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I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.
This book is a fantastic collection of short stories about the Zombie Apocalypse. Some of the stories broach the subject of corruption, which enabled a local epidemic to spread globally.
I first read this book in 2006 with an “imagine if…..” frame of mind, but I watched world events unfold in 2020 from the perspective of “life imitating art.” I loved the author’s conversational style of storytelling and the believable characters he described. There are no hardcore action heroes, just regular people.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
I love to see complicated characters rising to the occasion. People in real life generally have a lot going on just handling the day-to-day, and they aren’t waiting around for adventure, romance, or mystery to find them. It feels very human to me to see characters struggling with more mundane things like social situations, worrying about their appearance, or holding down a job, rather than only focusing on the plot arc, and that’s the type of character I also focus on as a writer. My latest protagonist, Simon, definitely has enough problems without a missing-person case to solve, so he may be what got me thinking of this topic.
Something that really drew me into this book is how slippery the sense of danger is: Is journalist Scott McGrath only risking further legal trouble with Stanislas Cordova if he continues to research the suicide of the mysterious director’s daughter, or is he up against something far more evil?
After his last encounter with Cordova destroyed his career, reputation, and marriage, Scott McGrath should be worrying about other things… but he can’t help himself. I was also intrigued by his shifting motivations: Is he driven by a need to know the truth, seeking revenge, fascinated by the story, or trying to protect himself and his loved ones?
Many scenes felt like optical illusions where I could see entirely different truths depending on what perspective I looked at them from.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Cosmopolitan • Kirkus Reviews • BookPage
A page-turning thriller for readers of Stephen King, Gillian Flynn, and Stieg Larsson, Night Film tells the haunting story of a journalist who becomes obsessed with the mysterious death of a troubled prodigy—the daughter of an iconic, reclusive filmmaker.
On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances…
I write horror, read horror, watch horror, and live horror. The last one may be a bit of an exaggeration. When I was 10 years old, I begged my parents to take me to the theater to see Friday the 13: The Final Chapter.Of course, they said no. When I was 14, and a horror rebel, I sneaked into a movie theater to watch Friday the 13: New Blood. Thank goodness when they said The Final Chapter, they didn’t mean it. It was around this age that I discovered Stephen King’s Salem’s Lot; that book changed my life for good. I can talk to you about horror books for hours and hours.
On the subject of horror classics, either reading or re-visiting The Strain is always a good idea. I find this fresh take on vampires terrifying. I read the first book in 3 days, and the entire trilogy in less than a month. When I was not reading I was thinking about the book. If you live in New York or close by, let me tell you, the vivid depiction of how the city would fall is as terrifying as the blood-sucking creatures responsible for it.
Because Del Toro is a filmmaker, he is a skillful narrator. The mental images he creates are as vivid as the nightmares I had for weeks. There is also an incredibly damaged main character, and as I said before, I am a sucker for those.
The high-concept thriller with a supernatural edge from the world-famous director, whose films include Pan's Labyrinth and Hellboy.
A plane lands at JFK and mysteriously 'goes dark', stopping in the middle of the runway for no apparent reason, all lights off, all doors sealed. The pilots cannot be raised.
When the hatch above the wing finally clicks open, it soon becomes clear that everyone on board is dead - although there is no sign of any trauma or struggle. Ephraim Goodweather and his team from the Center for Disease Control must work quickly to establish the cause of this strange…
I write horror, read horror, watch horror, and live horror. The last one may be a bit of an exaggeration. When I was 10 years old, I begged my parents to take me to the theater to see Friday the 13: The Final Chapter.Of course, they said no. When I was 14, and a horror rebel, I sneaked into a movie theater to watch Friday the 13: New Blood. Thank goodness when they said The Final Chapter, they didn’t mean it. It was around this age that I discovered Stephen King’s Salem’s Lot; that book changed my life for good. I can talk to you about horror books for hours and hours.
Full disclosure, Rick is my friend, but he is also a great world builder and storyteller. The Seventh Age trilogy is as funny and entertaining as it is terrifying. Rick creates a rich world full of monsters and gods fighting for world domination in the shadows of our unaware society. One of my favorite things about this book is Mike, the main character. No, he is not a damaged mess, he is a true unlikely hero in the best possible way. Mike’s journey is fascinating and the obstacles he faces are monumental. In my humble opinion, the book reads like a video game, each chapter is a new level, and each level has higher stakes than the last.
The Rational World Is No Match For What Lies Beyond DeathObsessed with discovering evidence of the afterlife, Mike Auburn has come closer than anyone to piercing the veil of death often at the risk of his own life.
However, his efforts have not gone unnoticed by organizations in our world and those that seek to enter it from the other side.
One such organization led by a shadowy figure known as “O’Neil” works to desperately prepare Chicago for the coming Ragnarök where the rational world that is known will face coming darkness with Mike in the middle of the war…
Having completed military survival courses as well as stints in an improv comedy troupe, James Schannep knows the best zombie stories are those presented with a wry grin while staring down the end of the world. The product of an overactive imagination, the genre-hopping Click Your Poison series puts you in the driver’s seat against zombies, pirates, international spies, a detective whodunit, superheroes (and villains), exploration through a haunted house, and more!
This is another interactive, choose-your-path zombie book that I discovered after I’d published Infected. It’s off-the-wall zany. You play as a stuffed bunny who wields a chainsaw in the apocalypse. If most zombie stories are caused by viral pandemics these days, then Zombocalypse Now must be the resultant lucid fever dream. If you like nonsequiturs, this is the zombie book for you.
You're a stuffed bunny and it's the end of the world.Between you and safety are forty or fifty zombies gorging themselves on the flesh of the living. If you disguise yourself as one of them and try to sneak past the feeding frenzy, turn to page 183. If you grab a tire iron, flip out and get medieval on their undead asses, turn to page 11.Zombocalypse Now is a comedy/horror reimagining of the choose-your-own-ending books you grew up with. You'll be confronted with undead hordes, internet dating, improper police procedure, and the very real danger that you'll lose your grip…
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
Prefer something a bit more visual as the world falls apart? Stanley Donwood fills a book with full-page black and white linocut illustrations, the same medium I use for my illustrations. Without relying on any text, Donwood is able to use classic sequential art techniques to move us through the continual destruction of a wild and devolving island habitat. You may recognize his work from his decades-long collaboration with Radiohead, but his distinct style of storytelling and art stands alone.
A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still-and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending.
Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot…
My imagination has always been captivated and fired up by reading traditional myths and fairy tales, as well science fiction. Growing up in the ’80s, I was particularly steeped in cinematic masterpieces such as Bladerunner and The Road Warrior, but I also loved reading classic sci-fi, as well as British literature, particularly the Brontes and Jane Austen. I enjoy and write speculative fiction because I believe it offers some of the best, creative ways to explore the timeless, universal truths underlying the human experience. Whether that exploration happens in subtle scenes of interpersonal interactions, or in the epic events woven in threads of dark and light across the tapestry of history, it’s all valuable and relevant.
I was really drawn into James’ dark but believable premise, concerning a depopulated Earth, and the resulting instability and hopelessness of such a societal crisis. The dreariness of her depiction of a childless world is sobering and timely. The plot is not complex, but is very absorbing and fast-paced. The fact that the novel ends on a note of hope and second chances is one of the things I especially liked about it, and makes it well worth an occasional re-read.
Told with P. D. James's trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future. The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and…
I have been fascinated by the zombie genre since I was a child. No other genre has influenced and inspired me as much. I am also a very critical consumer of zombie content, as I have great respect for the genre. I began writing my own stories to fill in gaps that I felt had not yet been addressed by previous works. Since the release of my first novel, I have enjoyed meeting with zombie genre fans, writers, crafters, and creators at horror cons, zombie cons, comic cons and have participated in many panels and podcasts. It is a subject that I will never grow tired of discussing. The zombie genre is truly undying.
Wastelands is an anthology of short stories, all obviously focused on the apocalypse, but not all including zombies. One memorable story was titled When Sysadmins Ruled the Earth by Cory Doctorow, which features the communications between tech geeks who are safely ensconced within blast-resistant data hosting centers when the apocalypse begins. Working in server hosting centers are equipped with their own power sources, air filtering systems, and an abundance of junk food vending machines, the author creates a scenario where truly the geeks shall inherit the earth.
The definitive anthology of the best post-apocalyptic literature of the last two decades. Featuring New York Times bestsellers Stephen King, George R.R. Martin and Orson Scott Card, edited by award-winning anthologist John Joseph Adams.
Prescient tales of Armageddon and its aftermath, by twenty-two of today's finest writers, including:
Paolo Bacigalupi Neal Barrett, Jr. Tobias S. Buckell Cory Doctorow David Grigg Dale Bailey Elizabeth Bear Richard Kadrey John Langan Jerry Oltion James Van Pelt
Together they reveal what it will mean to survive and remain human after the end of the world...
As an Irish-Italian-American, I’ve got a lifetime of cultural and family traditions to bring to the table, and I want that in the books I read. I love books that celebrate the beauty of life, love, family, and creation. A novel can open up the world, and uplift the reader, adding joy to life – that’s what I’m looking for when I read, and I imagine others, too, want uplifting stories. That doesn’t mean preachy or sanctimonious – stories should be about real imperfect people who sometimes fall short of the ideal – but I definitely want stories that take place in a universe where God, and right and wrong, exist.
In this book, the author speculates about the events that could give rise to the anti-Christ, and a few brave souls who might try to stop his rise to power.
But this is not your grandfather’s end-times fiction. It’s deeply entrenched in actual events of the late twentieth and early twenty-first century, and the story is eminently plausible.
It’s not about world wars or secret underground Christian armies – it’s about how pride is conquered by humility, how the biggest things the devil can throw at us are defeated by the holiness of unknown saints.
This is the real deal. You will not want to put it down!
Michael O'Brien presents a thrilling apocalyptic novel about the condition of the Roman Catholic Church at the end of time. It explores the state of the modern world, and the strengths and weaknesses of the contemporary religious scene, by taking his central character, Father Elijah Schafer, a Carmelite priest, on a secret mission for the Vatican which embroils him in a series of crises and subterfuges affecting the ultimate destiny of the Church.
Father Elijah is a convert from Judaism, a survivor of the Holocaust, a man once powerful in Israel. For twenty years he has been "buried in the…
There are so many different ways of thinking and writing about history. I first noticed this while studying at university, when I saw just how different economic history looked from other kinds of history. I later learned that all kinds of historical writing are forms of literature, only they are rarely recognized as such. I am now a university professor and this is my area of expertise: the overlap between the philosophy of history and economics. The books on this list are great examples of unusual or ‘weird’ works on history that challenge some of our deepest assumptions about what history is and how best to think or write about it.
Baudrillard is by now famous for declaring the end or disappearance of pretty much everything. That includes ‘history,’ and it is in this book where he speaks most directly about this. But unlike others, he doesn’t say that we’ve reached the end of history. Instead, he suggests that we’ve banished the end by going beyond it. It is a terrifying thought, really, because it means we can only dream of the end, and that beneath this illusion is something endless, artificial, and inhuman.
The year 2000, the end of the millennium: is this anything other than a mirage, the illusion of an end, like so many other imaginary endpoints which have littered the path of history? In this remarkable book Jean Baurdrillard-France's leading theorist of postmodernity-argues that the notion of the end is part of the fantasy of a linear history. Today we are not approaching the end of history but moving into reverse, into a process of systematic obliteration. We are wiping out the entire twentieth century, effacing all signs of the cold War one by one, perhaps even the signs of…
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