From my list on voice-driven, suck-you-in narrations: both memoir and fiction.
Why am I passionate about this?
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
J.'s book list on voice-driven, suck-you-in narrations: both memoir and fiction
Why did J. love this book?
This book begins with only the most famous first line of a novel in English literature. (Move over, Jane Austen.)
Wistful, mysterious, and yearning, the unnamed narrator of Rebecca follows her much older husband to his luxe estate in England after a hasty marriage in France. There, she encounters a housekeeper bent on humiliating her (or worse) and the specter of her new husband’s perfect first wife, who died unexpectedly.
Even knowing what will happen, I am sucked in every time. This hits that great spot between outright horror and suspense, and my next book will be heavily influenced by this one.
40 authors picked Rebecca as one of their favorite books, and they share why you should read it.
* 'The greatest psychological thriller of all time' ERIN KELLY
* 'One of the most influential novels of the twentieth century' SARAH WATERS
* 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…