I write fiction and poetry in English and translate literary works from Kannada, a South Indian language. I was shortlisted for the Lucien Stryk Asian Translation Prize, and twice in a row for the Montreal International Poetry Prize. I had the Charles Wallace India Trust Fellowship in writing and translation at LAF and UWTSD in 2022. As a reader, I admire original and clever use of language, writing that portrays with humour the profundity in the absurdity of life, that which makes the quotidian quotable – writing that strikes while the ‘irony’ is hot. These are qualities that I think are intuitive in my own writing. I've enjoyed the following books for these reasons.
Longing to connect to his ancestral roots, Cajetan Pereira has taken up residence near one of the rare and mystical Baobab trees in South India. Into his world walks Sylvia, a young woman in search of a story. They bond over their new-found relationship, until one day consumed by regret, Sylvia disappears.
In a rich kaleidoscope of tales, Sylvia is glimpsed in the lives of other characters as a colleague, friend, wife, and lover, until she comes back into focus as she finds herself becoming whole once more – but is it too late? Brimming with exquisite prose, Sylvia is a beautifully woven tapestry of the ways in which we leave indelible imprints on each other’s lives.
I read my grandfather’s copy of this novel as a teenager. I perhaps lacked the emotional and intellectual maturity to appreciate its various nuances but I remember the story vividly almost 30 years on because I read it with a schoolgirl’s attentiveness rather than the jaded distraction that comes with age.
The intricate plot about the birth of children coinciding with the birth of the nation and the magic and the farce of what follows in their lives – as well as the nation’s – helped me develop an appetite for grand narratives where language is as much a character as the protagonist. I have, since then, grown to be a steadfast admirer of the author’s works.
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
A fantastic work of a surefooted wordsmith takes an equally talented translator to carry it across the linguistic barrier in a way that makes it a literary treat in its own right.
I’m envious of Breon Mitchell’s limpid linguistic manoeuvering that has rendered the German modern classic very enjoyable in English. The narration set in Nazi times as told by a dwarf – who is rather unlikeable by all counts – is an ingenious technique of stripping bad politics to its bare bones and laying out the nonsense that remains.
It is political without being political. There are signs galore in the book for metaphor hunters, but I simply revelled in the language of this remarkable debut work.
WITH A NEW FOREWORD BY THE AUTHOR On his third birthday Oskar decides to stop growing. Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures is post-war Germany.
This book was my introduction to Kurt Vonnegut. I marvel at the author’s genius in bringing together science and religion, two of the most profound subjects known to mankind, in such a playful way.
The unsentimental objectivity of science (and scientists) and a ‘perfect’ religion, whose greatest act of faith is to look at itself with a rather jaundiced eye, join hands to expertly manoeuvre, explain and let chaos be. It is the kind of hilariousness that makes you gaze into space rather than fall out of your chair.
I have always thought that poetry is important to allow prose to not take itself too seriously. Vonnegut has demonstrated how to do this.
One of America's greatest writers gives us his unique perspective on our fears of nuclear annihilation
Experiment.
Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction preys on our deepest fears of witnessing Armageddon and, worse still, surviving it.
Solution.
Dr Felix Hoenikker, one of the founding fathers of the atomic bomb, has left a deadly legacy to the world. For he is the inventor of ice-nine, a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker's three eccentric children, to a crazed dictator in the Caribbean, to…
This book was a present from a friend and I dove into it with no information about the novel or the author.
Many histories come together in it in an unhurried pace, present dots, and let the characters join them. The various perspectives weave and interweave stories and the warps and wefts bring them closer and closer into forming a bigger whole – only to see the knitting is too late by very little.
There are unrecognised talents and relationships, and accidents and serendipity direct the needles. And when the revelation comes, it is to a person bent heavy under a lifetime of acceptance. It is not often that pathos is so poetic.
Leo Gursky taps his radiator each evening to let his upstairs neighbor know he's still alive. But it wasn't always like this: in the Polish village of his youth, he fell in love and wrote a book...Sixty years later and half a world away, fourteen-year-old Alma, who was named after a character in that book, undertakes an adventure to find her namesake and save her family. With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).
This book is as close to home for me as it gets. It won the Booker when I was in high school but I wouldn’t read it before college because I was told – wrongly – by someone who lacked an imagination that they found it opaque.
I was happy to find that it shone with beautiful clarity when I finally read it. I haven’t trusted random people’s book recommendations ever since. The extreme contradictions – the most progressive and the most regressive, revolution and complacency – and their uncanny coexistence in Kerala society and politics can only emerge in the mimesis of story.
And this autobiographically-inspired fiction about two fraternal twins, a boy and a girl, living with innocence the shambles and gambles of modern Malayaliness is a gripping work. It remains one of my favourite books by one of my favourite people.
'They all broke the rules. They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved, and how. And how much.'
This is the story of Rahel and Estha, twins growing up among the banana vats and peppercorns of their blind grandmother's factory, and amid scenes of political turbulence in Kerala. Armed only with the innocence of youth, they fashion a childhood in the shade of the wreck that is their family: their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist, bottom-pincher) and their sworn enemy, Baby Kochamma (ex-nun,…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, I am uniquely qualified to uncover the policies and practices of adoption.
The history of adoption, reframed through the voices of adoptees like me, and mothers who have been forced to relinquish their babies, blows apart old narratives about adoption, exposing the fallacy that adoption is always good.
In this story, I reckon with the pain and unanswered questions of my own experience and explore broader issues surrounding adoption in the United States, including changing legal policies, sterilization, and compulsory relinquishment programs, forced assimilation of babies of color and Indigenous babies adopted into white families, and other liabilities affecting women, mothers, and children. Now is the moment we must all hear these stories.
Who Is a Worthy Mother?: An Intimate History of Adoption
Nearly every person in the United States is affected by adoption. Adoption practices are woven into the fabric of American society and reflect how our nation values human beings, particularly mothers. In the wake of the U.S. Supreme Court's overturning of Roe v. Wade, the renewed debate over women's reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, Rebecca C. Wellington is uniquely qualified to uncover the policies and practices of adoption. Wellington's timely-and deeply researched-account amplifies previously marginalized voices and exposes the social and racial biases embedded in the United States' adoption industry.…
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