100 books like The Winners

I hate saying goodbye. Picking up a book and being introduced to an entire group of people—family, friends, teammates—and knowing you get to continue to watch these relationships bloom over a course of books is part of the reason I pick up a book in the first place. I want to see these characters pop in twenty books down the road. I absolutely love cameos of old characters! Because of this, I write in a singular world as well. My Prescotts may be the base of the world at the moment, but it’s also their friends at O’Gallaghers and their teammates with the Enforcers hockey team that keep the world growing—and it’s not ending anytime soon.

Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing. 

Choosing philosophy at 18 raised a few eyebrows: friends and family thought I was a bit mad and a little lost. Later, when I decided to write philosophical stories and essays, I heard the same refrain: “Most people are afraid of philosophy.” But those voices never swayed me. Deep down, I knew that thinking is a powerful tool for healing, a way to mend what’s broken within us and in the world. Ideas, I believe, can spark change and make the world a better place.

I grew up in Edinburgh and, from an early age, I heard the tale of Deacon Brodie. However, it was not until I was older—when a city official was charged with corruption—that I realised Brodie might just be the first ‘white collar’ criminal in Edinburgh. The more I found out, the more fascinating he became. Here was a man who everyone in the city saw as a wealthy, respectable, Councillor, yet—at the same time—he was a gambler who became a criminal to feed his habit, and so, when I moved to America, I decided to write my first crime novel based on Brodie’s life.

I'm a French writer, originally from Provence, who found herself catapulted into Scandinavian culture almost twenty years ago when I married a Swede. When I wrote Block 46, my first book back in 2015, I set the plot in Falkenberg, a town on the west coast of Sweden, bringing my southern European culture face to face with the Scandinavian one, a kind of alliance between fire and ice. What I'm sharing with you today is the essence of my “empirical research” as a Swedish wife, an expatriate in Sweden, and a mother of three mini-Vikings, giving you the keys and the secrets of this northern culture that fascinates so much.

I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.

Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.

I came into the world telling stories. From the age of four you could often find me surrounded by a little cluster of friends, amusing them with a story I was spinning on the spot. When I was nine, I began telling my sisters about a Martian who was living on Earth and who loved his comfy chairs. This Martian eventually became Alou, and it has been such a joy to share his world through my picture book Alou: The Martian Agent and its sequels. One thing I’m passionate about is sparking the potent imagination bottled up inside all our little ones and I hope my books can encourage that. 

In my career, first as a screenwriter for film and TV and now as a crime writer, I learned early on that you must never bore your audience. I want to entertain my readers, so my stories should always keep them glued to the pages. However, the reader should also be left with new reflections after finishing the book. Crime fiction is often perceived as nothing but plot, action, and blood, without any depth or character development at all. I beg to differ. My list presents five books proving that crime fiction can be both intriguing, nerve-wracking, and mind-blowing while simultaneously serving as the perfect mirror of the world we're living in today.

Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.