The most recommended books about Xinjiang

I am a historian of Russia and Eurasia at Hamilton College. I teach courses on Russian history, Central Asia, and the modern Middle East. We usually think of these as separate regions of the world, but in fact they are all connected across the vast Eurasian continent. Russians, Turks, Iranians, Mongols and more have been intertwined with each other throughout their histories. My formal research specialty is Soviet Central Asia. I have written on Stalin’s attempt to destroy Islam, on education and creating a historical narrative for Uzbekistan, and on cotton and manual labor under Khrushchev.

Many people are fascinated by the ancient Silk Road, but don’t know much about how we got from there to the “Stans” that emerged out of the collapse of the Soviet Union in 1991. These books showcase the most recent scholarship on how Central Asia was gradually taken over by the Russian and Chinese empires, and how the republics of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan were created, as well as Xinjiang Province in the People’s Republic of China.

I was living in Xinjiang on 9/11 and got to witness the swiftness with which the state imposed strict regulations that harmed the Uyghur community. For me, this was an indelible lesson in the abuses of power and authority on people who just wanted to work, raise families, and enjoy their lives. Since then I’ve tried to raise awareness, first in my memoir, The Tree That Bleeds, then in my journalism. I hope my work helps people think about how to respond as both politically engaged citizens and consumers to one of the worst human rights violations of the 21st century.

Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.

I was living in Xinjiang on 9/11 and got to witness the swiftness with which the state imposed strict regulations that harmed the Uyghur community. For me, this was an indelible lesson in the abuses of power and authority on people who just wanted to work, raise families, and enjoy their lives. Since then I’ve tried to raise awareness, first in my memoir, The Tree That Bleeds, then in my journalism. I hope my work helps people think about how to respond as both politically engaged citizens and consumers to one of the worst human rights violations of the 21st century.

Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.

I traveled to Xinjiang Uyghur Autonomous Region in the summer of 2019, where I saw for myself many of the tools of surveillance and control that the Chinese Communist Party has used to turn the region into an open-air prison. Since returning to the United States, I have tried to draw attention to the Uyghur genocide through my published articles and through my book, Middle Country, where I tell the story of the Uyghur genocide by weaving facts, history, and analysis into a narrative account of the week I spent in Xinjiang. I hope that my book can make this profoundly complex and multifaceted issue more accessible to the average person.

I write about Asia, where I have spent a chunk of my life. My non-fiction reporting has centered on Beijing's territorial ambitions, including its ongoing takeover of the South China Sea, which in a sense was prefigured by the plot of my novel Performance Anomalies. The main character, Cono 7Q, has been pecking at my brain for many years, abetted by my brushes with spooks in the underbelly of Central Asia and China. I use a pen name so my travel in certain countries can be less encumbered.

I traveled to Xinjiang Uyghur Autonomous Region in the summer of 2019, where I saw for myself many of the tools of surveillance and control that the Chinese Communist Party has used to turn the region into an open-air prison. Since returning to the United States, I have tried to draw attention to the Uyghur genocide through my published articles and through my book, Middle Country, where I tell the story of the Uyghur genocide by weaving facts, history, and analysis into a narrative account of the week I spent in Xinjiang. I hope that my book can make this profoundly complex and multifaceted issue more accessible to the average person.

I was living in Xinjiang on 9/11 and got to witness the swiftness with which the state imposed strict regulations that harmed the Uyghur community. For me, this was an indelible lesson in the abuses of power and authority on people who just wanted to work, raise families, and enjoy their lives. Since then I’ve tried to raise awareness, first in my memoir, The Tree That Bleeds, then in my journalism. I hope my work helps people think about how to respond as both politically engaged citizens and consumers to one of the worst human rights violations of the 21st century.

I was living in Xinjiang on 9/11 and got to witness the swiftness with which the state imposed strict regulations that harmed the Uyghur community. For me, this was an indelible lesson in the abuses of power and authority on people who just wanted to work, raise families, and enjoy their lives. Since then I’ve tried to raise awareness, first in my memoir, The Tree That Bleeds, then in my journalism. I hope my work helps people think about how to respond as both politically engaged citizens and consumers to one of the worst human rights violations of the 21st century.