The most recommended books about television

This is one of my favorite books about contemporary television.

It deals with the processes that changed how television was viewed following the changes in HBO-style ‘quality’ television. It also critically explores the ways legitimization and associated words like ‘quality’ work as an ultimately classist system where television works as cultural capital.

Netflix established itself on the back of this legitimization, using HBO-style ‘quality’ TV series like House of Cards and Orange is the New Black. But HBO also used DVDs to ‘filter’ the individual program out from the ‘flow’ of television, which helped Netflix to establish itself as television.

We all dream about it: a life free of scrolling, tweeting, liking, faving, streaming, replying, apologizing for not replying, and other assaults on our poor, saturated brains. But what would an analog world actually look like? Award-winning writer, Chris Colin, paints a picture in his bedtime fantasy book for adults titled Off: The Day the Internet Died. 

Delivered in a pitch-perfect, tongue-in-cheek biblical style, this little book imagines an alternate reality that will hit home in our tech-addled worlds. Un-barraged by celeb gossip and political news, we begin to notice nature again. Rinee Shah’s playful illustrations perfectly capture the absurdity of life reflected in our screens. Whether you’re addicted to tech or not, you’ll see something of yourself when you put down your phone and pick up this smart, funny book.

Off is “So funny and so necessary. For humanity to stay sane, this must be read like the… show more.

This collection of short stories are designed to be reminiscent of the old Twilight Zone TV series. As a huge fan of the show, I was interested to see how the interpretation to short story would work. It works very well. If you enjoyed the show (and/or the movie) you'll enjoy this book. Rod Serling would be proud.

I first heard Loory’s mirthful story “The Man and The Moose” while sitting in my car in my southern college town. He read it on an episode of This American Life. It was a Wednesday ritual of mine, sitting in that car and listening to stories and giving my entire being to be within them, to be completely enraptured and emphatic for at least that one hour. After hearing the story, I told it to whoever would listen. I remember the story and his voice and the way in which the inanimate became animated, the unpersonafiable personified. That story was a treasure and lives with me. It will, as with the others in this collection, live with you, too.

Lawrence Block has written, I don’t know, 33,000 books? That’s inspiration alone. But in Keller, the mononymous title character of Hit Man and star of numerous short stories, he compels readers to root for someone who’s not exactly committing good deeds. I find that intriguing, and Chapel Fox, the antihero of my story within a story, travels down a similar road. You’ll find yourself cheering him on. You shouldn’t.

Because it is another ‘Faction’ novel. Martha found the inspiration to write this book from dreams, from watching a TV show featuring Oprah Winfrey interviewing various men suffering from an addiction to pornography, and from information given to her by 8 wives whose marriages were affected by their husbands’ addictions. Addiction to porn is a very real problem in these modern times.

I came to this one after watching and loving the television version and found the book even more fulfilling (although very different). It focuses on what happens when millions of people suddenly disappear from the world’s population and it looks not only at how people deal with this massive loss but also how they deal with the mystery of it, the not knowing why. People don’t only lose loved ones in this book but also their own sense of how the world should work, leaving them with a lot to deal with. I loved the characters, the tight focus on one community (and mostly one family within that community), and I loved how Perrotta made such a wild possibility seem entirely plausible.

The cover of this biography is J-O-S-H spelled out in huge theatrical lights—and Logan really was a Broadway legend as a director/producer/writer.  The book chronicles his successes and failures, and he analyzes each show he worked on with an unsentimental and critical eye. He astutely argues for what audiences want to see, and what they reject. Particularly compelling are his personal portraits of Lorenz Hart, Richard Rodgers, and Oscar Hammerstein II.

This is a short but excellent volume, dedicated to the design of a TV series.

It contains a brief history of U.S. Television, which in itself is enough to justify reading the book. As the title suggests, it focuses particularly on writing a pilot, a key part of any series project. William Rabkin is a veteran showrunner with hundreds of hours of produced shows under his belt, yet I really enjoyed the conversational tone in his book.

Make sure you get the most recent version, as the first edition of this classic dates back to 2011 and Rabkin has updated his book since.

David Gerrold had a lot to say about the experience of writing his first episode of television in The Trouble With Tribbles. But that wasn’t all the insight he had behind the scenes of the Star Trek series. So he wrote another entire book about the show and the fandom that adopted it. Once again filled with wit and wisecracks, this book is another must-have for fans of the Original Series. At the time it came out, it was a book about a show that had only just begun to make its mark on popular culture. So the production and studio “machine” was not yet in control of what could and couldn’t be said about the property. Another raw and fascinating book by someone who was actually in the room where it happened. And one that made my entry into Star Trek fandom more understandable.