David DeKok became interested in environmental disasters in his native Michigan in 1974, when PBB, a fire-retardant chemical, was accidentally mixed with animal feed, entered the food chain, and then most people in the state, probably including himself. As a journalist in Pennsylvania, he wrote extensively about the Centralia mine fire and the aftermath of the Three Mile Island nuclear accident, and is the author of four books. He tends to write about small towns and small-town people in crisis.
We Almost Lost Detroit was published in the mid-1970s at a time of growing concern over nuclear power in America that would reach a boiling point with the Three Mile Island nuclear accident in Pennsylvania in 1979. There was no love lost between the two sides. Utility executives were believed to be liars trying to save their investment in a costly, difficult technology. Nuclear critics were portrayed by the industry as deluded tree-huggers. It was a real debate with real consequences, and this book shows why. The cover of the Ballantine paperback edition shows the terrified face of a man inside a radiation protective suit.
A valuable contribution to the debate over nuclear power, this book documents the Fermi accident that so frightened the AEC and nuclear industry that they did not want the details and significance leaked to the public. At the time of the publication of this book, many critics of nuclear power were demanding to know all the pertinent information regarding the safety of nuclear reactors.
Fresh out of journalism school I stumbled on a strike at a machine shop in Pilsen, a neighborhood once home to Chicago’s most famous labor struggles, by then becoming a hip gentrified enclave. Drinking steaming atole with Polish, Mexican, and Puerto Rican workers in a frigid Chicago winter, I was captivated by the solidarity and determination to fight for their jobs and rights, in what appeared to be a losing battle. After covering labor struggles by Puerto Rican teachers, Mexican miners, Colombian bottlers, Chicago warehouse workers, and many others, my enthusiasm for such stories is constantly reignited -- by the workers fighting against all odds and the writers telling their stories, including those featured here.
The name “Detroit” too often conjures images of poverty-porn: gorgeously crumbling buildings, post-apocalyptic urban decay, lost souls wandering cracked streets. Detroit: I Do Mind Dying shatters this image with unfettered energy. It chronicles the League of Revolutionary Black Workers in the auto plants of the 1960s-1970s, a refreshing reminder of the power of intersectional labor organizing; a raw look at the racism of the mainstream labor movement; and a very human chronicle of the struggles and flaws of courageous everyday workers at this critical time and place in history.
Detroit: I Do Mind Dying tracks the extraordinary development of the Dodge Revolutionary Union Movement and the League of Revolutionary Black Workers as they became two of the landmark political organizations of the 1960s and 1970s. It is widely heralded as one the most important books on the black liberation movement.
Marvin Surkin received his PhD in political science from New York University and is a specialist in comparative urban politics and social change. He worked at the center of the League of Revolutionary Black Workers in Detroit.
Dan Georgakas is a writer, historian, and activist with a long-time interest…
I began my own writing journey in 2007. I skipped many HS classes just to stay home and read. I want to know the ending of a story. I want happy ending. Life is hard, but when I have the ability to write the stories I write with the ending that so many are deprived of, at least I know I can find it in a book of my own choosing. That is my love of romance.
Back to romance! This is a time travel story about a woman who is keeping something vital from her family.
She’s the middle child and suffers from that insecurity of not quite having found her place. She is seriously depressed. But the moon, an eclipse, timing, the house she’s in… all play a part in this excellent tale that brings the medieval times front and center.
The author really delivers a knock-out punch to the gut and hope really is lost until this hero comes to his senses. But when he does… well, suffice it to say, you won’t be disappointed.
On New Year’s Eve, she tumbles 700 years back in time--and into the bed of a darkly dangerous knight.
Sir Gaston de Varennes wanted a docile bride who would fit into his plans for vengeance and justice, but a trick of time finds him married to a thoroughly modern American lady who turns his castle, his life, and his heart upside down. Will her desperate secret tear them apart after only a few bittersweet weeks of stolen passion—or will they conquer mistrust, treachery, and time itself to discover a love that spans the centuries?
I've been a fan of Tamora Pierce for nearly as long as I've been writing—well over twenty years. She's been an enormous inspiration throughout my authorship. Her books have accompanied me through many travels, waited in my bag during classes and life events, and I've given them as gifts to other people. Finding books and authors for a more adult audience, which possess that same essence—strong characters, magic, found family, adventure, a touch of romance, and some historical or mythological influence—is a fantastic hunt. I hope you enjoy these. I'm going to look for some more!
I can practically hear you protest this choice… But, Christina, that's urbanfantasy! Trust me, it's got what you're looking for. Mythologically inspired dragons, cats, spirits, magic, powerful motives, a diverse cast… I love the audacity Rachel Aaron displayed in making her main character a dynamic pacifist. Also, the DFZ is a great lesson in how to make a location into a character. This series traveled with me through one of the most difficult years of my life, and Julius helped me keep my focus while Marcy and Ghost reminded me it was okay to bend the rules. Go check it out!
As the smallest dragon in the Heartstriker clan, Julius survives by a simple code: keep quiet, don’t cause trouble, and stay out of the way of bigger dragons. But this meek behavior doesn't fly in a family of ambitious magical predators, and his mother, Bethesda the Heartstriker, has finally reached the end of her patience.
Now, sealed in human form and banished to the DFZ--a vertical metropolis built on the ruins of Old Detroit--Julius has one month to prove he can be a ruthless dragon or kiss his true shape goodbye forever. But in a city of modern mages and…
When I realized years ago that the universe isn’t merely a concrete reality, I turned to metaphysical/visionary books to understand my experience. There weren’t that many books, but the ones I found became dear friends. Now, after decades as a freelance editor, I am writing fiction in this genre because I believe stories can be as powerful as expository writing for awakening consciousness. However, I’ve noticed many metaphysical writers discourage the engagement and commitment needed to make this world a better place. For this reason, I seek to gather—and contribute to—writing that is visionary and also advocates for democracy and social justice.
Although this collection of short stories can be generally categorized as speculative fiction—and most are more specifically science fiction—there is nevertheless a strong visionary element in many of them. As I would expect when reading any book that has many authors, I relate to some stories more than others.
I particularly loved how they collectively built on the amazing legacy of Octavia Butler and did so by explicitly uniting around the social justice theme.
Whenever we envision a world without war, prisons, or capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought 20 of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. These visionary tales span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around…
Few things bother me more than the negative stereotypes that portray Detroit as a deserted city in ruins - a crime-infested, neglected place where residents don’t care about their connections to the city’s history or its future. Detroit is a proud, living city. As a historical archaeologist at Wayne State University, I’ve been on the front lines of leading community-based archaeology projects in Detroit for the past decade. These projects involve advocacy for more inclusive historic preservation efforts, youth training initiatives, collaborative exhibits, and lots of interactions with the media and public. I view historical archaeology as a tool for serving local community interests, unearthing underrepresented histories, and addressing the legacies of social justice issues.
Slavery and its legacy is a northern problem too. Detroiters were slaveholders, but that is a fact that we’ve collectively spent decades, if not centuries, denying and neglecting. Tiya Miles’ gripping history of slavery and freedom reveals the stories of the enslaved Native and African American people who were present in Detroit since the city’s initial decades of European colonization. Her historical narratives, crafted from meticulous archival research, reintroduce readers to the long-forgotten people whose coerced labor laid the foundation for the city’s physical infrastructure and scaffolded the livelihoods of its free residents. The Dawn of Detroit is a stark reminder of how the roots of contemporary inequities run deep through the city’s history.
In this paradigm-shifting book, celebrated historian Tiya Miles reveals that slavery was at the heart of the Midwest's iconic city: Detroit. Miles has pieced together the experience of the unfree - both native and African American - in the frontier outpost of Detroit, a place wildly remote yet at the centre of national and international conflict. The result is fascinating history, little-explored and eloquently told, of the limits of freedom in early America, one that adds new layers of complexity that completely change our understanding of slavery's American legacy.
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
This is a real battle of wills, between Dr. Viveca Lancaster, newly licensed physician, and Nate Grayson, manager of a newly-founded Michigan town in desperate need of a doctor. He hires her, sight unseen, and when she shows up, he tries to fire her, because he doesn’t want a female doctor, but Viveca is not having that. She’s going to prove herself, as one of the first Black women doctors in 1870s America, and Nate falls for her as a brilliant doctor as much as he does for her as a woman. It’s impossible to go wrong with a Beverly Jenkins book, but this one is extra delicious.
It's 1876 and Dr. Viveca Lancaster is frustrated by the limits placed upon female physicians of color. When she is offered the chance to set up a practice in the small all Black community of Grayson Grove, Michigan she leaves her California home and heads east. The very determined Viveca is one of the few nineteenth century Black women to graduate from the prestigious Woman's Medical College of Pennsylvania, so she knows all about fighting for her rights. But she may need more than determination to face down the distractingly handsome Nate Grayson, the Grove's bull-headed mayor.
Few things bother me more than the negative stereotypes that portray Detroit as a deserted city in ruins - a crime-infested, neglected place where residents don’t care about their connections to the city’s history or its future. Detroit is a proud, living city. As a historical archaeologist at Wayne State University, I’ve been on the front lines of leading community-based archaeology projects in Detroit for the past decade. These projects involve advocacy for more inclusive historic preservation efforts, youth training initiatives, collaborative exhibits, and lots of interactions with the media and public. I view historical archaeology as a tool for serving local community interests, unearthing underrepresented histories, and addressing the legacies of social justice issues.
From Motown to techno, twentieth-century Detroit was an incubator for world-famous popular music, yet the city has not followed the lead of Memphis and New Orleans by investing in preserving its music heritage sites. Meanwhile, memories of the city’s once-vibrant music scenes are fading as the generations who experienced them pass. The Grande Ballroom: Detroit’s Rock ‘N’ Roll Palace is a tribute to the fierce ingenuity, creativity, and activism of Detroit’s music-loving baby boomers. Between 1966 and 1972 the ballroom was the city’s most iconic counterculture music venue. Local legends Iggy Pop and the MC5 took to the Grande’s psychedelic stage alongside soon-to-be world-famous groups, including Led Zeppelin, the Who, and Fleetwood Mac. In 2003, as the long-vacant building fell into a seemingly irreversible state of decay, musician and local historian Leo Early established the Friends of the Grande group.
Now with over 2,000 members, Early and the Friends have…
In the 1920s, a jewel of Detroit entertainment arose on the Westside--the Grande Ballroom. The venue flourished under the ownership of infamous gambler Harry Weitzman and management of dance scion Paul Strasburg. The advent of rock "n" roll pushed the ballroom into hard times, but in 1966, local schoolteacher and disc jockey Russ Gibb resurrected it with the promise of live rock music. The new psychedelic ballroom style attracted scores of suburban baby boomers and helped launch the careers of local legends like the MC5, Iggy Pop, Alice Cooper and Ted Nugent. Soon the ballroom's prestige attracted international acts like…
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
This book looks toward the future. A friend, leader, and hero to many in Detroit including myself, Grace Lee Boggs is one of the most important philosophers of the 20th and 21st centuries. However, this book is far from the stuffy philosophy you might remember from PHYL 101. Rather, it’s a road map to a better, brighter future, and a new way to live.
A resident of Detroit for almost 80 years, Boggs once wrote, “The most radical thing I ever did was to stay put.” Her thinking and activism underlie almost anything truly transformational happening in Detroit today, and this book will leave you with more hope than a dog looking at the thanksgiving dinner table.
A world dominated by America and driven by cheap oil, easy credit, and conspicuous consumption is unraveling before our eyes. In this powerful, deeply humanistic book, Grace Lee Boggs, a legendary figure in the struggle for justice in America, shrewdly assesses the current crisis - political, economical, and environmental - and shows how to create the radical social change we need to confront new realities. A vibrant, inspirational force, Boggs has participated in all of the twentieth century's major social movements - for civil rights, women's rights, workers' rights, and more. She draws from seven decades of activist experience, and…
Crime fiction, true crime, mystery, and suspense books allow us to brush up against the worst society has to offer without getting hurt. There’s a lot to be said for vicarious thrills, isn’t there. I am just a simple man telling simple stories about good vs. evil. And sometimes, in my stories, fiction or not, the bad guys win. But I do love telling stories, and when I find a good one, I can’t wait to tell you aboutit. That’s what I have done here.
You have to love this book if only because the author, Loren D. Estleman, pounded out the words on a manual typewriter. Why would he do that in the 21st century? So he can keep working during power outages, that’s why.
There’s not a single one of Estleman’s books or stories I would not recommend. However, I chose Whiskey River for this review because it is historical crime fiction, taking place in the days of Prohibition.
Whiskey River is the story of a young, ambitious reporter who risks his life to expose police and city hall corruption.
As always, Estleman brings his characters and settings to life in a way few others can.
In Detroit in 1925 prohibition has been in force for a year longer than the rest of the States, police corruption is so rampant no-one notices the stench in City Hall. Into this scene comes Constantine Minor, a young and ambitious reporter. The author has twice won the Shamus Award.
