100 books like Bloody Murder

Haycraft was an American commentator and this survey of the history of crime writing up to the Second World War is soundly written and sympathetic. Interestingly, he believed that the locked room puzzle was played out and that authors should avoid it, whereas this type of mystery has enjoyed a significant revival in recent years. Predicting how crime writing will evolve in the future is fraught with danger! Inevitably, Haycraft’s focus was mainly on American and British crime fiction. The limited number of translated mysteries in those days meant that the global reach of crime writing, and the achievements of authors whose first language is not English, has long been under-estimated. Only now is this problem being addressed.   

This is a fun book. The late Bob Adey’s passion for locked-room puzzles and his extraordinary breadth of reading shines through. After a discursive history of this type of detective story, he lists over two thousand novels and stories and the ‘impossible crime’ elements within them. A separate section listing all the solutions is not only enlightening but highly entertaining. A recent updated edition by Brian Skupin evidences the enduring appeal of ‘miraculous mysteries.’ 

During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.

I dreamed for many years of writing a book about crime fiction. I’m primarily a crime novelist, but so was Julian Symons, and the experience of writing fiction is invaluable when discussing other writers and understanding what they were trying to do. I approached Oxford University Press, with a view to producing a Companion about the genre, comprising essays by writers including myself. This led to a fruitful meeting with an OUP editor and novelist, Michael Cox, but the project was stillborn when his American colleagues had commissioned just such a book, to be edited by Rosemary Herbert. Rosemary invited me to contribute twenty-odd essays to her Companion, and I found the work of my fellow contributors (including Symons) a delight to read.

Once in a while, every author reads a book they wish they had written. This book is the one for me.

Jannie, a once-bestselling-now-struggling crime writer, unable to lend authenticity to her plots and voice, decides to carry out a multi-million-dollar heist to give a fact-based and realistic account. However, to accomplish her plan, she teams up with her partner to recruit men from the wrong side of town. Together the team members scout targets and rehearse the various escape routes. Jannie’s plan is to call off the make-believe caper a day before the heist. But…the hustlers she’s recruited won’t take orders from her any longer, not when over a million dollars are within touching distance. 

In the words of Sanders himself: “Crime never felt so good!” 

Combining a murder mystery with a colorful sci-fi universe that’s full of magic? Yes, please. Odd couple Lieutenant Iari and Ambassador Gaer (who, don’t let the title fool you, is actually an alien spy) have to team up to discover why a retired battle-mecha killed someone—an occurrence that should be impossible. The rapport between Iari and Gaer is a delight, and the plot quickly unfolds from a mere murder to something far more sinister. I absolutely love the world that Eason creates—it has the scale of a video game-like Mass Effect while simultaneously creating compelling characters. 

Here is yet another book where at first it seems as though there are no heroes.

Abercrombie writes a masterful world filled with magic, politics, swordfights, and bleak attitudes. One of the main POV characters is a torturer—I mean a full-on break your toes and laugh about it torturer—but even still, I found myself wanting more of his story. He’s certainly not a hero, but he was at one point, and that’s even more intriguing.

The characters drive this fantasy series, but the world is also a gorgeous setting that Abercrombie clearly spent many long nights thinking through. Every detail feels like it matters, and throughout this trilogy, the smallest specks of plot come back to matter.

On top of it all, I loved the audiobook narrator and his particular performances for each character brought the world to life.

This was the first book I read from Natalie Walters and it was fabulous! She is an auto-buy for me with a riveting story that is not only crime-centric but with relatable and real characters! Her romance is light and expertly woven through a story that will keep you guessing, biting your fingernails, and skipping dinner!

RL Stine's Switched isn't just a switching places story, it's a switching bodies story. And in this Fear Street installment, one of them is a killer. Yeah, it's intense. Nicole is a super normal teenager with pretty regular problems, like a boyfriend who can't get his act together and homework she can't manage, but a trip to the woods changes all of that. Next thing you know, people start to die. 

Things really take some strange twists and turns so you're in for a wild ride with this one. This is classic Stine and just a fun read, if your idea of fun is being shocked, confused and frightened with every page. What a great time!

Agent of the Ministry of Alchemy, Enchantments, and Supernatural Entities, Fatma el-Sha'arawi is the spectacularly well-dressed protagonist tasked with saving the world (again) in an alternate 1912 Cairo. This award-winning novel awed me with its detail and invention. What I loved most was the way the world building relegated the British Empire to relative unimportance. Come to think of it, I loved the Ministry library almost as much.