Here are 16 books that Day Out of Days fans have personally recommended if you like
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I am passionate about the Vietnam War because my male relatives served and came back changed by the experience. I spent ten years as the editor of The Patton Saber, writing articles about the experience of World War II soldiers, but when I came across an idea for a novel about past life memories, I decided to focus on memories of the Vietnam War. What I love about this list is that it reflects many facets of the war, including soldiers, nurses, veterans, and the family members touched by those affected by war.
O’Brien’s depiction of American soldiers in Vietnam was vivid and moving. It gave me a deeper understanding of the soldier’s experience. His artful use of the metaphor of what they carried revealed not only the items on hand but also the psychological baggage each soldier dealt with.
The stories were haunting and made me a full witness to the complexity of war and the many ways it is experienced. It is artfully written, moving, complex, touching and unforgettable.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
I have always followed writer Christopher Isherwood’s words: “I am a camera with its shutter open, quite passive, recording, not thinking.” I am most comfortable as an observer, a documentarian, someone who gathers details, tries to make sense of them, lays them down in a presentable order, noticing colors, light, sounds, people’s behavior. Trying to make sense of life. I come from a divorced family, my father was murdered, and my first wife died of breast cancer. Still, there was plenty of laughter. I’m interested in and trying to figure out why we’re here.
British spy novelist John Le Carre writes a rare non-fiction piece involving 38 tales of searching for the “human spark” – the reason we get up in the morning – and overcoming betrayal and disappointment. Le Carre meets spies, heads of state, celebrities, politicians, along his life’s journey but it always gets back to the heart, the humor, the “moral ambiguity” he finds in each individual that he transfers to his fictional characters in novels such as The Spy Who Came in from the Cold and Tinker, Tailor, Soldier, Spy. I loved this book because I travelled to locations and met people that will never be part of my personal experience. Le Carre despite his fame is a humble, obedient servant to the word and shares his innermost feelings about the success and failure of human beings.
"Recounted with the storytelling elan of a master raconteur - by turns dramatic and funny, charming, tart and melancholy." -Michiko Kakutani, The New York Times
The New York Times bestselling memoir from John le Carre, the legendary author of A Legacy of Spies.
From his years serving in British Intelligence during the Cold War, to a career as a writer that took him from war-torn Cambodia to Beirut on the cusp of the 1982 Israeli invasion to Russia before and after the collapse of the Berlin Wall, le Carre has always written from the heart of modern times. In this,…
I have always followed writer Christopher Isherwood’s words: “I am a camera with its shutter open, quite passive, recording, not thinking.” I am most comfortable as an observer, a documentarian, someone who gathers details, tries to make sense of them, lays them down in a presentable order, noticing colors, light, sounds, people’s behavior. Trying to make sense of life. I come from a divorced family, my father was murdered, and my first wife died of breast cancer. Still, there was plenty of laughter. I’m interested in and trying to figure out why we’re here.
McGuane sure kicked it off for me in terms of seeing a way to write new fiction. Story is not a priority in his world rather observation of characters battling the odds of surviving each day. The reader wants to be like some of the characters and run to the hills from others but the sense of humor, dirt under the fingernails of these singular people we’ll never meet, relationships we’ll never be in, and locations such as Livingston, Montana or Key West, Florida we won’t spend much time in, draws me to McGuane’s page. McGuane, who wrote scripts for Missouri Breaks and Rancho Deluxe, writes like a filmmaker – the smells, the weather, the alcohol, the drugs – the reader is in the scene, the sun on your neck, the dust in the air, the sound of the ice-cold creek. McGuane is a travel agent.
A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle).
In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But…
I have always followed writer Christopher Isherwood’s words: “I am a camera with its shutter open, quite passive, recording, not thinking.” I am most comfortable as an observer, a documentarian, someone who gathers details, tries to make sense of them, lays them down in a presentable order, noticing colors, light, sounds, people’s behavior. Trying to make sense of life. I come from a divorced family, my father was murdered, and my first wife died of breast cancer. Still, there was plenty of laughter. I’m interested in and trying to figure out why we’re here.
One of the joys of the Internet is meeting people – writers – who give the reader a kick in the ass, an unexpected journey down an alley or a dirt path where we spend time with a character who changes our opinion, our outlook on society. Meeting writer Theresa Griffin Kennedy was that kick for me. Kennedy writes non-fiction, reportage, poetry, opinion, and fiction. Burnside Field Lizard took me down back roads and introduced me to larger-than-life characters that stung me with truths and observations that felt more like a documentary. I love realism and Kennedy knows and writes about her town Portland, Oregon, like no other writer. These short stories smack of a reporter in the trenches of a foreign war zone. The characters are in battle with themselves. Kennedy is also an observant translator of sexual behavior that can, at times, be another kind of war, internal…
In this collection of five short stories Theresa Griffin Kennedy's assortment of unusual characters are sharply insightful and as damaged as they are intriguingly complex. Jolting the reader into regular double takes, "Burnside Field Lizard and Selected Stories," gives an authentic, place-based portrayal of some of Portland's less privileged inhabitants. Gender, class and sexual based consciousness seep into the grain of each story but most importantly Kennedy examines a universal question from the perspective of the Portland neighborhoods she knows intimately: What are people willing to take from others in order to survive and what does it mean to be…
I'm an ordinary person who was able to achieve an extraordinary life for myself. My parents, who currently do not own a home, have always struggled to make ends meet. When I left the US Army at 23 with only $3,000 in savings, I quickly spent it while trying to adjust to civilian life in a foreign country. With a limited college education, I turned to books for inspiration. These books provided me with insights into the details behind success stories and changed my mindset. I was motivated to write my own book, Know Money No Problem, to pay it forward and help others achieve their own version of success.
While Don't Worry Make Money may not have been a driving force, it served as a confirmation of my approach to success. This quick read should be the foundation for anyone looking to achieve a better life.
The book is not only enjoyable but also provides a logical path to success. It motivates readers by offering great insights into what truly matters and what doesn't.
To be honest, if you're short on time, just review the table of contents. It reads like a recipe for achieving the American dream. Richard lays out 100 entries that serve as a step-by-step guide to success.
Now in paperback--the #1 "New York Times" bestseller that offers revolutionary strategies for making more while worrying less. Filled with unique, refreshing ideas to spark the interest of even the most overworked business person, this handy guide presents life-changing wisdom to use at home and at the office.
I’ve been reading YA since I was a young adult myself, and I’ve always favored stories with a strong romantic angle. As a kid, I loved The Baby-Sitters Club’s starry-eyed Stacey and Sweet Valley High’s boy-crazy Jessica; as an adult, I flock to the romance section of bookstores and libraries. When the urge to try my hand at writing struck, I drafted young adult romances without even considering other categories or genres. I will always choose a meet-cute, witty banter, and sizzling chemistry over fast-paced action, clever twists, and high-concepts plots. When it comes to reading and writing, I love love!
The Last Thing You Said is one of those romances for which a happy ending feels utterly impossible—until its final pages. Main characters Lucy and Ben are struggling to cope with their sorrow after Trixie, Lucy’s best friend and Ben’s sister, suddenly passes. Further complicating Lucy and Ben’s grief are their romantic feelings for each other, feelings they were only just beginning to acknowledge the day Trixie died. This story is gorgeous and intense; it broke my heart a hundred times before slowly and satisfyingly piecing it back together.
Lucy always loved summers on Halcyon Lake-sunning on the lake raft, relaxing on the boat, and spending every possible minute with her best friend, Trixie, and Trixie's brother, Ben, Lucy's lifelong crush. Until last summer, when one tragic event turned their idyllic world upside down. Now nothing is the same. This summer, Trixie is gone, and Ben is distant, numbing his pain with parties and a string of interchangeable girlfriends. Lucy does her best to move on and avoid this cold new Ben. She throws herself into babysitting, waitressing, and a sweet new romance with the renter next door. But…
I read my first romance novel at fourteen. I know, I know, too young to probably read any of these novels. As I grew older, my library expanded beyond Regency Romance and I entered the Contemporary genre. I found my happy place among the modern world. I related more. Who wouldn’t? And yet, my personal life was nothing like the romance novels I read. It was a tragedy. A complete train wreck. Being the single friend among the group was awkward and sometimes lonely. Between my fanciful love of romance novels and the dreaded dating era I experienced, I came up with the concept of The Martini Girl Bar and wrote my first novel.
How do you not fall in love with Fool’s Gold? This series has everything you can ask for. Instant Love. Second chance romance. Enemies to Lover. Friends to Lover. The list goes on and on. Three Little Words is a sweet story of Isabel who has crushed on Ford since she was fourteen years old. Ford left and joined the services and she sent him letters as often as she can, giving him updates on her life throughout her high school, college, and early career adventures until one day she made the decision to stop writing, knowing it was time to move on and let him go. Time passes and Ford never responds to her letters however he returns to Fool’s Gold and is quickly smitten by Isabel. Isabel’s letter kept him sane throughout his time in the service but a jaded pass prevents him from moving on saying those…
Can first love turn into the real deal? Anything can happen in a sizzling new Fool's Gold story from New York Times bestselling author Susan Mallery.
Isabel Beebe thinks she's cursed in the romance department. Her teenage crush, Ford Hendrix, ignored all her letters. Her husband left her for another…man. So Isabel has come home to dust off her passion for fashion and run the family bridal shop until her parents are ready to sell it. Then she'll pursue her real dreams. At least, that's the plan, until sexy, charming Ford returns and leaves her feeling fourteen all over again…..…
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
A contemporary family saga, this book highlights the struggles of mothers and the difficult choices they face to keep their children safe.
A nature vs. nurture story that contains shocks and surprises and will bring you to tears. The structure is interesting as the reader knows more about what’s going on than the three main characters, creating suspense and tension.
What happens when two sisters who were torn apart when their young mother abandoned them-and grew up in tragically different circumstances-reunite thirty-five years later to find her? For readers who love Jodi Picoult, acclaimed author Amy Hatvany fearlessly explores complex family issues in her gripping, provocative new novel.
Natalie Clark knew never to ask her sensitive adoptive mother questions about her past. She doesn't even know her birth mother's name-only that the young woman signed parental rights over to the state when Natalie was a baby. Now Natalie's own daughter must complete a family tree project for school, and Natalie…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
This book is a classic. Along with the Smithsonian Collection of Classic Country recordings and Bill Malone’s Country Music, U.S.A., my own interest in writing about country music began here.
When a senior scholar advised that country music lacked “respectability” as an academic topic, this book was among the small set of works that sealed my confidence to do what I wanted and figure it would all work itself out (Dolly does what she wants, too!).
In compiling biographical profiles of women in country music, this book also filled in a whole portion of history typically glossed over in most country music writing up until that point. It likewise planted seeds for future research and writing on the history of women in the genre, which continues to bear fruit today.
From country's earliest pioneers to its greatest legends, this work documents the lives of the female artists who have shaped the music for over 200 years. Through interviews, photographs, and primary texts, this work weaves a complex tapestry of personalities and talent. It gets to the heart of the special bond female artists have with their audiences. People seeking to understand the context out of which mega-stars such as Shania Twain, Faith Hill, and the Dixie Chicks emerged should look no farther than this guide. Some of the women discussed include Dolly Parton, Wanda Jackson, Patsy Montana, Alison Krauss, Martha…
I grew up in Valladolid, a semi-rural city of Yucatan. My parents loved the history and archaeology of the Yucatan peninsula, which not long ago was a single cultural and linguistic entity. I grew up dreaming of becoming an archaeologist. With time, I became fascinated with people and sociality within and beyond Yucatan, so I became an anthropologist. I trained as an anthropologist in Mexico and Canada, and have done research in Canada, Italy, Mexico, and Spain. I live and work in Yucatan, as a professor of anthropology. Good ethnographies are what anthropology is about, and those I write about here are some of the best.
I read this book when I was a teenager growing up in Yucatan.
Stephens’ description of both the everyday life of Yucatecans in local villages and cities, and of the imposing ruins left by the Maya are enchanting. Catherwood’s drawings and plates are both accurate and dream-like representations of Yucatecan life, Maya ruins and artifacts at the time.
The book left vivid pictures in my mind; I could and still can see across Yucatan the traces of what Stephens described and Catherwood caught with his drawings and plates.
This book has resisted the passage of time as a story of travel and discovery. As a tale of adventure and wonderment, it was and remains a brilliant prelude to the ethnography of the area.
Both volumes of John Lloyd Stephens epic accounts of the Yucatan are united in this single volume, complete with over 100 illustrations of encounters on his journeys in Central America.
Prior to the 1840s, when J. L. Stephens published this superb account of his explorations, the Yucatan was only crudely charted by Western explorers. Yet their descriptions of the odd ruins and beautiful landscape intrigued the young John Lloyd Stephens, who spent years yearning to explore and better chart the faraway lands. After a number of years spent traversing Europe and Egypt, Stephens was in 1839 commissioned as a Special…
