I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
“A superb and beguiling work in which he travels in search of the long-forgotten descendants of those Europeans who voyaged to the colonies and never came back. These include Dutch burghers in Sri Lanka; German workers and acrobats who sailed to Jamaica after Abolition and ended up as slaves themselves; American confederates from Texas and Alabama who fled to Brazil after the Civil War hoping to fashion a new Dixieland out of the cotton and slaves available to them there; and Polish soldiers sent to quell the slave rebellions in the French colony of Saint-Domingue at the start of the 19th century, and who ended up fighting on the side of the insurgent Haitians”. The Guardian
Set in an unnamed and quintessential African country that after independence is descending into chaos, this is one of the most unforgettable books about Africa, but also often classified as one of the best novels of the English language of the last 40 years. A portrait that will never be dated, written in a Conrad type of dry yet very rich style, the Africa of Nobel laureate Naipaul is not for those who want to see things through rose-tinted lenses, but is a profoundly human portrait where the there is no space for clichés.
Set in an unnamed African country, V. S. Naipaul's A Bend in the River is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continent's remote interior and is selling sundries - little more than this and that, really - to the natives.
A novel that reads like a reportage, almost a documentary, on contemporary (the Nineties) life in Kenya for the small and influential (but not rich) community of “white Kenyans”: some native of Kenya, some adoptive sons and daughters of the country that invented the safari a century ago and that is the main hub for all news organizations in the continent. So, reporters, conservationists, dreamers, adventures, misfits, eccentrics populate this hugely evocative and partially autobiographical book that has some of the best “sound bites” on the question we are often asked: Why You Love Africa?
In the vast space of East Africa lives a close-knit tribe of expatriates. They all meet at dinner parties; they share the same doctors and eat at the same restaurants; they sleep with each other and take the same drugs.
Set in contemporary Nairobi, Rules of the Wild is at once a sharp-eyed dissection of white society in modern Kenya and the moving story of a young woman, Esme, struggling to make sense of her place in Africa, and her feelings for the two men she loves - Adam, a second generation Kenyan who is the first to show her…
The end of colonialism seen from one, obscure corner of the continent: then-unknown Angola, left ”orphan” by the sudden exit of its Portuguese rulers and dropping into further pre-oil boom obscurity and tragedy. A small book in number of pages, but probably one of the most stunning reads by that genius of story-telling that was Kapuscinski, a reporter who was writing novels even when he pretended they were newspaper reportage. An unforgettable portrait of an Africa officially dated 1975, but eternal.
In 1975, Angola was tumbling into pandemonium; everyone who could was packing crates, desperate to abandon the beleaguered colony. With his trademark bravura, Ryszard Kapuscinski went the other way, begging his was from Lisbon and comfort to Luanda—once famed as Africa's Rio de Janeiro—and chaos.Angola, a slave colony later given over to mining and plantations, was a promised land for generations of poor Portuguese. It had belonged to Portugal since before there were English-speakers in North America. After the collapse of the fascist dictatorship in Portugal in 1974, Angola was brusquely cut loose, spurring the catastrophe of a still-ongoing civil…
If you want a book that is amazingly written, informative, and full of all that makes Africa what it is – passion, tragedy, discovery – this is writing at its best. It’s one of those books that a writer can hardly duplicate or even imitate: a one-off miracle of a thousand different stories, characters, epochs, human trajectories, all ingredients of a complex dish that a normal chef would spoil but that Hartley pulls out of the oven still as a masterpiece. Interestingly, a book that has been praised and criticized with equally strong sentiments.
A deeply affecting memoir of a childhood in Africa and the continent's horrendous wars, which Hartley witnessed at first hand as a journalist in the 1990s. Shortlisted for the prestigious Samuel Johnson Prize for Non-fiction, this is a masterpiece of autobiographical journalism.
Aidan Hartley, a foreign correspondent, burned-out from the horror of covering the terrifying micro wars of the 1990s, from Rwanda to Bosnia, seeks solace and solitude in the remote mountains and deserts of southern Arabia and the Yemen, following his father's death. While there, he finds himself on the trail of the tragic story of an old friend…
The “other Naipaul”, the younger brother who died too young to compete with VS, managed to leave behind some extraordinary examples of his talent. North of South discovers what 'liberation', 'revolution,' and 'socialism' meant to the ordinary people of Africa and it is the book of a contrarian who, brutally honest to the point of being dismissive, travels across a continent on a brink of change, but instead of adopting the easy line of praising it explains why he is not impressed. If you like irony that verges into sarcasm, you can’t miss it.
In the 1970s Shiva Naipaul travelled to Africa, visiting Kenya, Tanzania and Zambia for several months. Through his experiences, the places he visited and his various encounters, he aimed to discover what 'liberation', 'revolution' and 'socialism' meant to the ordinary people. His journey of discovery is brilliantly documented in this intimate, comic and controversial portrayal of a continent on the brink of change.
I’m an Australian USA Today bestselling romance author who writes contemporary romance and uses the pen name Alyssa James to write medieval romance. I think the makeover trope resonates with me because although I’m no beauty queen now, I was definitely an ugly duckling in my teens. For reasons best known to him, my father insisted on close-cropped hair, and financial circumstances dictated out-of-style hand-me-down clothing. After university, I found my own style, but it wasn’t until I was accepted as an international flight attendant that I believed that I couldn’t be all that ugly if Qantas employed me!
Return to Hope Creek is a second-chance rural romance set in Australia.
Stella Simpson's career and engagement are over. She returns to the rural community of Hope Creek to heal, unaware her high school and college sweetheart, Mitchell Scott, has also moved back to town to do some healing of his own.
Mitchell, a former NFL quarterback, doesn't need the complication of encountering Stella again so long after the messy end to their relationship, but as each tries to build a new life, they are drawn together and find their chemistry is just as strong as ever.
Will their love be stronger the second time around?
When two old flames come back to their home town, sparks are bound to ignite. A rural romance from USA Today bestselling author Alyssa J. Montgomery.
A horrific car accident ended former world number-one Stella Simpson’s tennis career, and a betrayal ended her relationship with her fiancé/coach. When a family friend offers to sell her half of a property in the rural community where she grew up, it seems like the perfect place to escape, heal and begin the next phase of her life. Until she discovers that the man who broke her heart ten years ago has bought the…
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