Picking up a fantasy novel and getting away from real-world problems is an escape for me. Even though many of these issues don’t exist in our lives, we can still learn from the way the characters deal with their struggles. We can find compassion and empathy and maybe see that there are two sides to every story. Along the way, we also get to see stunning vistas and amazing, mythical creatures.
In The Girl of Dorcha Wood Ward leads her readers on an emotional journey of love and loss that is filled with innocence, betrayal, love, pain, bitterness, and revenge. Her characters are incredibly realistic. She has a way of making you feel like you’ve known them all your life. The setting is well-written and almost feels like home.
Treacherous. Evil. Dark. Dorcha Wood is all of these.
And none of them.
The people of Felmore talk of Dorcha Wood in whispers, if they speak of it at all. There is danger in the dark forest. Monstrous things, remnants of the Aos Sí, lurk in the shadows, hunting the unwary should one be careless enough to cross those borders.
But to seventeen-year-old Fiadh, Dorcha Wood is home. A haven. It speaks to her in the rustle of the wind through the leaves, in the wild things that come to her hand. It is a forest whose secrets become known…
Some of my earliest memories are of sitting with my mom or dad while they read me stories like The Tale of Peter Rabbit by Beatrix Potter or Charlotte’s Web by E.B. White. These memories, along with many great teachers who got me excited about stories, are what helped me develop a love of reading and writing. I love stories with animal characters in them, whether they’re the main characters, or simply there in a supporting role.
This is a cute children’s story great for bedtime, or anytime! It follows the story of little Lisbon as she is hunting for a snack. All her animal friends have suggestions that work great for them, but Lisbon is a human! She doesn’t want to eat bugs or any of their animal food!
This is a great read-aloud book for parents with children, but the font was specifically chosen to make it easier for children to read as well.
Bugs are for the birds!
Lisbon is hungry and it’s hard to wait for dinner. When her animal friends try to help her find something tasty to eat, the real the problems begin! Join Lisbon on her funny misadventures.
Each beautiful illustration is designed to inspire the imaginations of children. An activity page at the end of the book allows for more fun as they search for special items in the illustrations.
While I Don’t Want to Eat Bugs is a great read-aloud book for parents, teachers, and other adults to share with children, we have chosen fonts that are…
I am an Emeritus Professor of Early Modern History at the University of East Anglia and a Fellow of the Royal Historical Society. I taught history for many years at several UK universities, and I was the Director of Studies in History at Churchill College, Cambridge. I am the author of six books, including Hellish Nell: Last of Britain’s Witches and Witchcraft: A Very Short Introduction. His latest book, The Ruin of All Witches: Life and Death in the New World, will be published in November by Penguin. I live in Cambridge, England, and I am married with three children.
Nearly a century old now, this was one of the first books to open up this subject for me, and to connect witch-beliefs (and trials) in England and colonial America. It’s more of a collection of essays than a coherent monograph, but they’re thoughtful essays, and, crucially, not excessively lofty. Kittredge was at pains to understand witchcraft in the past rather than judging it from the vantage point of an enlightened present.
They are chapters on image magic, shape-shifting, diagnostic tests, witches’ sabbats, and many other subjects – all discursive explorations, drawing in examples from here and there, and presented in the leisurely style of the gentleman scholar. There’s some strong narrative, too, especially in the chapter on James I, which stands up as an account of how changing thinking about witchcraft, and its relationship to politics and religion, affected policy and legal practice. All in all, it’s stuffed with…
Jean Halley is a professor of sociology at the Graduate Center and the College of Staten Island of the City University of New York (CUNY). She earned her doctorate in sociology at the Graduate Center of CUNY, and her master’s degree in theology at Harvard University. Halley's book with the University of Georgia Press about girls who love horses, Horse Crazy: Girls and the Lives of Horses, came out in 2019. She and her horse grew up in the Rocky Mountains. Today she lives in New York City.
A Song for the Horse Nation investigates the role and importance of horses in many Native American cultures historical and today. Most people believe that contemporary horses are not indigenous to the Americas but came with the Spanish literally carrying in the colonizers. In A Song for the Horse Nation, Herman J. Viola writes, “America’s Native peoples have little for which to thank Christopher Columbus except the horse.”
In the beginning, Native Americans were scared of the horses that came carrying white men on their backs. Viola explains, “They had never seen an animal that could carry a person. They called the horses, ‘sky dogs,’ believing that they were monsters or messengers from the heavens." The desire to have horses quickly replaced Native people’s fear. The colonizers, on horseback, stole land and life from the Native Americans whom they encountered. Native Americans stole horses from the colonizers to make…
The tradition of horses in Native American culture, depicted through images, essays, and quotes. For many Native Americans, each animal and bird that surrounded them was part of a nation of its own, and none was more vital to both survival and culture than the horse.
Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.
Many of my favorite secluded thriller novels have a high degree of complexity—multiple point-of-view chapters, complex subplots, and morally ambiguous characters. This book had all these elements and a super plus: An immersive and authentic setting in the Scottish Highlands.
I disappeared into the snowbound setting and felt like a part of the group of old friends, caught up in their personal dramas and driven to finish the book to see who did what, when, and why. It was a great escape for me, but not so much for them.
EVERYONE'S INVITED.
EVERYONE'S A SUSPECT.
AND EVERYONE'S TALKING ABOUT IT.
'Ripping, riveting' A. J. Finn 'Clever, twisty and sleek' Daily Mail 'Unputdownable' John Boyne 'Foley is superb' The Times 'Chilling' Adele Parks 'Terrific, riveting' Dinah Jefferies
In a remote hunting lodge, deep in the Scottish wilderness, old friends gather for New Year.
The beautiful one The golden couple The volatile one The new parents The quiet one The city boy The outsider
I am an Emeritus Professor of Early Modern History at the University of East Anglia and a Fellow of the Royal Historical Society. I taught history for many years at several UK universities, and I was the Director of Studies in History at Churchill College, Cambridge. I am the author of six books, including Hellish Nell: Last of Britain’s Witches and Witchcraft: A Very Short Introduction. His latest book, The Ruin of All Witches: Life and Death in the New World, will be published in November by Penguin. I live in Cambridge, England, and I am married with three children.
This was the book that got me started over thirty years ago, and which I still turn to today. It’s an absolute mine of information, specifically relating to the written indictments for witchcraft which survive in great numbers for the Home Assize Circuit – that is, the courts that heard felonies in south-eastern England.
Ewen doesn’t provide much in the way of analysis. There is a substantial, very useful, introduction, but the really incredible thing about this book is how Ewen managed to comb through the archives, then held in the Public Records Office in London, and find almost all of the witchcraft indictments hidden there. He was an amazing researcher, who provided raw data for subsequent generations of historians.
Among many findings that can be drawn from his research are that, outside the peculiar spike in trials in the mid-1640s (the subject of my book, Witchfinders), English witch-trials peaked…
Originally published in 1929, the author presents a formidable collection of facts, brought together in a scholarly manner. This is an examination of the general history of witchcraft, its changing laws and legal procedures, as well as methods of interrogation and punishment. This book must be considered an essential reference work for every student of witch lore.
I’ve always let my imagination wander wild, like a modern-day Anne Shirley—which is one of the reasons I became an author. I love reading (and writing) books that add fantastical elements to our world or the worlds of far-off characters. As an author and die-hard bookworm, I love to genre hop within the Young Adult age range. You can find me nose-deep in anything from science fiction to a gritty paranormal fantasy.
Unicorns—white horses with horns on their heads. If that was your first thought, prepare for Rampant to turn your world upside down. These unicorns aren’t the fairytale variety. They are man-killers. Literally. I loved how this book took unicorns and made them creatures to be feared. And the best part of all: the only ones that can stop them are a group of teenage girls. Dark secrets, a forbidden romance, and girls that can kick unicorn tail. What more could you want?
Forget everything you ever knew about unicorns . . .
Real unicorns are venomous, man-eating monsters with huge fangs and razor-sharp horns. Fortunately, they've been extinct for a hundred and fifty years.
Or not.
Astrid had always scoffed at her eccentric mother's stories about killer unicorns. But when one of the monsters attacks her boyfriend—thereby ruining any chance of him taking her to the prom—Astrid finds herself headed to Rome to train as a unicorn hunter at the ancient cloisters the hunters have used for centuries.
However, at the cloisters all is not what it seems. Outside, the unicorns wait…
After being rejected in school, because I had to move with my family again and again, I never had really friends and knew how being left alone and rejected felt. So I put my nose into books and developed a love for writing. Since I didn’t know what to do with them, I left them alone when I married. After being diagnosed with cancer later in my life, I couldn’t go back to work, I remembered my love to write and read so I started to write short stories again. I want to help young people going through similar rejections and bullying, to lift them up, and take the negativity out of their minds.
I normally I don’t read mystery thrillers, but somehow this book got to me. I couldn’t stop reading, it held me captive till the end, even though I thought, right from the beginning, who the awful blood-thirsty killer might be. But still, I was pushed back again, could it really be him? There were so many different turns and twists, that you really couldn’t be sure of anything.
Mariah, the innocent schoolgirl was put into a dangerous twist; she nearly couldn’t get out again, shutting herself up to cope with the unexpected. And then you were transported into the mind of the schoolgirl killer. What a blood-thirsty individual, killing schoolgirls for practice then killing Mariah’s friend, only to get to her. Everyone longed for justice. But will justice come?
Very cleverly done, J.E. Spina. She put family values and support into the foreground.
An insane killer, obsessed with blood and death, seeks revenge with those he perceives wronged him. He is now on the loose. His next victim may be Mariah.
Mariah has lost her memory. Will she remember what has transpired in her past? Can Mariah escape this deadly killer's grasp. Will she finally be safe? Will the killer be apprehended?
I’m a Canadian writer who started writing fiction after a career as a journalist at newspapers across the country. I’ve always marvelled at the diversity of Canada, and I try to portray that diversity in my own stories set in Toronto, one of the world’s most multicultural cities. And I revel in stories by fellow Canadian crime writers, tales filled with First Nations characters, and characters with Ukrainian, Russian, Asian, African, and British backgrounds, stories set in various parts of our far-flung country. The five novels I have focused on here are just a few of my favorites.
Windigo Fire, M.H. Callway’s 2014 debut novel, is set in one of my favorite Canadian locations—the Northern Ontario wilderness. It’s an adventure thriller filled with fast-paced action, psychological suspense, and First Nation legends. It has a fabulous sense of place, and a terrific cast of characters, headed by its Native Canadian protagonist, Danny Bluestone. A truly Canadian crime thriller.
Danny Bluestone, a young Native Canadian drifting through life, settles for a job at a children's camp in his Northern Ontario hometown of Red Dog Lake. Local entrepreneur, Meredith Easter, offers Danny some easy money: play the role of native scout for his wealthy hunting buddies. Danny knows that Easter's roadside attraction, Santa's Fish Camp, is the front for the local grow-op, and probably more, but the money is his way out of Red Dog Lake.
Danny flies the hunters to an island lodge deep in the wilderness. Once there, he learns that he's part of an illegal bear hunt…
I am the author of Leviathan: The History of Whaling in America. This book was sparked by a painting I own of a whaling scene. Gazing at that painting, I often wondered what it was like to go whaling. Having Moby-Dick in school, I already knew a fair amount about whaling. But the painting continued to stir my curiosity, and soon I discovered that there were libraries devoted to whaling, providing almost unlimited material for a historical narrative. This book, then, is my attempt to weave that material into a maritime tapestry that attempts to do justice to America’s rich whaling heritage.
J. Ross Browne experienced first-hand whaling in the early-to-mid 1800s, serving as a crewman on a Yankee whaler. His vivid account of life on board, and the gruesome business of whaling, is beautifully written, enlightening, and dramatic. In his review of the book, Melville said, “It is a book of unvarnished facts … [which] unquestionably presents a faithful picture of the life led by the twenty thousand seamen employed in the seven hundred vessels which now pursue their game under the American flag.” So impressed was Melville that he used Browne’s book as one of his primary sources while writing Moby-Dick.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
