79 books like A Good Scent from a Strange Mountain

As a Vietnam veteran, teacher of war literature, and writer, I am disappointed that I never interviewed Michael Herr. I can only imagine what such an encounter might have been like with this larger-than-life figure, at least the persona (adrenaline junky, reporter on drugs) found in this fragmented collection of war reportage. With its New Journalistic style and content, the sensory-overload writing might be best described as a collection of literary illumination rounds (their underlying message—war is hell and addictive). As a freelance journalist, Herr arrived in Vietnam wanting to reveal the large ugly truths about the war, which he succeeds in doing, but I find the soldiers’ personal war stories more gripping and truthful. For me and even Herr, the real surprise is that this book ultimately chronicles the author’s own war story of innocence lost: the anti-war reporter becomes just as addicted to war as some of his… show more.

This is the first Vietnam War book I read. For almost ten years I remained silent about my military service—many coworkers did not know I had served, let alone two tours and wounded in action. Caputo’s voice and sense of loss and waste and rage touched so close to my feelings. His gift of words made me live again the countless hours of boredom punctuated by moments of terror—for me, ambushes, mines, incoming artillery, and mortar rounds. Twenty years in the future, when I began writing my stories, I read Caputo’s book again because I hoped to emulate his sense of angst.

How does one capture and transmit what the mixture of boredom and abject terror that is often a soldier’s life does to the psyche most effectively?

I had read a number of fictionalized reportages and Slaughterhouse-Five by Vonnegut, which added science fiction. Still, it wasn’t until I powered through this book that I felt I could know how difficult it is for young men to try and make sense of it. The book was a puzzle with pieces that were hard to place next to each other into a coherent picture, and that felt to me like what Vietnam did to those in my generation who fought there.

For me, this book is the best of the Vietnam War “aftermath” novels, books dealing with veterans’ post-war physical and psychological struggles. Winner of the 1987 National Book Award for fiction, this novel, according to the author in our 2005 interview, was written to “get the hair up on the back of your [reader’s] neck.” Haunting, as well as times cynical, ironic, and brutally graphic, the author accomplishes his goal. Heinemann deftly portrays Army veteran Paco Sullivan’s cross-country odyssey, via interstate buses, in search of both spiritual and physical homes. This interstate nomad is a tragic character—mysterious and complex. At the end of this thought-provoking and uncomfortable novel, I am left with an unresolved question: is Paco a sympathetic victim of the war and America’s indifference to veterans or an active agent in his own physical and psychological turmoil? 

As someone who lived in New Orleans before, during, and after Hurricane Katrina, I often wondered why different communities bounced back from that terrible flooding. Mark van Landingham finds that, despite low levels of English fluency, education, and income, the Vietnamese and Vietnamese-American community of Village De L’Est brought back more people and businesses than any other part of the city. Within a year they were back to 90% capacity of pre-Katrina levels. This community's residents – connected to each other through Catholicism and a shared language and history – worked collectively to help evacuees who had scattered across the country. Through collective action, they rebuilt their community even better, adding in new schools, medical centers, and even urban farms.

I discovered and used The World That Made New Orleans as a source for my book.

Upon opening the book, I was gleefully surprised to discover what an informative, interesting, and fun read it is. Sublette describes the French origins of the city in the early 1700s which involved wild parties, debauchery, tragic exploratory expeditions, and a massive Ponzi scheme that used Louisiana and the fictional gold mines there to defraud most every rich person in France, eventually crashing the entire French economy.

He then took me on a thrilling journey through the Spanish and early American periods to quadroon balls, Congo Square, and so many other fascinating places. I knew the city’s history was interesting, but reading The World That Made New Orleans blew me away. 

The first in the Doucet series and a real nail-biter. A killer has been set free and the couple must team up to catch him. The trail leads them through the bayous of Louisiana and the author does a great job at escalating the tension between them and the environment. 

This is not just a book; it's a portal to a pivotal piece of history.

As an artist deeply intertwined with music and performance, I am drawn to how this book celebrates the cultural significance of Congo Square as a place of solace and communal joy for enslaved people. The lyrical storytelling and vibrant illustrations resonate with the power of music and dance, echoing the importance of cultural expression in our lives.

This book is a vital read for its historical significance and its ability to inspire through resilience.

No matter where I visit, I always try to buy a book about the town.

I never come home from a trip to New Orleans with one. It doesn’t matter whether it’s non-fiction or fiction, novels or short stories. French Quarter Fiction is a collection of short stories featuring my favorite part of the city, The French Quarter.

The variety of authors and stories is incredible and features such different views and aspects of this amazing neighborhood.

This is a fitting companion to Ball’s earlier book Slaves in the Family, a meticulous account of his paternal ancestors’ slave-owning history and their biracial progeny.

In this book, Ball, a talented and engaging writer, dives deep into the buried story of a maternal forbearer in New Orleans, Constant Lecorgne, a working-class white creole. With novelistic flair, Ball takes us along with Lecorgne in his peregrinations through Louisiana’s violent and chaotic reactionary politics in the 1860s and 1870s. Ball faced a daunting challenge: to humanize Lecorgne without either sugarcoating his reprehensible behavior or forgiving him for it.

Few books I’ve read have so vividly captured the mentality of outspoken white supremacist “foot soldier.” I was often repelled by Lecorgne, but I wanted to keep reading. This is an essential book if we’re to begin to understand why ordinary white men were willing, even eager, to participate in the racist counter-revolution… show more.