The Memory Police

By Yoko Ogawa, Stephen Snyder (translator),

Book cover of The Memory Police

Book description

Shortlisted for the International Booker Prize 2020, an enthralling Orwellian novel about the terrors of state surveillance from one of Japan's greatest writers.

'Beautiful... Haunting' Sunday Times
'A dreamlike story of dystopia' Jia Tolentino
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Hat, ribbon, bird rose.

To the people on the island, a disappeared thing no longer…

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Why read it?

3 authors picked The Memory Police as one of their favorite books. Why do they recommend it?

The novel really captures the nature of memory and what it means to love and care about others.

Frightening stuff happens in the book—things are disappearing—but it’s told with a warm and light tone, almost as if you’re sailing down a river. Ogawa captures quiet moments like friends eating a slice of cake with such luminosity.

Even when the world is falling apart, there is time for conversations with friends and meals together. 

This short novel still clings to me, even though I read it many years ago. It feels uncannyincredibly familiar and yet very wrong. It’s a surreal fable about memory and the trauma of losing the things that make us, us.

Set on an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses—until things become much more serious. Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the Memory Police. When a young woman who is…

From Caroline's list on creepy books with women in the lead role.

What struck me while reading The Memory Police was the vitality of memory in keeping civilization—keeping humanity—intact. The apocalypse is often depicted as fire and brimstone—wanton destruction on a global scale. But The Memory Police offers a vision of a more personal apocalypse one where the world around you is stripped of its meaning. What I find equally fascinating and horrifying is that without meaning—without memory—the world is just as obliterated as if it were hit by an asteroid.

Yoko Ogawa offers us a way of looking at the end of one’s world, not as fire and brimstone, but as…

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