I’m a storyteller. I’ve told stories through journalism, theater, film, and comics. When I was the editor of a film magazine, Scenario: “The Magazine of the Art of Screenwriting” I interviewed filmmakers about the craft of telling a great story. As a journalist, I love original sources and voices, for the way they tell a personal version of history. They say history is told by the winners. I prefer the reverse angle—history told, not by the “losers” but by true, strong, authentic voices. I somehow want to read, reveal, recommend, and illuminate marginalized voices.
This is a hopeful and quietly funny eco-dystopian graphic novel that follows a tabloid journalist, Astra, as she stumbles on the story of a lifetime--a love affair between the human Lola and the alien Race.
Aliens have come to Earth. They are not good nor bad, more like odd workers who have come to do a job. Their gig is to collect the seeds of planets which are in the process of destroying themselves. To track their story, Astra attends an Alien Con and an AA (Aliens Anonymous) meeting for clues from alien abductees. The leads take her over the wall and into the tech-free, neo-Luddite zone where she finds an alternative life.
Lucy Sante’s memoir is about discovering something she’s always known - that while she was born Luc Sante, she has always been Lucy Sante. I found the book transcendent.
As my young friends began to question their sexuality and crave a non-binary world, I became curious about how that felt from the inside. As a journalist, when I’m confronted by something complex, I turn to original sources and voices. When Lucy Sante, one of the greatest wordsmiths of our time, began her transition, I knew this was a book for me. Her story took me on a tender, brutal, intimate journey that ultimately had me wondering: Am I living my true life?
“Reading this book is a joy... much to say about the trans journey and will undoubtedly become a standard for those in need of guidance. ” — The Washington Post
"Sante’s bold devotion to complexity and clarity makes this an exemplary memoir. It is a clarion call to live one’s most authentic life.” — The Boston Globe
“Not to be missed, I Heard Her Call My Name is a powerful example of self-reflection and a vibrant exploration of the modern dynamics of gender and identity.” — Lit Hub’s Most Anticipated Books of 2024
Mandy Keifetz’s book is about grief over a lover’s suicide, but her voice is so wise and amusing that her story didn’t make me sad.
I’ve lost humans; we all have. I lost my best friend and my best dog. How can we grasp what was there and now is gone? I instantly related to this story—the author is a fellow New Jersey girl living at the misfit margins and drifting along, gig by gig. She’s scrappy and willing to do what it takes to survive. I love being swept into a curious mind through a book.
I enjoyed the book’s spiral narrative, which drills down on loss with the sense of a dog chasing its own tail in fury and glee. And then, yes, there is Pascal’s Wager. Why not keep one foot on the side of belief in an afterlife or soul’s lingering on? What do you have to lose?
In reading Flea Circus, the unfathomable concept of death is, through wit and humor, made sublime. Grief is a place where the author’s lover did not die, a place where my best friend and my beloved dog are having a romp together.
Pascal's Wager and performing fleas. The Haunted Mansion of Long Branch and an old dockside bar. Raceway Park and a pristine 1971 Plymouth Road Runner. A cat named Altamont. These are all that stand between a young mathematician and madness as she attempts to make sense of her lover's suicide. Narrow margins, you say? Not much to place between a slip of a broken-hearted Jersey Girl and the Abyss? Indeed, it is a treacherous twelve seconds on the quarter mile, hilarious and harrowing by turn. Blink and you'll miss it.
This book is quietly hilarious. I loved being “inside” Patricia Lockwood’s mind. As a fellow lapsed Catholic, I resonated with her upbringing and living in the strange shadow of religion. Lockwood weaves a contradictory coming-of-age story with profound wit and lyricism.
She also explores the complexities of what she calls “The Portal”—the internet of things that boggle the mind even as they bring solace. I loved how Lockwood used “the portal” to understand her conservative upbringing and eventually find her own irreverent path in the world.
The book led me to follow her online presence too, and helped me learn new ways to “be” online. As Lockwood writes in Priestdaddy: “Part of what you have to figure out in this life is, who would I be if I hadn’t been frightened? What hurt me, and what would I be if it hadn’t?”
'Glorious' Sunday Times 'Laugh-out-loud funny' The Times 'Extraordinary' Observer 'Exceptional' Telegraph 'Electric' New York Times 'Snort-out-loud' Financial Times 'Dazzling' Guardian 'Do yourself a favour and read this memoir!' BookPage
The childhood of Patricia Lockwood, the poet dubbed' The Smutty-Metaphor Queen of Lawrence, Kansas' by The New York Times, was unusual in many respects. There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange riddles and warnings of impending danger. Above all, there was her gun-toting, guitar-riffing,…
I’ve always loved so-called monsters, and Emil Ferris, with her comforting voice and detailed, luminous drawings, elevates “monsters” to a transcendent place. This is a compelling graphic novel, a must-read for anyone who has felt labeled “monstrous” by societal norms or felt at all marginalized.
In reading My Favorite Thing is Monsters, Emil Ferris’s deep empathy for outsiders is felt in every line and drawing. The child’s point-of-view of 10-year-old Karen’s wild imagination felt like the author and protagonist were sharing their private diary with us. All this, and a mystery too, as Karen, who sees herself as a werewolf, tries to solve a monstrous murder mystery.
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.
Kara Swisher has spent decades writing about and reporting on the tech kings of the world, including Elon Musk, Bill Gates, and others. Her insights into the rise of tech giants from the early 1990s to the present illuminate the forces that have shaped our world
I loved Swisher’s insight into these powerful men. She’s blunt, funny, and direct in how she exposes their flaws, and the book feels like it’s written by someone who understands and is fed up with these white, controlling male demigods of tech. I imagine the book’s title refers to how she’s burning all bridges by telling all.
As a journalist who was raised pre-internet, I could deeply relate to Swisher’s outrage in lines such as “What struck me was how easily people could be manipulated by fear and rage, and how facts could be destroyed without repercussions.”
From award-winning journalist Kara Swisher comes a witty, scathing, but fair accounting of the tech industry and its founders who wanted to change the world but broke it instead.
“Swisher, the bad-ass journalist and OG chronicler of Silicon Valley…takes no prisoners in this highly readable look at the evolution of the digital world…Bawdy, brash, and compulsively thought-provoking, just like its author, Burn Book sizzles” (Booklist, starred review).
Part memoir, part history, Burn Book is a necessary chronicle of tech’s most powerful players. From “the queen of all media” (Walt Mossberg, The Wall Street Journal), this…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee and dialogue that enhances the stories and experiences.
When I started teaching in the early 1990s, I brought into the classroom with me my passions for nature, folk music, and creativity. This book holds something new and engaging with every chapter and can be enjoyed by all sorts of readers, particularly those who enjoy nonfiction that employs wit, wisdom, humor, and even some down-to-earth philosophy.
Creativity, Teaching, and Natural Inspiration follows the evolution of a high school English teacher as he develops a creative and innovative teaching style despite being juxtaposed against a public education system bent on didactic, normalizing regulations and political demands. Doherty crafts an engaging nonfiction story that utilizes memoir, anecdote, poetry, and dialogue to explore how mixing creativity and pedagogy can change the way budding students visualize creative writing: A chunk of firewood plunked on a classroom table becomes part of a sawmill, a mine timber, an Anasazi artifact...it also becomes a poem, a song, an essay, and a memoir. The…
