I grew up a child of the movies, open to watching anything at least once and countlessly rewatching the movies I loved. When not in front of a television, I was instead in front of a book, playing the words of the page out in my imagination. Now I write thrillers of multiple varieties (action, techno, paranormal, etc.), still visualizing words as movies playing out in my mind. Over the years, I’ve seen the quality of novel adaptations grow (e.g., Harry Potter, The Martian, etc.), and yet these staples of my youth have always stuck with me as lost opportunities to deliver a superior work to the general movie-watching audience.
Join Gabriel Dunne, clandestine treasure hunter, in a race against time to save his dying friend. With his loyal team by his side, Gabriel must navigate treacherous landscapes, solve perplexing puzzles, and outwit ruthless adversaries on a global quest to find the legendary Pendant of God, a mystical artifact rumored to possess an extraordinary healing ability. But the pendant is also rumored to harbor the potential for devastating destruction. And when it falls into the wrong hands, the fate of the entire world hangs in the balance.
Brace yourself for a thrilling adventure about friendship, betrayal, and the timeless struggle between good and evil that will keep you on the edge of your seat until the final page!
This was the book that got me into reading. It has everything: an intriguing premise, great characters, wondrous, yet terrifying creatures, action, suspense, humor, and a hefty dose of intellect.
These days, most people know Jurassic Park by its film franchise. When the first movie released in 1993, audiences were floored. And don’t get me wrong, it’s objectively a great movie, with wonderful acting and cutting-edge special effects for its time. But at the time? I was disappointed.
I had already read the book more than once and was looking forward to seeing its entire story brought to life on the screen. Unfortunately, the movie only captured about fifty percent of that story (with the rest significantly re-tooled and scattered across its sequels).
If you like the Jurassic Park movie universe, I definitely recommend visiting how it all began!
'Crichton's most compulsive novel' Sunday Telegraph 'Crichton's dinosaurs are genuinely frightening' Chicago Sun-Times 'Breathtaking adventure. . . a book that is as hard to put down as it is to forget' Time Out
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The international bestseller that inspired the Jurassic Park film franchise.
On a remote jungle island, genetic engineers have created a dinosaur game park.
An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now one of mankind's most thrilling fantasies has come true and the first dinosaurs that the Earth has seen in the time of man emerge.
At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.
That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.
But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
On one hand, this sequel to the amazing The Silence of the Lambs might have been doomed from the start, given the pedigree it was expected to live up to. On the other hand, taken as its own work, Hannibal is an interesting, disturbing, and highly engrossing horror thriller.
The ending was extremely controversial, so much so that it was changed for the 2001 movie adaptation. Regardless of how one feels about each ending, however, one thing is certain: the book was the superior version of the tale.
Ridley Scott is an amazing director, but he was the wrong choice for this story, and it led to the overall feel of the movie, as well as the altered ending, not living up to the feel of other entries in the series. Keep an open mind, and the book will please.
_________________________ HANNIBAL LECTER HAS BEEN ON THE RUN FOR SEVEN YEARS.
And seven years after he helped FBI Special Agent Clarice Starling bring down Buffalo Bill, her career is collapsing after a disastrous drug bust.
Meanwhile, seven years after violently escaping from custody, Hannibal Lecter is hunted by Mason Verger, a psychopathic former client obsessed with feeding him to wild boars.
With the one-time partners at a low ebb, Hannibal is the one to reach out to Clarice, who has been plagued by dreams of his rasping voice.
It has been seven years since they both came to realise they…
Okay, bear with me on this one. The Trench is the sequel to Steve Alten’s B-movie-in-a-book Meg, a horror thriller about a prehistoric shark surfacing in modern day.
Both the original book and its sequel have been adapted into movies starring Jason Statham. The first movie accurately captured the B-level quality of the first book. The second movie continued that feel, and while it honestly wasn’t bad, those who haven’t read the book it was partially based upon will be surprised to know just how different the two are.
The Trench, unlike subsequent Meg sequels, deviated from its B-movie nature and delivered a suspenseful, underwater thriller that far surpassed the quality of the first book and their movie counterparts.
NOW A MAJOR HOLLYWOOD MOVIE STARRING JASON STATHAM.
THE MEG MAY BE DEAD. BUT HER SPAWN IS BACK FOR A SECOND BITE...
Four years have passed since the death of the Meg, a giant prehistoric Megalodon shark with a taste for human flesh.
Former Naval Commander Jonas Taylor, survivor of the Meg's wrath, now houses her one surviving offspring at the Tanaka Institute. Deeply in debt, Taylor has turned to an eccentric billionaire to help fund the Institute, but it comes at a heavy price. And this time, it's not just the sharks he has to watch out for.
Soon…
I’m cheating slightly with this one, as Death Note is a twelve-volume manga rather than a singular novel. But the twelve volumes comprise one single, cohesive, top-notch story that I’d pit against any of my favorite, more traditional novels.
Death Note has been adapted into an anime, a Japanese series of movies, and, most recently, a Netflix movie. The anime is excellent. The Japanese movies are also pretty good. But that Netflix movie… compared to the source material, it’s utter garbage.
And unfortunately, because of Netflix’s popularity, it’s the version most people are likely familiar with. And that’s really sad, because I personally feel it damages a brand that has otherwise had great representation in multiple media formats. If the Netflix movie is all you’ve seen, do yourself a favor and pick up the original manga. You won’t regret it!
Light Yagami is an ace student with great prospects - and he's bored out of his mind. But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Noteto rid the world of evil. But when criminals begin dropping dead, the authorities send the legendary detective L to track down the killer. With L hot on his heels, will Light lose sight of his noble goal...or his life?
I write historical crime fiction, and my latest novel is set in a hospital, a real place, now closed. The South London Hospital for Women and Children (1912–1985) was set up by pioneering suffragists and women surgeons Maud Chadburn and Eleanor Davies-Colley (the first woman admitted to the Royal College of Surgeons) and I recreate the now almost-forgotten hospital in my book. Events take place in 1946 when wartime trauma still impacts upon a society exhausted by conflict, and my book choices also reflect this.
A historical thriller set in south London just after World War II, as Britain returns to civilian life and the men return home from the fight, causing the women to leave their wartime roles. The South London Hospital for Women and Children is a hospital, (based on a real place) run by women for women and must make adjustments of its own. As austerity bites, the coldest Winter then on record makes life grim. Then a young nurse goes missing.
Days later, her body is found behind a locked door, and two women from the hospital, unimpressed by the police response, decide to investigate. Highly atmospheric and evocative of a distinct period and place.
One cold dark night, as a devastated London shivers through the transition to post-war life, a young nurse goes missing from the South London Hospital for Women & Children. Her body is discovered hours later behind a locked door.
Two women from the hospital join forces to investigate the case. Determined not to return to the futures laid out for them before the war, the unlikely sleuths must face their own demons and dilemmas as they pursue - The Midnight Man.
‘A mystery that evokes the period – and a recovering London – in…
