I’ve spent a lot of time in Japan, and my new novel, Beautiful Shining People, is a direct result of two profound experiences I had there. The first was when I was hiking through the hills of Kyoto late one night and turned around to see a glowing creature–some have said they think I saw a kami. The second experience happened when I was in Hiroshima at the Peace Park. I immediately started crying, seeing all the schoolchildren learning about the horrible atrocity committed against their ancestors. I have no idea why it affected me so much, but it was one of the most moving experiences of my life.
It’s our world, but decades into the future… An ordinary world, where cars drive themselves, drones glide across the sky, and robots work in burger shops. There are two superpowers and a digital Cold War, but all conflicts are safely oceans away. Seventeen-year-old John, a tech prodigy from a damaged family, hides a deeply personal secret. But everything starts to change when he enters a tiny café on a cold Tokyo night. A café run by a disgraced sumo wrestler, where a peculiar dog with a spherical head lives, alongside its owner, enigmatic waitress Neotnia… But Neotnia hides a secret of her own – a secret that will turn John’s unhappy life upside down. A secret that reveals that this world is anything ordinary – and it’s about to change forever…
Memoirs of a Geishais the only book I’ve actually dreamed about while reading – that’s how much it gripped me.
Not only are the characters richly drawn, the cultural details and world of pre-war Japan are so immersive you’ll feel like you are walking the streets of the Kyoto of almost a century ago. This book also fascinates me because it is the only one Arthur Golden ever wrote.
I don’t know why he never wrote again, but how could he top it? It’s the perfect novel.
'An epic tale and a brutal evocation of a disappearing world' The Times
A young peasant girl is sold as servant and apprentice to a renowned geisha house. Many years later she tells her story from a hotel in New York, opening a window into an extraordinary half-hidden world of eroticism and enchantment, exploitation and degradation and summoning up a quarter of a century of Japan's dramatic history.
'Intimate and brutal, written in cool, lucid prose it is a novel whose psychological empathy and historical truths are outstanding' Mail on Sunday
This is the only non-fiction book on this list, but it reads like a novel.
John Hersey was a journalist who first brought the horrors of exactly what happened in Hiroshima to the American people. He reported on the direct aftermath of the bombing by interviewing survivors just a year after the bomb dropped. Those narratives reveal just how chaotic the aftermath of the bomb was for those who survived.
Though this is non-fiction, it reads like a novel, and you can’t help but feel for the victims of the bombing. As a journalist, I find this work one of the most important anyone in my profession has written.
“One of the great classics of the war" (The New Republic) that tells what happened in Hiroshima through the memories of survivors—from a Pulitzer Prize-winning journalist.
On August 6, 1945, Hiroshima was destroyed by the first atom bomb ever dropped on a city. This book, John Hersey's journalistic masterpiece, tells what happened on that day. Told through the memories of survivors, this timeless, powerful and compassionate document has become a classic "that stirs the conscience of humanity" (The New York Times).
Almost four decades after the original publication of this celebrated book, John Hersey went back to Hiroshima in search…
This is a book by one of my favorite contemporary Japanese writers.
Sweet Bean Paste is both charming and horrifying. The main character with a criminal past tries to turn his life around by working at a confectionary stall selling sweet pancakes to passersby. At this stall he meets an elderly woman with warped hands.
Through her we learn of the horrors of how leprosy patients used to be treated. It’s an enlightening and, yes, sweet tale and shows that the young have much to learn from those who came before them.
'I'm in story heaven with this book.' Cecelia Ahern, author of P.S. I Love You
A charming tale of friendship, love and loneliness in contemporary Japan
Sentaro has failed. He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste.
But everything is about to change.
Into his life comes Tokue, an elderly woman with disfigured hands…
Yasunari Kawabata was the first Japanese author to ever win the Nobel Prize in Literature – and Snow Country is a perfect example of why he did.
It’s the simple tale of a Tokyo businessman who meets a geisha when he takes a trip to a rural onsen (hot springs) town. It’s a melancholy tale, and you feel for the geisha and her harrowing circumstance much more than the Tokyoite.
It’s also a slim book, but one with beautiful descriptions of the snow. You can read it in one sitting, but it will stick with you long after.
Shimamura is tired of the bustling city. He takes the train through the snow to the mountains of the west coast of Japan, to meet with a geisha he believes he loves. Beautiful and innocent, Komako is tightly bound by the rules of a rural geisha, and lives a life of servitude and seclusion that is alien to Shimamura, and their love offers no freedom to either of them. Snow Country is both delicate and subtle, reflecting in Kawabata's exact, lyrical writing the unspoken love and the understated passion of the young Japanese couple.
Where do I start? Breasts and Eggs is a fantastic example of contemporary Japanese literature.
The main character comes from a broken family that saw her mother die early. She feels that she is getting older and that if she is to ever have children she must act soon. But that’s only one small facet of this richly-drawn protagonist.
The novel also takes some great shots at the publishing industry, which, as a novelist, I found quite enjoyable. But most interesting is the history of this book. Kawakami originally wrote the first part as a novella, which was published in 2008.
Breasts and Eggs, published in 2019, saw her rewriting that novella and adding a second part to continue the story. If I have a favorite contemporary Japanese writer, it’s Mieko Kawakami.
A BEST BOOK OF 2020 TIME Magazine・The Atlantic・Book Riot・Electric Literature・The New York Times (Notable Book of the Year)
The story of three women by a writer hailed by Haruki Murakami as Japan’s most important contemporary novelist, WINNER OF THE AKUTAGAWA PRIZE.
On a sweltering summer day, Makiko travels from Osaka to Tokyo, where her sister Natsu lives. She is in the company of her daughter, Midoriko, who has lately grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with adolescence. The story of these three women reunited in a working-class neighborhood of Tokyo is told through…
Desperate to honor his father’s dying wish, Layken Martin vows to do whatever it takes to save the family farm. Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time—a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?
Then, the banker makes an alternative proposition—marry his unwanted daughter, Sara Beth, in exchange for a two-year extension. Out of options, money, and time, Layken agrees to the bargain.
Now, he has two years to make a living off the land while he shares his life with a stranger. If he fails at either, he’ll lose it all.
Desperate to honor his father's dying wish, Layken Martin vows to do whatever it takes to save the family farm.
Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time-a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?
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