I’m a Reader in Latin Language and Literature at Royal Holloway, University of London. In my research and my teaching, I think a lot about the literature and culture of the Roman empire around the first century A.D. As well as sharing my enthusiasm about the people whose writing and objects have survived down to us, I also enjoy reading and exploring how contemporary authors have used their creative freedom to recreate the worlds of ancient Greece and Rome.
In this book, the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world.
Her argument takes her readers through a comprehensive tour of monsters, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking at the afterlives of the Medusa and the Minotaur. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book.
Mary Renault’s retelling of the life of the Greek hero Theseus, from his childhood up to escaping the labyrinth, was one of the earliest novels set in the ancient world that I read. It completely captured my imagination through the way it mixes the bones of the myth with a world which tries to reconstruct what it might have been like to live in ancient Greece. Renault’s writing is full of detail and her characters are rich and complicated.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
I’m embarrassed that I only read this book recently because it’s a wonderful engagement with ancient evidence to create a vision of Roman Britain. Evaristo uses the burial of the so-called Spitalfields Lady – a woman buried in a sarcophagus with scallop shell decorations and a rich range of grave goods – to create Zuleika, a lively girl who lives with her Nubian parents in Roman London; in blank verse, the story follows her life from being married off as a child bride to catching the eye of the emperor Septimius Severus. Evaristo mixes historical detail with contemporary slang and references, bringing her vision of London under a multi-cultural Roman Empire vividly to life.
FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER
'Wildly entertaining, deeply affecting' Ali Smith
Londinium, AD 211. Zuleika is a modern girl living in an ancient world. She's a back-alley firecracker, a scruffy Nubian babe with tangled hair and bare feet - and she's just been married off a fat old Roman. Life as a teenage bride is no joke but Zeeks is a born survivor. She knows this city like the back of her hand: its slave girls and drag queens, its shining villas and rotting slums. She knows how to get by. Until one day she catches…
Miller returns to the mythic world of The Song of Achilles to explore the life of Circe, the witch most famous for the year that Odysseus spent with her on the island of Aeaea on his way home from the Trojan War. No ancient text focuses on her as a protagonist, so she appears in our sources only in passing episodes; Miller takes advantage of this absence to make Circe the heroine of her own story rather than the bit player in other people’s.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
Lavinia’s marriage is at the centre of the conflict in the second half of Virgil’s Aeneid – will she marry Turnus, her betrothed, or will she marry Aeneas, the newly-arrived Trojan upstart? Yet famously all we really find out about Lavinia and how she feels about this situation is her blush before the final battle begins; she never actually speaks. Le Guin remedies this silence by telling the story of the Trojans’ arrival from Lavinia’s perspective, visited by a ghostly Virgil in visions, and giving a different perspective to stories of war and conflict.
An exceptional combination of history and mythology - 'an intriguing, luxuriously realised novel' FINANCIAL TIMES
'Subtly moving, playful...a novel that brought me to tears more than once. Lavinia is a delightful heroine' GUARDIAN
'Like Spartan Helen, I caused a war. She caused hers by letting men who wanted her take her. I caused mine because I wouldn't be given, wouldn't be taken, but chose my man and my fate. The man was famous, the fate obscure; not a bad balance.'
Lavinia is the daughter of the King of Latium, a victorious warrior who loves peace; she is her father's closest…
This is the first book in Downie’s Medicus series, a series of crime novels based around Ruso, a Roman military doctor. Ruso finds himself based in Britain, in an attempt to escape his past, and finds himself reluctantly drawn into a series of mysterious deaths of women working at a local bar. He also finds himself unexpectedly buying Tilla, a British woman, to rescue her from her abusive previous owner – so with a new job, a new household, and a new set of questions to answer, he has plenty on his plate. Downie spins an excellent murder mystery and gives her reader liberal doses of both comedy and tragedy.
Welcome to the most remote part of the Roman Empire. Britannia, AD117 – primitive, cold, damp and very muddy.
The Gods are not smiling on army doctor Gaius Petreius Ruso in his new posting in Britannia. He has vast debts, a slave girl who is much more trouble than she is worth and an overbearing hospital administrator to deal with . . . not to mention a serial killer stalking the local streets.
Barmaids’ bodies are being washed up with the tide and no one else seems to care. It’s up to Ruso to summon…
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
Over four centuries later, Faith and James move to the country to start a new life and a family. They discover their village lives under the curse uttered by the hanged man. Could their arrival be connected? They fear their choice of new home is no coincidence. Unexplained events hint at threats or warnings to leave. They become convinced the village remains cursed despite their friends’ denials. Who can they trust, and who are potential enemies?
In 1660, a man is wrongly executed for signing the death warrant of Charles I. While awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it. Over four centuries later, Faith and James move to the country to start a new life and a family. They learn that their village lives under the curse uttered by the hanged man. Could their arrival be connected? Faith and James fear that their choice of a new home is…
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