Here are 100 books that Rise of the Red Hand fans have personally recommended if you like
Rise of the Red Hand.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
This book was a wild read in the best way, with its fierce protagonist and thought-provoking social commentary.
The author’s portrayal of protagonist Zetian’s unhindered feminine power, combined with the powerful feminist themes of the book, made this story a gripping, inspirational read. With elements like female fighter pilots, rich Chinese-inspired world-building, and a refreshing polyamorous romance, Iron Widow delivers a story that is a testament to feminine rage and empowerment and refuses to follow the rules.
Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.
The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through…
I grew up loving sci-fi and fantasy, but especially today, I recognize how a lot of older sci-fi is patriarchal or even misogynistic. When I started to write my own books, like A Dragonbird in the Fern, I vowed to create my fantastical settings as I’d like our world to be someday—with all genders considered equal. Whether it’s a queen wielding all of the power or a witch who can save the world, women and girls in my stories get things done, and no one bats an eye.
Cast in Firelight is such an awesome combination of romance, adventure, and feminism! It’s about two teens arranged to be married who always try to
outdo each other. After years of not seeing each other, they meet up, but each
thinks the other is someone else. They end up teaming up to save their countries
and start to fall for each other. I adored the mix of rom-com and superhero fantasy
action, and especially how powerful a girl can be when she puts her mind to it
and trusts herself.
The first book in an epic, heart-pounding fantasy duology about two royal heirs betrothed to be married, but whose loyalties are torn, and a ruthless enemy who threatens their world, perfect for fans of Sabaa Tahir, Susan Dennard, and Mary E. Pearson.
Adraa is the royal heir of Belwar, a talented witch on the cusp of taking her royal ceremony test, and a girl who just wants to prove her worth to her people.
Jatin is the royal heir to Naupure, a competitive wizard who's mastered all nine colors of magic, and a boy anxious to return home for the…
I grew up loving sci-fi and fantasy, but especially today, I recognize how a lot of older sci-fi is patriarchal or even misogynistic. When I started to write my own books, like A Dragonbird in the Fern, I vowed to create my fantastical settings as I’d like our world to be someday—with all genders considered equal. Whether it’s a queen wielding all of the power or a witch who can save the world, women and girls in my stories get things done, and no one bats an eye.
The two girls in City of
Shattered Light could not be fiercer! Asa’s a runaway rich girl who flees
home to save her sister, a victim of scientific tests. Riven’s a tough smuggler
gunning for a big bounty to guarantee her a place in one of the city’s
matriarchal (!) crime syndicates. There’s kidnapping, a wild neon sci-fi world,
and a healthy portion of romantic longing. I loved this misfit team!
As darkness closes in on the city of shattered light, an heiress and an outlaw must decide whether to fend for themselves or fight for each other. As heiress to a powerful tech empire, seventeen-year-old Asa Almeida strives to prove she's more than her manipulative father's shadow. But when he uploads her rebellious sister’s mind to an experimental brain, Asa will do anything to save her sister from reprogramming—including fleeing her predetermined future with her sister’s digitized mind in tow. With a bounty on her head and a rogue AI hunting her, Asa’s getaway ship crash-lands in the worst possible…
I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.
In this atmospheric Portuguese historical fantasy, Princess Yzabel’s got a serious problem: Her country is plagued by famine and she can’t stop wasting food. Why? Every bite turns to flowers in her mouth. She’s crumbling under a mountain of royal pressures. What sets her apart from the “unlikeable” natures of the others on this list is that her niceness, not her dark side, is what landed her here. Decision paralysis and Pinguicha’s exploration of being “good” to a fault make Yzabel a girl worth getting to know.
17-year-old Yzabel of Aragon is engaged to the young King of Portugal, and under her touch, food turns into flowers.
With the populace starving, and barely surviving herself, Yzabel doesn't only need to end her curse - she must reverse it somehow. Turn flowers into food. Desperate, she sets to find Fatyan, an immortal rumored to live nearby, but she is imprisoned by an old enchantment. So they must strike a bargain: Fatyan will teach Yzabel how to master her magic, and Yzabel making a deal with Fatyan will release the magical bonds holding her captive.
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
The author’s account of grinding, unrelentless poverty and neglect, set against her eventual, miraculous escape to a different life made me cheer.
Bravely, Kerry Hudson returns to the scenes of many crimes committed against her to really understand why the past refuses to let her go and whether anything has changed for deprived families in those rundown British towns she grew up in.
In an early chapter the author recalls being pushed between two adults across a table. She thought it was a game, but her parents were in fact arguing over who should keep her. Neither was willing.
This is an important and shameful piece of British social history and an unflinching examination of a dysfunctional family with different recollections of the past.
'Totally engrossing and deliciously feisty' Bernardine Evaristo
A powerful, personal agenda-changing exploration of poverty in today's Britain.
'When every day of your life you have been told you have nothing of value to offer, that you are worth nothing to society, can you ever escape that sense of being 'lowborn' no matter how far you've come?'
Kerry Hudson is proudly working class but she was never proudly poor. The poverty she grew up in was all-encompassing, grinding and often dehumanising. Always on the move with her single mother, Kerry attended nine primary schools and five secondaries, living in B&Bs and…
I’m a writer of fiction and creative nonfiction living in northwest Montana’s Yaak Valley. I moved here from Mississippi 35 years ago to live in the mountains and write short stories, novellas, novels, but have gotten sucked into decades of battling a recalcitrant U.S. Forest Service intent on building roads and clearcutting in this incredibly unique ecosystem—the Yaak Valley, is the lowest elevation in Montana, the wettest valley, and an ancient inland rainforest that contains 25% of the entire state of Montana’s “species of concern.” Chief among these are the valley’s last 25 grizzlies: one of the rarest subpopulations in North America. Loving a thing deeply is almost always revolutionary. Revolution: to turn. To change. To revolve, evolve, return. To turn around.
Fiction as literature of the resistance? Larry Brown’s Joe is a top candidate for what I’d call The Great American Novel. There are many entries, of course: as many stories as there are communities, past, present, and even future.
What I love about Joe is the simplicity of metaphor. A backwoods ne’er-do-well, Joe Ransom makes his living killing—literally—the great wild biodiversity hardwood powerhouse forests of the Mississippi bottomlands by injecting them with poison so that they die, and the rich forest can be converted to the homogenous, fast-growing, essentially sterile monoculture of southern yellow pine. His way of life—wild, reckless, dangerous—is disappearing as well, and as he kills the thing he loves most, he drinks himself ever-deeper into harm’s way and seeks a violence commensurate with the one he is inflicting upon the forest. Worse yet, he begins to train a young acolyte, an orphan disciple, Gary Jones. The sentences…
“Brilliant . . . Larry Brown has slapped his own fresh tattoo on the big right arm of Southern Lit.” ―The Washington Post Book World
Now a major motion picture starring Nicolas Cage, directed by David Gordon Green.
Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a…
I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences.
What does remain of the old welfare institutions of the mid-twentieth century? How has neoliberalism cut social infrastructure? Javier Auyero looks at welfare and public services in present-day Argentina, a system that, despite the crisis, continues to offer some form of protection to impoverished working families. The book is fascinating and demonstrates how “waiting” has come to define how poor people relate to the state and access rights and benefits.
Patients of the State is a sociological account of the extended waiting that poor people seeking state social and administrative services must endure. It is based on ethnographic research in the waiting area of the main welfare office in Buenos Aires, in the line leading into the Argentine registration office where legal aliens apply for identification cards, and among people who live in a polluted shantytown on the capital's outskirts, while waiting to be allocated better housing. Scrutinizing the mundane interactions between the poor and the state, as well as underprivileged people's confusion and uncertainty about the administrative processes that…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Douglas Cope’s book is a wonderful work of social history that explores how issues of race and class impacted the lives of working people in colonial Mexico City. Cope shows that Spain’s so-called “caste system” was more ideal than reality. A person’s physical appearance, occupation, and social milieu shaped perceptions of their race and ethnicity far more than their lineage, which was not something most people documented in this era. The book combines quantitative and qualitative analysis to provide a rich description of everyday life, bringing readers into artisans’ workshops, market vendors’ stalls, and other spaces where people lived and worked in the seventeenth and eighteenth centuries.
In this distinguished contribution to Latin American colonial history, Douglas Cope draws upon a wide variety of sources—including Inquisition and court cases, notarial records and parish registers—to challenge the traditional view of castas (members of the caste system created by Spanish overlords) as rootless, alienated, and dominated by a desire to improve their racial status. On the contrary, the castas, Cope shows, were neither passive nor ruled by feelings of racial inferiority; indeed, they often modified or even rejected elite racial ideology. Castas also sought ways to manipulate their social "superiors" through astute use of the legal system. Cope shows…
I am an adult child of an alcoholic father and an abusive and dysfunctional stepmother who ran away from home at sixteen and fell into the wrong crowd in my search for love and family. Yet after years of hard personal work, I have overcome and triumphed over these obstacles to become stable, happy, and successful, in a good marriage, raising a great son in a loving, stable home. I’ve gone on to help and inspire others to do the same, including writing the book Redeemed, A Memoir of a Stolen Childhood.
I loved this book because, for the first time in my life, I understood that I was not the only broken and damaged person in the world.
Because of her honest portrayal, I felt less alone and more like there were other souls out there who understood my fears of not belonging, of not being able to be “good enough,” of not being wanted, and of being ignored by one parent while being belittled, abused, and blamed by the other.
Allison wrote clearly about the effects of poverty on family dynamics and the dysfunctional family and explained to me for the first time why I felt defective and why the rest of the world seemed so normal. It gave me hope.
A profound portrait of family dynamics in the rural South and "an essential novel" (The New Yorker)
"As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye." -The New York Times Book Review
The publication of Dorothy Allison's Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming her the…
For over 44 years, I have been a writer, speaker, anchor, interviewer, teacher, analyst/commentator, publisher, producer, director, and consultant across different mass media: the written word, the spoken word, and the audio-visual medium – printed publications and websites, radio and podcasts, television, and documentary cinema. As a student of the political economy of India, I have sought to investigate the working of the nexus between business and politics. I am of the view that crony capitalism and oligarchy are at the roots of much that has gone wrong in the country of my birth and domicile which is often described as the “world’s largest democracy”.
American author Mark Twain had described the last decades of the 19th century as the Gilded Age in the United States, a period when on the surface everything appeared to be glittering like gold concealing the filth and ugliness that lay beneath. British journalist and academic James Crabtree, now based in Singapore, believes that the last few decades in India closely resembles the Gilded Age of the US. His 357-page book is filled with dozens of anecdotes about some of India’s most wealthy individuals such as Mukesh Ambani, Gautam Adani, and Vijay Mallya. His meetings with them and his detailed descriptions of their lifestyles and demeanour make for racy reading.
A disclaimer: Crabtree has described in flattering terms his meeting with this writer and referred to some of my articles and books.
A colorful and revealing portrait of the rise of India’s new billionaire class in a radically unequal society
India is the world’s largest democracy, with more than one billion people and an economy expanding faster than China’s. But the rewards of this growth have been far from evenly shared, and the country’s top 1% now own nearly 60% of its wealth. In megacities like Mumbai, where half the population live in slums, the extraordinary riches of India’s new dynasties echo the Vanderbilts and Rockefellers of America's Gilded Age, funneling profits from huge conglomerates into lifestyles of conspicuous consumption.
Interested in
poverty,
climate change,
and
dystopian?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
poverty,
climate change,
and
dystopian.
