83 books like Beasts of the Earth

I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.

Growing up, I was introduced to Japanese culture and history through anime. But I decided to dig a little deeper, reading history books and looking up more and more information. I was fascinated by what was presented of “Old Japan,” both the misconceptions that were spread by pop culture and by the surprising details that it gets right that no one would believe. This fascination is one of the most consistent things about me through the years, and the idea of delving into works of my own that merged samurai drama with lesbian relationships has been a recurring desire of mine for years.

I like stories about vengeance because they, by definition, have to center a character’s goals and obsessions. Great storytellers take that fixation and use it to probe the experiences and ideas that fuel the desire for revenge. Does the avenger truly understand what they are embarking on? Is the object of their ire truly deserving of that wrath? I like questions like these because they foreground the role of desire in decision-making, and desire is always personal, circumscribed by our appetites, biases, and intentions. I care little about a character being likable. I want to know what they like and to see what they’re willing to do to get it. 

I’ve been fascinated by fairytales since I was a little girl, watching Disney movies with my grandparents. As I grew older, I read fairy tales almost insatiably and was also drawn to mythology and folklore of every variety. When I discovered the fantasy genre, in my early teens, it was like coming home…a genre that combined all of the elements I’d grown up devouring: fairytales, mythology, and folklore. My love of fantasy developed my love of portal fantasy—the idea that other realms, other worlds, other dimensions exist, and we can travel between or to them. I wrote my first portal fantasy novel at eighteen and have continued writing fantasy and portal fantasy novels ever since. 

Growing up in the nineties I was a Buffy fan, although that is probably understating things. I have all the Buffy novels, which I read over when waiting for the next series to come out (this was in the days before Netflix!). For me, Buffy had the exact right mix of humour, horror, and deeper complexity, dealing with issues that really impacted me, but in a way that made them accessible. I loved the characters, I loved Buffy herself, I loved her strength and humanity. When I decided to write Raising Hell, I was influenced by Buffy, but there are differences – Ivy is no chosen one, she chose herself.

I'm a fiction author and minister from Upstate New York. As a young boy, I had many supernatural experiences. My earliest memory is of a supernatural basis. For me, the unseen world, and those things that others either deny exist or have relegated to ancient history and myth, have always been real to me. Reading, films, video games, and all other forms of storytelling were ways for me to experience the strange and the mysterious. What I found as I walked through such places as Middle Earth, Narnia, and Ice Wind Dale, was that the stories of these characters that overcame adversity, failures, and weaknesses to become heroes inspired me as well.

I rediscovered my love of romantic fantasies when my mother went into the hospital, and I needed a place to go to escape the horror of watching a parent’s health fail. I not only buried myself in reading fantasies filled with magical love stories, I started writing them again. Throughout my life, I’ve reached for fantasy novels whenever life got tough. As a child, I would read nearly every fantasy I could find. As an adult, my tastes have changed, and I’m looking for fantasy novels with a romantic twist. But still, it’s the heroine overcoming adversity despite the worst odds that gives me hope and comfort exactly when I need it.

I was fascinated by American True Crime magazines from an early age. I used to buy them with my pocket money from a second-hand bookstore near my home. I graduated to reading novels by the age of ten, sneaking my father’s book collection into my bedroom one at a time to read after lights out. His books covered everything from The Carpetbaggers by Harold Robbins to The Devil Rides Out by Dennis Wheatley. By seventeen, I promised myself I’d write a novel one day. Most of my books are crime themed with a supernatural flavour. My debut, The Sister was published in 2013 and since then I’ve completed three more novels and several short stories.

The main reason I care about the relationship of war, conscience, and religion is because I believe strongly in the separation of church and state. A country’s methods of pursuing its best interests, include the use of power and warfare. Religions, however, make central: love your neighbor as much as you love yourself. People need to develop a conscience about what principle matters most. In the Civil War, the old tenet, an “eye for an eye,” was used to justify killing others for reasons of advantage or revenge. But I want to be involved instead in creating peace and justice for all.

A former microbiologist and attorney turned children’s book author, I’m delighted to advocate for children’s self-confidence and critical thinking skills in literature. I like to write about things that I know, to share my passion, and about things I don’t know—to learn more. Stories have been an escape and a learning tool for me and I want to share stories that do the same for children today.