading this novel again, almost forty years after its first publication, reminds me of the genius of its author, Margaret Atwood, in her portrayal of women's inner lives. 

In this book, we see sisters of a different kind – divided women, repressed by a brutal state, controlled by fear and enslavement. It is a dystopian novel, yet so much of the story is recognizable to us as credible representations of the past, present, and future sufferings of women. The novel is a modern horror, of sorts – but at the same time, it is a testament of hope and resistance, of sisterhood and strength. The character of Offred stayed with me long after I’d finished the book all those years ago, in fact, to this very day.

I first read The Sheltering Sky on a train to New York. I was so caught up in the book, I hated to get off at Penn Station.

It feels as if the novel sprang directly from the author’s subconscious,  and it has an eerie way of burrowing into the reader’s thoughts and dreams. An American couple (modeled on Bowles and his wife Jane) embark on a journey deep into the North African desert. To say they have a complicated marriage is an understatement.

The murky sexuality of the characters, the astonishing descriptions of the landscape and the sky, and the truly shocking events make this a journey no reader can ever forget, even if you’d like to.  

This is one of the most famous books in literature that everyone should read.

Lolita is the rare literary character that transcends time and has even evolved to become an adjective, and the protagonist is the perfect example of “the character you love to hate.” This is a book that has been both banned and revered. 

My own book title is explicitly an homage to this book, which tells the story of the sterling standard in its heyday. 

It is my dream that readers will put my book next to this one on their bookshelves, reading mine as a continuation of the story that DeCecco tells so masterfully. He is more economic historian, and I am more historian of economic ideas, so the books are different (and his original was in Italian), but they can be read as in conversation with one another. 

This is another book that I look forward to rereading, now that I know more, and engaging more deeply and systematically.

Devotions is a comprehensive anthology of Mary Oliver’s best work. Oliver is without a doubt the gold standard in nature poetry, and one of the most renowned authors of the genre. It reminds me of all the reasons why she is and will always be my favorite poet, and one of the best poets of the last century. If anyone feels themselves drawn to nature poetry, this book is a must-read.

Britain, America, and France collectively adopted deflationary policies after 1920 to reestablish the gold standard at the pre-World-War-I parity. Japan's government joined in. The ensuing Japanese deflation retarded growth, produced widespread economic hardship, precipitated a banking crisis in 1927, and ultimately contributed to the sharp swing in Japan's politics towards fascistic, right-wing reactionaries, punctuated with an exclamation mark by the “Manchuria incident” of 1931. Metzler describes in granular detail this historical arc, with special attention to the key persons—including Innoue Junnosuke, Takahashi Korekiyo, and Thomas W. Lamont—and their own written justifications or critiques for the policies they or others implemented. It is not an economic analysis (like much of my book is) but a historical narrative, and a gripping one.

If you already know the economics of the gold standard, it’s even more gripping, because those behind the return to the gold standard in Japan, particularly including Innoue Junnosuke, were… show more.

A colleague of mine introduced me to this book and argued that Kouzes and Posner wrote the gold standard of leadership practices. After reading their research-based stories, I agree.

The authors write in a way that goes beyond theory by offering a practical guide by focusing on the five practices of exemplary leadership. These practices are applicable to anyone’s career! Through inspiring examples and actionable steps, I learned how to lead with integrity, inspire others, and drive higher performance more effectively.

Read the gold standard of leadership development. It can become your call to action!

Syd Field is revered as the original master of screenplay story structure, and this guide continues to be the industry's gold standard for learning the foundations of screenwriting. Even if you’re not writing a screenplay, read this book.

I have learned over the years that the principles of three-act structure can be recognised in, or applied to, almost every form of storytelling, whether you are making a film; telling a joke; designing a firework display; writing a novel, a play, a song; performing a magic act or making a speech. No one explains 3-act structure more clearly than Syd Field. He doesn’t offer it as a failsafe formula, but I have found his paradigm invaluable as both a writer and a teacher, especially for identifying narrative flaws in a story that is not working. (Usually mine).

If one wants to hear Hitchcock’s voice, this set of interviews provides the gold standard. The book, which was also important for Hitchcock’s reception, includes discussions of every major film.

Hitchcock talks informally about what his intentions were, how he created individual scenes, and what kinds of meanings lie hidden in the works. Most readers are drawn to Hitchcock criticism after being engaged by an individual film, and they will find welcome orientation here.