100 books like Becoming Latina in 10 Easy Steps

This is a fascinating historical novel about Thomas Jefferson’s oldest daughter, Patsy Jefferson. Aside from learning much more about history than I ever did in high school or college, I enjoyed reading about the relationship that she had with her father. 

It’s difficult, I think, to have a relationship with a man like Jefferson who was devoted to his ideals and dreams first and to his family second. He had goals that were so immense that there was no competing with them. And yet, Patsy is completely devoted to her father and his goals. It’s a story about loving an imperfect man and making sacrifices.

It gave me a different perspective on a historical figure, but it also made me think about my own relationship with my father because I could relate to coming second or third in the life of a father you love. I know what it’s like… show more.

I’m always astonished and grateful when someone who has lived through extraordinary events also has the skill to describe them brilliantly.

Tara Westover’s gorgeous writing won me over before I could even begin to appreciate the strange, dangerous, and ever-shifting terrain of her childhood. Her descriptions of growing up in a fundamentalist, survivalist home with no formal education, and no official record of her existence, never stopped surprising me as I gobbled up the pages.

I was amazed and inspired by her determination to forge her own path as an adult and to see the world for herself rather than simply accept the stories she’d always been told.

American Daughter caught my interest because of the title. I was writing a novel based on my father’s search for the American Dream, and we had a contentious relationship. I always felt like the American Daughter of an Argentine dad.

American Daughter, however, didn’t really have anything to do with being American aside from showing the realities or another side of the American Dream, the pain, the struggle, and the brokenness of American families.

I ended up relating to this book much more than I expected. The author’s mother was mentally unstable, selfish, and unable to actually mother. My father, and the character of my novel, was also all three of those things.

I felt a connection with the author because I understood how difficult it must have been for her to ultimately forgive her mother and see her as a damaged human being who did the best she could.… show more.

The Mother-in-Law is a funny mystery about a mother-in-law who is found dead and the likely suspect is the main character, Lucy who had a challenging relationship with her mother-in-law.

The main reason I recommend this book is not so much because Sally Hepworth is an amazing writer (she is!) and she keeps you turning the pages (she does!), but because this book ended up being so much more than a “whodunit” story.

As the story builds and we see the relationship between daughter and mother-in-law develop, we come to love both characters because they are so real, and their relationship is deeply complex. How do you love a difficult person? It’s not easy, but Lucy shows us how. I loved this book, and in fact, I want to read it again.

Captivity Beyond Prisons blew me away in its explanations of criminalized deportation and the “good immigrant/bad immigrant binary” that has all too often defined immigration rights advocacy.

While familiar with this binary, I had never seen it so clearly explained before reading this book, particularly in its arguments about how women, imprisoned, and gender-non-conforming immigrants are commonly categorized as undeserving and expendable.

The included stories of Latina women impacted by intertwining systems of immigration and criminal justice enforcement affected me greatly, as did the argument that frameworks of prison abolition—which view all people as deserving of humanity, including those deemed “criminals”—should be further adopted in the fight for immigrant rights.

This book is distinctive in its focus on non-citizen women affected by the criminal justice system, which I have rarely seen elsewhere.

This is an amazing book to really get sucked into.

Written in 1976, it is a fantasy to go hide in from today’s dystopia of post-COVID and early climate change. You can join 1960s Consuela Ramos in her escape from a forced hospitalization in a mental institution to a utopian world that she visits with Luciente, a time-traveler.

That future is full of amazing people who do not celebrate hierarchies of race and gender but live in anarchist poly-amorous villages where hard labor is performed by machines and babies are produced in breeders with biological components of three parents.

The book is rich in blueprints for liberated education, conflict resolution, socio-economic innovation, and relationships. The beautiful world is threatened by a wicked parallel future world that Consuela must help to prevent.

Manzano played Maria for more than 40 years on Sesame Street, but this isn’t a book about that show. A sort of next-gen, nonfiction companion to Dominicana, it tells the story of Manzano’s hard-knock childhood in the South Bronx, and how her gifts as an actor and storyteller propelled her out of a rough neighborhood and troubled home (her father physically abused her mother.) Manzano doesn’t paper over the anger she felt and still feels about the systemic forces that ghettoized Hispanic kids like her. But she succeeds in offering hope and modeling Nuyorican success to latter-day versions of her young self.

This is the book that started the Chica Lit subgenre (about thirty-something Latinas negotiating their lives, romances, and careers). I have many problems with it, but I like her humor and much of her making fun of stereotypes of Latinas is spot on. It also shows us the breadth of Latina lives, from the white, privileged Latina to the Afro-Latina struggling along. It’s the lynchpin of my book, since this is where it all started, for me and for the subgenre. It’s important to understand the messages popular Latinx literature gives us about gender and about Latinidad. 

First of all—a holiday story set in New York City? Who can resist that? Like the heroine, I am one of those people who loves immersing myself in Christmas as soon as Halloween is over. That usually means reading several holiday-set novels. With this book, I found myself turning pages faster and faster, yet never wanting the book to end.

The hero worried me. He’d faced a tragedy and shut himself off from the world. Sometimes, that can be too dark for my reading pleasure. But Sarah is a masterful storyteller. Her heroine is so empathetic and caring (possibly at the risk of breaking her own heart) that the hero is ever-so-slowly coaxed back from the brink of disaster.

Even for readers not from the Christmas tradition, the unfolding story will be satisfying. 

This book isn’t a romance. It’s too real – and too devastating – for that. It’s part of a series and I read this book first and the prequel story afterward so if you’re planning to read this one, I recommend reading the first one too, and in advance. There are some references I feel I’d have understood better if I’d read the books in order.

The main characters are all relatable in that they’re flawed and not always aware of it. The protagonist seems the most aware, but I think that’s just because we get the whole story from her perspective. This feels like a slice-of-life novel and I don’t usually enjoy those. I can say, the writing is excellent and it’s a satisfying read.