I am a Finnish-born writer-journalist and photographer who, for the past 12 years, has lived in and around Dunster, traditionally described as one of the best-preserved medieval villages in the UK. The title of Dunster being “Britain’s most haunted place” came about after the British media got wind of my book launch in September 2023. I was brought up in a family where my mother, aunt, and grandmother strongly believed they had had otherworldly encounters. With such a background and armed with an MA in English Literature, Cultural History, Comparative Religions, and Journalism, it is no wonder that the first book I wrote focuses on these “long-term” interests of mine.
This book, originally published in 1903, recounts the tales F.J. Snell collected in Exmoor during his lifetime. The author’s intention was to supply “a general account of Exmoor,” and that it does in its own charmingly old-fashioned writing style.
The most interesting part for lovers of folktales is the "Folklore" chapter, where F.J.Snell talks about pixies, fairies, witches, and the exorcism of spirits and ghosts. It also contains fascinating “recipes” for local charms and cures such as instructions on how to cure a child’s whooping cough by touching him with a human corpse or hanging a toad’s leg around one’s neck.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
There
are times when I crave a book that makes me laugh. The Bandit Queens tells the
darkly funny, madcap adventures of a group of women in a small Indian village.
Geeta, our protagonist, is rumored to have murdered her husband – and now the
other unhappy wives in the village want her to do the same for them. Serious
issues of misogyny and violence against women, as well as caste and religion, are handled lightly.
Nothing goes as planned, but in the end, Geeta, along with
a lovable cast of lively women friends, somehow triumphs over the obstacles
stacked against them. I listened to this on audiobook, and the delightful
narrator really brought the characters to life.
'Not since Aravind Adiga's The White Tiger has the rotten core of modern India been exposed in quite such blackly antic fashion as Parini Shroff manages here in this intermittently absurd, feminist revenge caper about a group of snarky, much-abused, predominantly Hindu wives...sheer gutsy verve.' The Times
'A darkly funny revenge drama rooted in the reality of rural India . . . [A] vivid, unsentimental story that succeeds in being both satirical and moving.' Guardian
'A radically feel-good story about the murder of no-good…
My formative immersion in nature during eleven summers at a girls’ camp in the Hocking Hills of southeastern Ohio showed me that everything in the physical world, including humans, is dynamically interrelated at subtle levels. As an adult, I’ve followed post-mechanistic sciences that explore this invisible truth, a theme that runs through several books I have written. Since the early 2000s, a new wave of discoveries, this time in human biology, reveals that we are composed entirely of dynamic interrelationships, in and around us, which affect us continuously from conception to our last breath. These discoveries are quickly being applied in many areas. I call this new awareness the Relational Shift.
Susan Pinker, a developmental psychologist in Montreal, demonstrates that online communicating can never replace the benefits we derive from face-to-faceinterpersonal contact. Strong bonds of friendship and love heal us and keep us healthy, just as they help children learn, and just as they extend our lives and make us happy. Looser, secondary in-person bonds also have a significant effect on us. In combination with our close relationships, they form a personal “village” around us composed of networks of connectedness. Susan Pinker presents numerous surprising discoveries from social neuroscience, as well as stories from people’s lives. In the final chapter, she suggests six very practical principles to keep in mind while building our “village.” After all, as she concludes, “Genuine social interaction is a force of nature; we all need some.”
In her surprising, entertaining and persuasive new book, award-winning author and psychologist Susan Pinker shows how face-to-face contact is crucial for learning, happiness, resilience and longevity. From birth to death, human beings are hard-wired to connect to other human beings. Face to face contact matters: tight bonds of friendship and love heal us, help children learn, extend our lives and make us happy. Looser in-person bonds matter, too, combining with our close relationships to form a personal "village" around us, one that exerts unique effects. And not just any social networks will do: we need the real, face-to-face, in-the-flesh encounters…
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
Over four centuries later, Faith and James move to the country to start a new life and a family. They discover their village lives under the curse uttered by the hanged man. Could their arrival be connected? They fear their choice of new home is no coincidence. Unexplained events hint at threats or warnings to leave. They become convinced the village remains cursed despite their friends’ denials. Who can they trust, and who are potential enemies?
In 1660, a man is wrongly executed for signing the death warrant of Charles I. While awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it. Over four centuries later, Faith and James move to the country to start a new life and a family. They learn that their village lives under the curse uttered by the hanged man. Could their arrival be connected? Faith and James fear that their choice of a new home is…
Growing up in New Orleans, my love of all things magical is the native fruit of the culturally rich soil I was planted in. Witches both fascinate and scare me a little. Reading and writing fiction helps me process what’s hiding behind those fears. My debut novel, Mind Like a Diamond explores thirteen of the most common fears in the form of a competition-style haunted house. Like many of the books on this list, it might give you nightmares. But sometimes being scared is so wonderfully thrilling, you can’t put the book down. For more book recommendations from me, bookish memes, and writing tips follow me on Instagram.
My favorite thing about The Near Witch is that the protagonist makes terrible choices. I find characters who always do the “right thing” boring, and their growth arcs less satisfying. Be prepared not to understand Lexi at first, but I promise she’s endearing in the end.
I’ve read negative reviews that everything isn’t wrapped up perfectly in The Near Witch, but I enjoyed the story’s sense of realness. My preference is for a captivating story, not always one with every answer. The Near Witch is notably different compared to Schwab’s later works, but as someone with a growth mindset, this only makes me love this book more. If you’re a big fan of her work, go into her debut novel expecting something quieter and I bet you’ll be delighted.
ENTERTAINMENT WEEKLY'S BEST YA OF THE DECADE * NEW YORK TIMES bestseller * Brand new edition of Victoria Schwab's long out-of-print, stunning debut
The Near Witch is only an old story told to frighten children.
If the wind calls at night, you must not listen. The wind is lonely, and always looking for company.
There are no strangers in the town of Near.
These are the truths that Lexi has heard all her life. But when an actual stranger, a boy who seems to fade like smoke, appears outside her home on the moor at night, she knows that at…
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
This is another action-packed adventure where a soldier has to rescue a civilian from a planet about to erupt into civil war. What's nice about this one is that the hero needs rescuing as much as the heroine – but in a very different way. The romance is an integral part of the story and evolves in a natural way. I loved the way the stakes ratcheted up until impossible choices were on the table.
Andi Markriss hasn’t exactly enjoyed being the house guest of the planetary high-lord, but her company sent her to represent them at a political wedding. When hotshot space marine Captain Tom Deverane barges in on the night of the biggest social event of the summer, Andi isn’t about to offend her high-ranking host on Deverane’s say-so—no matter how sexy he is, or how much he believes they need to leave now.
Deverane was thinking about how to spend his retirement bonus when HQ assigned him one last mission: rescue a civilian woman stranded on a planet on the verge of…
Three took me back to the intense friendships of my youth, the sharing of so many firsts. Friendships you believe will last forever. Translated from French, it’s a wonderful study of three children, all very lost in their own way.
Set from the 1990s to 2018, the novel chronicles the development and decay of the children’s friendship, and a mystery that haunts their small village for twenty years.
I enjoyed the creeping tension, the gradual revelations, and the deep study of friendship with all its wounds and warts.
From the international bestselling author of Fresh Water for Flowers, a beautifully told and suspenseful story about the ties that bind us and the choices that make us who we are.
1986: Adrien, Etienne and Nina are 10 years old when they meet at school and quickly become inseparable. They promise each other they will one day leave their provincial backwater, move to Paris, and never part.
2017: A car is dragged up from the bottom of the lake, a body inside. Virginie, a local journalist with an enigmatic past reports on the case while…
In
Big Sky, Kate Atkinson manages to create a wonderfully engaging cast of
characters, each with a life of their own. Everyone in her books has a
personality, they are memorable, and they are there for a purpose.
Even the aging
dog, Dido, who is dragged around with our hero, Jackson Brodie, has a presence.
Dido is used to show a flicker of humanity in Jackson’s carefully sketched son,
Nathan, the perfect bored teenager, the roller of eyes, the yawner. Atkinson’s
trademark humor is threaded throughout.
This book contains several nasty, complex plots, and in the middle
of them, we find Jackson cutting a gentle swathe through the bad guys. He solves
the mysteries, or happens to be there when they are solved, and generally sets
wrongs to right without gunplay or car chases (well, maybe the odd one, but
only under duress). He is the perfect reluctant hero…
'The stand-out read of the summer. It's a masterclass in brilliant writing and whether you've read the earlier books in the series or not, you'll enjoy it.' Independent
'Like all good detectives, he is a hero for men and women alike.' The Times
'Laced with Atkinson's sharp, dry humour, and one of the joys of the Brodie novels has always been that they are so funny.' Observer
Jackson Brodie has relocated to a quiet seaside village in North Yorkshire, in the occasional company of his recalcitrant teenage son Nathan and ageing Labrador Dido, both at the discretion of his former…
Japan is endlessly fascinating. Many foreigners who have spent a year or two engaging with Japanese culture have published memoirs. But there are also many who have lived here longer, perhaps marrying and raising families and retiring in Japan. The stories of long-term foreign residents dig deep into the culture and share unique challenges and triumphs. My own memoir, Squeaky Wheels is about my experience raising a biracial daughter who is deaf and has cerebral palsy in off-the-beaten-track Japan. It also details our mother-daughter travels around Japan, to the United States, and ultimately to Paris. It is ultimately a story of my attempt to open the world to my daughter.
In 2017, Scotsman Iain Maloney and his acerbic Japanese wife Minori decided to buy a house in rural Japan. This was no small decision, as Japan houses begin to depreciate almost as soon as they are built. Nevertheless, the author is resigned to spending the remainder of his days in Japan and is ready to commit. The book is ostensibly about one year in rural Japan, but Maloney veers frequently from the narrative path, flashing back and forth in time, riffing on, among other things, soccer, crowded trains, and tired tropes in memoirs written by foreigners.
While many have written about their experiences in Japan, few have taken readers quite so far off the beaten path – literally. Maloney’s understanding of the Japanese language and his immersion in Japanese culture (he’d first arrived in 2005) add credibility and depth, while his self-deprecation and humor make this an entirely enjoyable read.
In 2016 Scottish writer Iain Maloney and his Japanese wife Minori moved to a village in rural Japan. This is the story of his attempt to fit in, be accepted and fulfil his duties as a member of the community, despite being the only foreigner in the village.
Even after more than a decade living in Japan and learning the language, life in the countryside was a culture shock. Due to increasing numbers of young people moving to the cities in search of work, there are fewer rural residents under the retirement age - and they have two things in…
I’ve always been fascinated by the everyday lives of people from early New England; I want to understand how they experienced their world, made choices, and participated in changing history. Most of these people left no memoirs, so I’ve spent years in all manner of archives, piecing together clues to individual lives. I’ve found extraordinary insights on how and why people farmed in tax valuations, deeper knowledge of their material world in probate court inventories, evidence of neighborly interdependence in old account books, etc. I’ve spent my career as a public historian sharing these stories through museum research and exhibits, public programs, lectures, and writing. I love the hunt – and the story!
Quabbin is a relic of a lost world – both figuratively and literally. In his old age, Francis Underwood remembered his childhood village, the buildings, the personalities, their dress, manners, and speech, their faith and their passions for reform, their old social customs and their emerging middle-class sensibilities – and most of all their stories. But it is a world, as Underwood knew, that was passing away. His secluded old New England village was opening to the world, and its agrarian ways were soon to be eclipsed by the industrial village. What Underwood did not know, but we do, is that his childhood home has literally disappeared, under the flooding waters of the Quabbin Reservoir. This is an extraordinary testimonial to that lost world!
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
When I say I enjoy stories of ordinary people in extraordinary situations, I’m talking about characters who don’t have law enforcement or Special Forces training, who aren’t martial arts experts, KGB agents, or CIA officers. I like those characters too, but they typically engage my head, not my heart. Thrown into dangerous situations, “ordinary” individuals can show tremendous courage and quick-wittedness. I can easily put myself in their shoes and empathize with their plight, which gives me a real stake in the story’s outcome. If a story is well-written, the creative ways characters respond and the strengths they discover within themselves make them true heroes to me.
Two American housewives—sisters—are on vacation in Morocco (a place I’ve really enjoyed visiting) and one of them disappears. Her sister is determined to find her, but neither has any preparation for the dangers they face. A foreign setting is mysterious, exotic, and always holds unknown possibilities. Finding themselves in a rural area, the women don’t know whom to trust, and they cannot rely on the usual social safeguards. The police and military are actually a threat. For me, a standalone thriller like this packs extra tension because you can’t be certain the characters will survive!
These two sisters are about to be permanently "disappeared"
Julie Welch's sister, Fay Lariviere, disappears from their hotel in Morocco. Although she leaves a note that she'll be back in two days, Fay doesn't return.
Julie's anger shifts to worry—and to fear when she discovers a stalker. Then, an attack meant for Julie kills another woman. Searching Fay's luggage and quizzing the hotel staff, Julie discovers Fay's destination—a remote village in the Saharan desert. Convinced her sister is in danger and propelled by her own jeopardy, Julie rushes to warn Fay.
