Although I grew up with a fondness for Western movies thanks to my John Wayne-loving dad, I never seriously explored the genre until I began writing my Holmes on the Range mystery series. What I discovered when I began regularly reading books about the West took me a bit by surprise: I loved them! Since then I’ve read dozens of history books, novels, and short story collections that bring the Old West to life.
The Wild West gets even wilder when cowboy brothers Otto “Big Red” Amlingmeyer and Gustav “Old Red” Amlingmeyer set out to catch a killer using the methods of the late, great Sherlock Holmes. The only thing standing between them and the truth: stampedes, rustlers, Holmes-hating English aristocrats, and a cannibal named “Hungry Bob.” Entertainment Weekly calls this Edgar Award-finalist mystery/Western hybrid “hilarious” and “delightfully offbeat.”
“What a boring, obvious choice” you might be saying to yourself. “This guy wants to tell me about great Western novels and he starts with the most popular Western of the last 50 years?” To which I say: You bet! There’s a good reason Lonesome Dove is so beloved. It’s fantastic — simple as that. Larry McMurtry takes what might seem like a thin and tired premise — aging cowboys have to make one last cattle drive together — and turns it into an enthralling historical epic. You’ll laugh, you’ll cry (I did!), you’ll develop saddle sores from sitting on the edge of your seat.
Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.
It begins in the office of The Hat Creek Cattle Company of the Rio Grande. It ends as a journey into the heart of every adventurer who ever lived . . .
More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.
Jack Schaefer is mostly remembered for one of his other (very fine) novels: Shane, the basis for the iconic film. But it’s the lesser-known Monte Walsh that really captures what life was like in the waning days of the “Wild West,” especially for cowboys. The episodic novel follows the titular wrangler over the entirety of his life as he wanders the West looking for work and getting into and out of trouble. Like Lonesome Dove, it gives readers a look at cowboy life so up-close-and-personal you can practically smell the smoke from the campfire.
Originally published in 1963, Monte Walsh continues to delight readers as a Western classic and popular favorite. The novel explores the cowboy lives of Monte Walsh and Chet Rollins as they carouse, ride, and work at the Slash Y with Cal Brennan. As the West changes and their cowboy antics are challenged, the two must part ways to pursue new ways of life. Chet marries and goes on to become a successful merchant and then a politician, while Monte can only find solace in continuing the cowboy's way of life until the very end.
You won’t find many cowboys here, but almost every other character-type of the Western genre — gunfighters, snake oil salesmen, cavalry officers, preachers, prostitutes, schoolmarms, and merchants — are on display (and held up for ridicule). Written in 1964, the novel also represented a significant step forward for the genre with its well-researched and well-rounded portrayals of Native Americans. The story — about the lifelong identity crisis of a white orphan adopted by the Cheyenne — would be unbearably sad if Berger’s writing weren’t so very, very funny.
'I am a white man and never forget it, but I was brought up by the Cheyenne Indians from the age of ten.' So starts the story of Jack Crabb, the 111-year old narrator of Thomas Berger's masterpiece of American fiction. As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.
As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild…
Once upon a time, writers could make a good living selling short stories to American magazines. Those days are almost as long gone now as the Wild West. But the stories live on…provided you find the right used book store. First published in 1957, The Hanging Tree and Other Stories collects some of the best work by a prolific specialist in short fiction about the frontier: Dorothy M. Johnson. Years before Little Big Man, she was writing sympathetically and convincingly about Native Americans. Her stories could also be funny, thrilling, and surprising. It’s no wonder Hollywood turned to her for inspiration so often: The classic Westerns The Man Who Shot Liberty Valance and A Man Called Horse are based on Johnson stories.
The title story, The Hanging Tree, is based on a true episode in Montana's gold-mining past. Three amazing characters meet: the cynical Doc Frail; the boy robber named Rune, whom Doc saves and enslaves; and Elizabeth, the young easterner who survives an Indian assault and comes under the care of Doc and Rune. In the gold-mining camp of Skull Creek Elizabeth becomes the mysterious Lucky Lady. A vigorous, psychological western, The Hanging Tree was made into a movie starring Gary Cooper. The stories in this book consolidate Dorothy M. Johnson's reputation for authenticity and artistic integrity. "Lost Sister" is based…
Does a “Western” have to have good guys, bad guys, and shoot-outs? If you think so, My Ántonia is not the book for you. Rather than a high-stakes tale of white hats vs. black hats, it offers a nearly plotless portrait of the challenges of late 19th-century farming. Focusing on the friendship between an orphan sent to Nebraska to live with his grandparents and a girl on one of the neighboring farms, My Ántonia isn’t exactly action-packed. It’s filled instead with quiet emotion and authenticity. It might not be a “Western” to some, but it’s one of the great depictions of everyday life in the American West.
Set in rural Nebraska, Willa Cather's My Antonia is both the intricate story of a powerful friendship and a brilliant portrayal of the lives of rural pioneers in the late-nineteenth century.
Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an afterword by Bridget Bennett and original illustrations by W. T. Benda.
Antonia and her family are from Bohemia and they must endure real hardship and loss to establish a new home in America.…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, I am uniquely qualified to uncover the policies and practices of adoption.
The history of adoption, reframed through the voices of adoptees like me, and mothers who have been forced to relinquish their babies, blows apart old narratives about adoption, exposing the fallacy that adoption is always good.
In this story, I reckon with the pain and unanswered questions of my own experience and explore broader issues surrounding adoption in the United States, including changing legal policies, sterilization, and compulsory relinquishment programs, forced assimilation of babies of color and Indigenous babies adopted into white families, and other liabilities affecting women, mothers, and children. Now is the moment we must all hear these stories.
Who Is a Worthy Mother?: An Intimate History of Adoption
Nearly every person in the United States is affected by adoption. Adoption practices are woven into the fabric of American society and reflect how our nation values human beings, particularly mothers. In the wake of the U.S. Supreme Court's overturning of Roe v. Wade, the renewed debate over women's reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, Rebecca C. Wellington is uniquely qualified to uncover the policies and practices of adoption. Wellington's timely-and deeply researched-account amplifies previously marginalized voices and exposes the social and racial biases embedded in the United States' adoption industry.…
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