I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
When my father and I were getting ready to visit Egypt for the first time, he asked me for a book to introduce him to Egyptology. I gave him Red Land, Black Land. It brings you right into the distant yet familiar world of ancient Egypt: we see families fighting in letters, bored kids falling asleep in school, and scribes gloating over how amazing they are compared to everyone else. The past can seem so strange, but this book brings it to life.
A fascinating, erudite, and witty glimpse of the human side of ancient Egypt—this acclaimed classic work is now revised and updated for a new generation
Displaying the unparalleled descriptive power, unerring eye for fascinating detail, keen insight, and trenchant wit that have made the novels she writes (as Elizabeth Peters and Barbara Michaels) perennial New York Times bestsellers, internationally renowned Egyptologist Barbara Mertz brings a long-buried civilization to vivid life. In Red Land, Black Land, she transports us back thousands of years and immerses us in the sights, aromas, and sounds of day-to-day living in the legendary desert realm that…
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
The dates that Egyptologists use for most rulers are guesstimates, and there’s not one fixed dating scheme.
Just for instance, one reference volume gives 1334-1325 B.C. as the dates for King Tut’s reign. Another says 1332-1322 B.C. And yet a third another has 1336-1327 B.C.
How do you know which one to believe?
During the three decades I worked as a staff writer at National Geographic magazine, we relied on the king list that Baines and Malek published in this book.
I still consider it as the last word on dates for my own research. It’s also full of very helpful maps, diagrams, and descriptions of archaeological sites all over Egypt.
Filled with fascinating facts and stunning images, this single-volume reference to ancient Egypt introduces readers to this unique, sometimes startling culture.
My son Nick and I began reading Amelia Peabody's Egyptology mysteries when he was a precocious seven-year-old, discovering his calling as an archaeologist. I'd last read our copy of The Last Camel Died at Noon aloud to him when he was eleven and laid up in hospital with a leg injury—the result of his curiosity being closely akin to that of Peabody's son Ramses.
The inimitable voice of Peabody relating her rollicking adventures sped Nick's recovery and gave us both courage. I wrote my thanks to Elizabeth Peters and still treasure her warm, handwritten reply.
Nick, now a professor of Mayan archaeology, recently spoke on ancient languages and glyphs at a conference in Cairo. I celebrated by re-reading a beloved book that started him on his journey.
Join our plucky Victorian Egyptologist, together with her devastatingly handsome and brilliant husband Radcliffe, in another exciting escapade
This time Amelia and her dashing husband Emerson set off for a promising archaeological site in the Sudan, only to be unwillingly drawn into the search for an African explorer and his young bride who went missing twelve years back.
They survive the rigours of the desert, the death of their camels, and the perfidy of their guides, only to find themselves taken prisoner in a lost city and civilisation. Amelia and Emerson must bravely continue making archaeological finds while doing their…
As a historian of feminism, I am always on the lookout for sources that reveal women’s voices and interpretation of experiences often imagined as belonging primarily to men. Whether erudite travelogue, personal journey of discovery, or sensationalist narrative of adventure and exploration, books written by women traveling on their own were among the most popular writings published in the Victorian era. Often aimed at justifying the expansion of woman’s proper “sphere,” these books are perhaps even more enthralling to the contemporary reader —since they seem to defy everything we think we know about the constrained lives of women in this era. In addition to illuminating the significant roles that women played in the principal conflicts and international crises of the nineteenth century, these stories of women wading through swamps, joining military campaigns, marching across deserts, up mountains, and through contested lands often armed only with walking sticks, enormous determination, and sheer chutzpah, never fail to fascinate!
Marking a turning point in women’s travel writing and scholarly publications, British artist, writer, and Egyptologist, Amelia Edwards, brought unparalleled expertise and knowledge of Egyptian antiquities to her narrative, in the process helping to found the modern study of Egyptology. Written by a gifted writer and accomplished novelist, her book follows her trip up the Nile River to investigate some of the world’s most important ancient archeological sites and is beautifully illustrated with her own watercolors as well as witty, insightful stories of everyday life in nineteenth-century Egypt.
As enthralling as any work of fiction, A Thousand Miles up the Nile is the quintessential Victorian travel book.
In 1873, Amelia B. Edwards, a Victorian gentlewoman, spent the winter visiting the then largely unspoiled splendors of ancient Egypt. An accurate and sympathetic observer, she brings nineteenth-century Egypt to life. A Thousand Miles up the Nile was an instant hit in 1876, and is received with equal enthusiasm by modern readers.
Fans of Elizabeth Peters' Amelia Peabody Emerson mystery series will see similarities between the two Amelias. More importantly, A Thousand Miles up the Nile provides a wealth of background…
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
Egyptologist Bob Brier is the foremost expert on Egyptian mummies. He is famous for actually mummifying a human body as a science experiment, with Dr. Ronn Wade in 1994. This was the first time a human was mummified in 2000 years. This is a popular book, entertaining, but accurate. He covers everything we know about ancient Egyptian mummification.
Egyptian Mummies results from research done in preparation for the mummification of a human body, the first to be done in the Egyptian style in two thousand years. Through these studies, noted Egyptologist Bob Brier has unearthed the gripping stories of grave robberies and stolen mummies, the forgotten language of the pharaohs, and the tombs of the royal mummies. In an easily accesible and lively style, Brier uncovers the complete historical context of ancient Egyptian culture and offers a fascinating contemporary interpretation of it. Illuminating their mysteries, myths, sacred rituals, and heiroglyphic writing, Egyptian Mummies brings the ancients to life.
When at 13, I declared that I’d become an Egyptologist, quite a lot of people thought it would pass. Fast forward 10 years, and I was starting a PhD on Egyptian mummies in museums – it did not pass. I journeyed from the Louvre where I was a gallery attendant trying to uncover the story of bodies buried in their garden, to England where I relocated with little English to pursue an Egyptology degree… and then two more! The ethics of human remains in museums is a complex topic: that’s why I like to make it more approachable to the public, from running my project Mummy Stories, to giving talks in pubs!
This short story involves a Frenchman, an antique store, a mummified foot, and a little too much wine.
We understand mummified bodies better by placing them in context. The other books do that historically, but this one does something very well: it showcases the enduring obsession with Egyptian mummies coming to life, in a rather enthralling fiction story, by a French writer.
I like it especially because Gautier did see the foot in question in the collection of a man called Dominique Vivant Denon, who is central to French museums, and to Egyptology, and brought the foot from Napoleon’s expedition.
I imagine Denon and Gautier having a chat: the fine line between fantasy and reality, ever so paradigmatic of France’s attitude to foreign bodies collecting.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
If you want to know what conducting an orchestra is like, you ask a conductor. If you want to know what being a mathematician is like, you ask a mathematician. I have been studying, researching, and teaching mathematics (mainly at Cambridge but also in France and elsewhere) for a lifetime and loved (almost) every moment of it. In the words of Constance Reid, `Mathematicians are people who devote their lives to what seems to me a wonderful kind of play.'
More mathematicians than you might expect have had eventful lives (and most of the others are grateful that they did not). Fourier, one of my mathematical heroes was twice in danger of the guillotine, played a substantial role in Napoleon’s Egyptian campaign, is known as one of the Fathers of Egyptology, and was the first person to write about the ‘green-house effect’. To mathematicians and physicists this is all secondary to his work on heat conduction and, of course, the Fourier series. Herevel is an excellent guide to a remarkable life. (Herevel also had a non-standard career — the ‘Herevel tip’ was instrumental in early successes against Enigma.)
I’m an ecologist who loves history. I love incorporating elements from the past in my non-fiction and fiction writing. I’ve learnt so much about parts of the world I have never visited from historical mysteries, especially those with strong female characters. My grandmother, born in 1907 during the British Raj, fought just to go to school. I love books that offer an insight into the lives and thoughts of fierce, feisty women like her, everyday women who did extraordinary things. Each of the books I’ve selected is the first in a series, and I hope they give you endless hours of reading pleasure, just as they did for me.
Amelia Peabody, the heroine of this series, is that rarity, a female archeologist elbowing her way into digs and expeditions, the domain of men in 1890s Egypt. Amelia fearlessly deals with master criminals and tomb robbers, using a stout belt and large umbrella, solving crimes with panache.
In this book, the first of the series, she rescues a damsel in distress, falls in love, and uncovers the secret of a walking mummy.
It’s a rollicking romp of a read but doesn’t shy away from showing the divisions of the times between Europeans and ‘natives,’ men and women, rich and poor. The author is an Egyptologist herself, and her expertise shows through; as an academic myself, I’m very inspired by her work! This is one of my absolute favourites.
Amelia Peabody is Elizabeth Peters' most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude!
In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress - Evelyn Barton-Forbes - and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn't need women to help him solve mysteries -- at least that's what he…
