I’m half-Filipino and half-Spanish. Growing up in the Philippines, I had to deal with many of the same emotions that the characters on this list go through. My identity made sense to me, but I found that I often had to explain it to other people, and I also found that outside my own house, people made their own opinions about whether I was more Filipino, more Spanish, or something else entirely. I’ve always been fascinated by how characters in fiction deal with this struggle, and I’ve always related more to characters who feel out of place.
The Keeper of Night’s protagonist Ren Scarborough is the epitome of a character trapped between two worlds. Half-British Reaper, half-Japanese Shinigami, Ren starts off the book living in London but never quite feels like she belongs there. When she travels to Japan for the first time, she finds out that Japan isn’t quite as she expected it and ends up getting tangled in the affairs of Yomi, the Japanese underworld. Although a bit on the darker side, this is a fantastic book for anyone interested in Japanese mythology, anyone who likes their fantasy a little on the dark side, and anyone who’s felt the frustration of never quite fitting in anywhere.
“Sharp and seductive…a fantasy with teeth.” —Julie C. Dao, author of Forest of a Thousand Lanterns
A girl of two worlds, accepted by none… A half Reaper, half Shinigami soul collector seeks her destiny in this haunting and compulsively readable dark fantasy duology set in 1890s Japan.
Death is her destiny.
Half British Reaper, half Japanese Shinigami, Ren Scarborough has been collecting souls in the London streets for centuries. Expected to obey the harsh hierarchy of the Reapers who despise her, Ren conceals her emotions and avoids her tormentors as best she can.
Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject of the Spy Who Loved, a book that led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator, and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky, and Channel 5 as well as various Second World War history series.
This is a left-of-field choice, but when thinking about female fliers it is worth remembering the cultural baggage they inevitably carry with them. Historically, female flight whether by broom, wing, mental transcendence or in the cockpit of a Spitfire, has threatened the patriarchy while liberating women. Even today, ‘flighty’ women are still considered in negative terms. This book explores the power and prejudice around aerial females.
From the asparas of Hindu myth to the swan maidens of European fairy tales, tales of flying women-some with wings, others with clouds, rainbows, floating scarves, or flying horses-reveal both fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of flying women as it appears in a wide variety of cultures and historical periods, expressed in legends, myths, rituals, sacred narratives, and artistic productions. She covers a wide range of themes, including supernatural women, like the Valkyries, who transport men to immortality; winged goddesses like Iris and the Greek goddess Nike;…
"Ut pictura poesis", as goes painting so goes poetry is a pithy phrase that sums up the truth that a picture is mute poetry and poetry is a speaking picture. I have studied the history of this tradition from many angles and I have derived from it the term “lyrical naturalism” which I use to discover what is charming or captivating in the world of plants. As an art historian, well-read in European literature, I regard myself as a member of the environmental humanities which increasingly is the home of many academics eager to participate in the great debate on how to honor the natural world in literature and art before it is too late.
This is another book that permanently perches on my shoulder. It is a masterpiece by a visionary author that helped me to explore the mythic origins of shrubs and trees in early societies. The book inspired me to write essays on the hazel and the hawthorn, their early blossoms as manifestations of the power of the mysterious white mantle spread by the White Goddess in Celtic lands, in contradistinction to the Aphrodite as the goddess of all that is green in the Mediterranean.
The definitive edition of one of the more extraordinary and influential books of our time
This labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves's vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry. Incorporating all of Graves's final revisions, his…
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
If you try to learn about the cultural history of the sacred female cross-culturally, you are likely to encounter the attitude in our patriarchal society that Goddesses couldn’t really have been widespread or ever been very important. A handy refutation can be found in this book, which contains information on over 11,000 Goddesses, nymphs, spirits, and deified women around the world. Grouped according to geographic regions, each entry gives you not only the translation of the Goddess’s name but also her story. That is, it’s a biographical dictionary because it gives the characteristics and the mythology associated with each Goddess. If you read through the entries for any one region, you will become immersed in a deeply poetic sense of the resonant cultural history underlying later developments.
This biographical dictionary contains 11,500 entries for goddesses from around the world and throughout time. Each entry contains area location, associated attributes, and a brief description. Many entries also contain brief retellings of the main myth pertaining to that goddess. This book is intended for religion students and scholars; those interested in New Age.
I’ve been rising for years. In fact, Dark Star: Reclaiming Lilithis the culmination of 18 years’ worth of my personal ascension, which is certainly still a work in progress. My book is written in an extremely magical realistic, sci-fi/fantastical manner. I do believe that there are a cohort of women here on Planet Earth right now who’ve incarnated to help carry Gaia into her 5th dimension. Especially now, it’s relevant to move our planet into a more sustainable, spiritual, and connected way. If our voices can span across genres, generations, and gender, then maybe, they can reach all corners of the Universe before it’s too late for us and our planet.
This book is like a reminder of the wisdom that already lies latent within us (by “us” I’m identifying as a cis-gender woman, but that does not exclude anyone else, just helps to clarify). Rather than a gentle nudge, Dancing in the Flames’ approach to uncovering the buried dark goddess in modern culture is more of a slap in the face. A wake-up call that, I personally, have been intuiting for years. Woodman and Dickson weave together true historical accounts and cultural representations of why the dark goddess is essential for human and societal growth. Eerily similar to my highly sci-fi/fantastical book, I stumbled uponDancing in the Flames while conducting research for my dark-fem-rising story. I hang on every word they write as it 100% rings true for me.
Dark, earthy, and immensely powerful, the Black Goddess has been a key force in world history, manifesting in images as diverse as the Indian goddess Kali and the Black Madonnas of medieval Europe. She embodies the energy of chaos and creativity, creation and destruction, death and rebirth. Images of Her, however, have been conspicuously missing in the Western world for centuries—until now, when awareness of the Goddess is re-arising in many spheres, from the women's movement to traditional religion, from the new discoveries of quantum physics to the dreams of ordinary men and women. Why now particularly? The answer provided…
I grew up watching my mother suffer under a strict patriarchal religion. She never felt she had a choice in her life, and yet she always remained a dreamer, collecting newspaper articles about events in history that interested her. They piled up in a box and I’ve no idea what she thought to do with them. She would thumb through them between bouts of standing over a ringer washer or hanging wet clothing outside in freezing weather. There were 15 of us, you can imagine the laundry. I never saw her cry…despite working like a mule. I admire her and women like her for getting through.
The book chronicles Kidd’s evolution from a patriarchal religion into a spirituality that honors her as a woman. She’d built her reputation and made her livelihood as a Christian writer and speaker, and she risked everything: career, marriage, family, and friends in leaving that behind. I was making a similar journey when I found the book, leaving behind the organized religion I’d grown up with and significantly, married into. Fighting broke out when I quit attending services, and I received a lot of condemnation for seeking to free myself from a religion thousands of years old. How dare I! I was letting my immediate, and not so immediate, family and community down. I was headed for damnation. Kidd’s book uplifted and supported my decision. It’s honest, too, in addressing one’s internal conflicts about change. The book gave me the courage to face my fears, my guilts, and keep following my…
"A masterpiece of women’s wisdom."—Christiane Northrup, M.D.
"The journey to capture her feminine soul and live authentically . . . makes a fascinating, well-researched and well-written story."—Publishers Weekly
In celebration of the twentieth anniversary of its publication, a newly reissued edition of the bestselling author’s classic work of feminine spiritual discovery, with a new introduction by the author.
"I was amazed to find that I had no idea how to unfold my spiritual life in a feminine way. I was surprised, and, in fact, a little terrified, when I found myself in the middle of a feminist spiritual reawakening."—Sue Monk…
I grew up in the ‘60s, when women were not in charge of anything much. I’ve always been fascinated by strong women. Amelia Earhart was a particular favorite, as were the suffragettes, Michelle Obama, and others. The strongest thing I’ve done in my life is to seize opportunities when they arise. I forged a second career that way, taking more than one leap of faith to do what I’ve always known I could do, be a writer. During and after my first career as a dental hygienist I took opportunities to be a newspaper wire editor, then a columnist, a magazine writer, an indexer, a nonfiction writer, and a novelist.
The Fishers’ nonfiction book is a starting point for understanding why and how matriarchies have evolved, succeeded, failed, endured.
It’s a scholarly work, meticulously researched, and can be heavy reading at times. But it’s also engaging and fascinating. I used it while researching my book to give me a better understanding of how matriarchies work and why they still work – or don’t work - today.
What happened when women ruled the world? There are many questions about the Old Culture - a culture even before history was written. Whatever happened to the Great Goddess? When did patriarchy start? How did women become objectified? This book is about the Journey of ancient women with their many glories and challenges. It talks about the gender partitioning which still survived in some cultures today, women as warriors, advisers, goddesses and properties. Chapters included are: •The Goddess Paradigm •Women Warrior •Dethroning the Queen of Heaven •The Queen in Exile Written with a Mathematician’s precision and a Historian’s curiosity, Time…
I've been interested in feminine figures since I was a small, Catholic child presented with the Virgin Mary! Further down the road in graduate school and in my teaching career as an English Professor at a small Liberal Arts college, I began to research comparative mythology and the study of archetypes with a particular emphasis on the female divine. Now, after publishing three books and several articles on the goddesses, I'm happy to help others in their journey of discovery. I believe a good way to approach that study today is to focus on how our contemporary women writers portray goddesses in their works of fiction and non-fiction.
Marija Gimbutas’ The Living Goddessesis a great place to start your study of goddesses.
Gimbutas is a major researcher in the field of goddess studies, and her book is quoted more than often. Instead of reading other scholars’ work that quotes Gimbutas, why not read the original study of Paleolithic and Neolithice archetypes and their descendents in several Bronze and Iron Age cultures.
Additionally, Gimbutas postulates how those archetypes have evolved in contemporary culture. Matrilineal social structure as mirrored in religion and myth is the basis of Gimbutas’ gift to women today.
The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original--and originally shocking--interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years. This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part…
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
There are hundreds of good books on Goddess spirituality. This one presents a heart-centered approach that blends beautiful color plates of historical Goddess art and artifacts from around the world with an accessible explication of each Goddess’s mythology and cultural significance—as well as Hallie Iglehart Austen’s invitation to join her in a brief guided mediation for each Goddess. Her stated goal is that readers might “come into balance, reclaiming the lost feminine deep within ourselves and sharing that wisdom and power with the world.” Here’s the opening to a preface entitled “A Millennial’s Initiation”: “Every book is a teacher, yet some books reveal truths that flow into your deepest roots and stay with you forever. Reading The Heart of the Goddess was, truly, a rite of passage for me.”
I’m a paranormal romance and fantasy author who fell in love with fantasy as a young girl. My journey as a reader started when I was four, but what changed me entirely was Russian Tales woven with magic. I’m passionate about Lycans, Werewolves, Witches, Vampires, and everything that’s magical. I like to write sizzling tales of love and betrayal.
This entire series has my heart and soul. Paranormal world fused with Greek mythology? Hell, yes! I’d read this any day and every day. My top pick in this series is The Darkest Kiss because I love the female lead Anya. She’s just amazing. Anya is introduced as a fun loving, trouble maker but as the novel evolves we learn Anya has more layers to her character and with each layer coming off, you can’t help but fall deeply in love with her just like Death. I mean, I totally understand him. This book is such an entertaining read.
She has tempted many men…but never found her equal. Until now.
Though she has lived for centuries, Anya, goddess of anarchy, has never known pleasure. Until Lucien, the incarnation of death—a warrior eternally doomed to take souls to the hereafter. He draws her like no other. And Anya will risk anything to have him. But when the merciless Lord of the Underworld is ordered by the gods to claim Anya herself, their uncontrollable attraction becomes an anguished pursuit. Now they must defeat the unconquerable forces that control them, before their thirst for one another demands a sacrifice of love beyond…
