The most recommended Leonardo da Vinci books

I remember really enjoying this book as a kid. Jason and his talking cat, Gareth, embark on a series of time travel adventures, from Ancient Egypt to the Revolutionary War. Alexander was probably best known for his Chronicles of Prydain fantasy series, but Time Cat is less a fantasy story than a series of time travel episodes. I’ve always been more interested in stories that involve time travel back to the past rather than into a hypothetical future, probably because I love history.

Leonardo da Vinci was arguably the most creative person who ever walked the earth. He is known by many as an artist but his most impressive contributions came in the form of inventions. Imagine in the fifteen hundreds conceptualizing tanks, automatic weaponry, and parachutes. He was so far ahead of his time that people thought he was crazy.

Many art historians consider this book sacred and the best first-hand account of the wondrous artists of the Renaissance. I found the stories extremely interesting about the character of these artists. Vasari was the biographer who gave the original account of how Michelangelo and Leonardo da Vinci hated each other. It also told the story of how both Michelangelo and Leonardo were hired to paint significant battle scenes on the same wall inside the Palazzo Vecchio. It was considered the greatest painting competition of all time as both men completed massive cartoons (preliminary drawings) on The Battle of Cascina and the Battle of Anghiari respectively.  

This is my favorite book on drawings by Leonardo, with the best from his broad œuvre of head studies, figures, children, anatomy, plants, horses, mechanics, buildings, water dynamics, and aerial landscapes. The quality of the color reproductions is superb. The text is insightful with quotes from Leonardo. I love the silverpoint figure drawings with white chalk highlights on blue paper that Leonardo prepared himself. Leonardo’s understanding of anatomy, combined with the flesh-colored line of oxidized metal, make the figures leap from the page.

I was astonished to learn that Leonardo used black chalk under-drawing in his anatomical ink studies. The correlation between Leonardo’s studies and his paintings is enlightening – in drawings for The Last Supper, Leonardo expresses the anguish in the head of St Philip with a few skillful lines and captures the look of disdain in the head of Judas in red chalk on red ground. I… show more.

My novel about World War II Italy depicts only one of the many times when the peninsula was a battleground from the Alps to Sicily. This book is narrative nonfiction that recounts medieval history with three extraordinary personalities that came together in 1502: Leonardo DaVinci, Niccolo Machiavelli, and Cesare Borgia.

Borgia was the son of Pope Alexander VI, and in his brutal campaign to forge dozens of warring states into a unified empire, he employed Leonardo to design and build seige engines, while negotiating with Machiavelli for the freedom of Florence. Borgia later became The Prince in Macchiavelli’s book on the realities of power politics.

Again: this book assures me that no matter how dark the tapestry history weaves for us, there is always “a thread of grace.”

I love how The Maze of Bones, the first in a set of series written by acclaimed and award-winning children’s authors, transports readers across the globe to explore historical connections that still resonate today. The book takes readers along with sister and brother Amy and Dan Cahill as they compete against talented and treacherous members of their own family to try to solve a series of thirty-nine clues that will make the finders “the most powerful, influential human beings on the planet.”

I admire how The Maze of Bones explores the complex connections among family and across time and weaves in real-life historical figures such as Benjamin Franklin and lesser-known facts such as that Franklin used the pseudonym Richard Saunders to publish Poor Richard’s Almanac. The Maze of Bones takes readers from Boston to Philadelphia’s Franklin Institute and Independence Hall and to the catacombs of Paris and it… show more.

Ever heard about the founder of NASA who ran a devil-worshiping sex cult? Strange Angel is a story that, when you read it, you think it has to be fiction. John Whiteside Parsons was an eccentric who, in his short life (spoiler alert: he blew himself up) helped create the Jet Propulsion Laboratory, became a cult leader and summoned a demon woman, got into a court battle with L. Ron Hubbard, and was accused of spying for both the Communists and the Israelis. His life was so astonishing it was made into a HBO TV show: it ran for two seasons and it didn’t even get to the best bits.

At times, it may seem apparent that successive generations of artists reinvent the wheel and explore performance drawing across a range of disciplines; it was in particular, Tania Kovat’s writing in The Drawing Book, that gave us the broad contextualization of things – it seemed to reach into diverse yet significantly relevant references of historical predecessors that excited us. The book is complete with brilliant replications of artworks and quotes by a collection of artists.

This is the go-to book for the Nazi art looting story on the non-fiction side. After I saw the film documentary that accompanies this book, I quickly read it and it got me started on my path to writing my own book. I also use The Rape of Europa as my class text for my college course: “Art and the Nazis.” Lynn Nicholas did an impressive amount of research and devotes chapters to the Nazi art looting in Poland, France, the Netherlands, Belgium, and Italy. She also discusses The Monuments Men (US and British officers who attempted to find and save Europe’s cultural items during WWII) but I think that subject is better handled by other books on this list!

Feisty female protagonists don’t come any better than Catriona Da Vinci. The Renaissance was a dangerous time for women when they were marginalized and bound by societal constructs. Not this lady, though. She was a brilliant, single mother—an alchemist and risk-taker. She devised a scheme that allowed her to be part of her illegitimate son, Leonardo’s life, which was nothing short of genius. She did what she had to do to protect him, no matter the cost to herself. She reminds me of my two amazing sisters and the lengths they would go to be there for their children, and for that—Catriona is my hero.