The most recommended opera books

I’ve been reading and enjoying science fiction since, as a kid, I rode my bicycle to the local library to read everything they had. That’s given me a broad exposure to the field from the Golden Age classics to new stuff hot off the presses. I’ve had four science fiction novels published, and in all of them I’ve used personal experiences to create as realistic a world as possible. I’ve also focused on ordinary people who find themselves in extraordinary circumstances – that combination makes for better stories. I’ll leave the superheroes to the Marvel Cinematic Universe – they’ve got the budget to Blow Stuff Up Real Good!

From the ages of 1-4, my son Finn deeply rooted himself into the detailed world of Richard Scarry. These books could be such slow reads that we only needed two of them for long airplane rides. Through Finn’s love of Scarry books, I began searching for more books that delighted with detail. And when I did not see my family’s bicycle-rich lifestyle reflected in books, I created Cycle City.

I learned to read music at about the same time I learned to read words. I grew up taking piano lessons, studying almost entirely classical pieces that came weighted with history: everything I ever played had been played better by someone else. I still enjoyed my attempts, but realized that the relationship I had with those notes was not the one I wanted to have with words, which I felt drawn to assemble into my own arrangements, my own stories. So, as a weirdo who’s been thinking about interpretation and creation since childhood, I love books that delve into the challenges and emotional complexities of making music.

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

In school, science and reading were always my favorite subjects so is it any wonder that I grew up to be a scientist who writes? Before I entered my teens, I entered the realm of science fiction through the stories of Asimov, Bradbury, and Le Guin, and I never willingly left that realm. Back then, the one thing I hungered for but so rarely found was a compelling female character. Avid readers all want to find that character to identify with, don’t we? Fortunately, our sci-fi world is now populated with many great female MCs so I’m sharing five of my favorites here with you. I hope you enjoy them as much as I did. 

I’ve spent a lifetime as a professional classical musician and a mystery reader. Starting with Hardy Boys adventures at the same time I started playing the violin, my intertwined love affairs with music and the mystery genre continue to this day. As a long-time member of major American symphony orchestras, I’ve heard and experienced so many stories about the dark corners of the classical music world that they could fill a library. It gives me endless pleasure to read other mystery authors’ take on this fascinating, semi-cloistered world and to share some of my own tales with the lay public in my Daniel Jacobus mystery series.

I grew up on fantasy stories, with Tolkien being the first author I can really remember loving. I have read widely in the genre and love to explore the subgenres of fantasy as well. I have a great group of writing partners and readers who discuss the fantasy and sci-fi genres with me at length. I think all great fantasy stories have some element of what it is to love or be loved and find a place in the world. I am an avid traveler as well and often dream up stories in far away places. 

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events. 

I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.