Marcia Naomi Berger's passion is to help people create lasting, fulfilling marriages. An experienced clinical social worker, psychotherapist, and medical school clinical faculty member, Berger has held senior-level positions in child welfare, alcoholism treatment, and psychiatry. She says, "I stayed single for a long time because of my parent's divorce. Now happily married for over thirty-four years, I fill my books with the hard-earned wisdom I've gained professionally and personally."
I found this book engaging and fun to read. It's filled with well-written, informative stories of many women's first dates. Some of the dismal dates remind me of the saying, "You have to kiss a lot of frogs before you find your prince."
Sometimes my mouth would drop open in shock while reading about a miserable first date. Other stories had happy endings. Some couples continued dating and married. Others had successful first dates because the people liked each other but decided then, or after a few dates, that they weren't a good fit for a romantic relationship.
First Date Stories makes for a friendly, optimistic companion to women experiencing the ups and downs of dating. It reassures them that they are not alone, worthy, and likely to succeed in reaching their goal if they persevere. The implication is that every first date is successful because of the learning it…
Ellen meets Jim at a posh restaurant, hoping for an evening of fine wine and better conversation. Maria sets out on a walk with a man she's been looking forward to meeting. In First Date Stories, these women, and others, enter into initial liaisons with well-honed expectations-and come out on the other side with extraordinary tales to tell.
Chances are, every woman in her mid-thirties and over who is seeking a loving companion has a first date tale of triumph or disaster. Each of the candid and memorable stories Jodi Klein shares here imparts a bit of wisdom-with the help…
I work in aviation, so it was natural to write about it when I started as a freelance writer. But I quickly realized that writing about aviation people is much more interesting than writing about airplanes. Because of my military background I found myself writing veterans’ stories. I’ve uncovered many stories that have never been told or have been forgotten over the years. And because I was in the Air Force in the 1980s and 1990s, I knew the events in my new book had never been told. During my research, I found more books with hidden histories and rediscovered some I read decades ago. This list is my favorites.
The Women Airforce Service Pilots (WASP) were more than 1,000 women who ferried aircraft around the U.S. and flew other support missions during World War II.
They were technically civilian government employees, but for all practical purposes were in the U.S. Army and later earned veteran’s status, which is why I include them here.
The military women of my generation in the 1970s and 1980s (especially aviators) stood on the shoulders of what the WASP accomplished.
Quite a few books have been written about the WASP, but this is the best one in my opinion. It’s extremely well researched, highly readable, and does an excellent job of portraying the two main characters, the media-savvy Jacqueline Cochran and her less flashy counterpart Nancy Love.
“With the fate of the free world hanging in the balance, women pilots went aloft to serve their nation. . . . A soaring tale in which, at long last, these daring World War II pilots gain the credit they deserve.”—Liza Mundy, New York Times bestselling author of Code Girls
“A powerful story of reinvention, community and ingenuity born out of global upheaval.”—Newsday
When the Japanese attacked Pearl Harbor in December 1941, Cornelia Fort was already in the air. At twenty-two, Fort had escaped Nashville’s debutante scene for a fresh start as a flight instructor in Hawaii. She and her…
I have created art from an early age. Years later, my studies in civil engineering allowed me to combine my love for the arts with my belief in an orderly world. Meanwhile, reading and writing have always been my favorite pursuits. While collaborating as an editor with other authors, assisting them in their writing endeavors, in 2014, I wrote and published my first book. Sharing my writing on Instagram gave birth to the idea of my first poetry book, something like, published in 2018. Since then, two more poetry collections have been published: A TriAngle in 2019 and something like in reverse in 2020.
Women are misunderstood. I’ve heard it many times, so have you. Fewer things are more frustrating than voicing concerns and not truly being heard. Or trying to express yourself, but not finding the right words.
“HER” is collection of poems that has become an inspiration for many women and a guide for many men. Women are praising this book because EVERY woman can see a reflection of herself and her heart on these pages. Originally written from the perspective of a man trying to help other men get a clue, this short and simple read has become a go-to for…
I’m a British writer but I have lived in Norway for over twenty years. My yearning for history goes back as long as I can remember and I often feel trapped in the wrong time. Writing historical fiction is my way of delving into the past and bringing it back to life. I’ve always been creative and enjoyed arts and crafts and, as well as being a writer, I am also a creativity coach and have my own podcast,The Creatively You Show, which helps writers and artists deal with the emotional challenges of the creative process. My book choices reflect these interests and the broader themes of history and art.
Girl Reading is a highly creative and imaginative book. Superbly written, it takes the reader on a journey through time, and the vehicle for that journey is art. There are seven scenes from seven different time periods, each depicting an artist and a portrait of a girl or woman reading. It is such an original concept and it’s thoroughly absorbing. Given my fascination with history and art, I absolutely devoured it. Girl Readingwent on to play an important role in my own writing life. I was so impressed with it that when it came to sending my own book out to agents, I sent my manuscript to Katie Ward’s agent, who is now my own.
An orphan poses nervously for a Renaissance maestro in medieval Siena, and an artist's servant girl in seventeenth-century Amsterdam snatches a moment away from her work to lose herself in tales of knights and battles. A woman reading in a Shoreditch bar catches the eye of a young man who takes her picture, and a Victorian medium holds a book that she barely acknowledges while she waits for the exposure.
As a professional historian for 40 years, I enjoy books
that transform my understanding of our nation’s past. I also love strong female
characters who are not well known but who contributed powerfully to social and
political change.
Cahill provides a lively and beautifully crafted story of six
women of color who fought for ratification of the Nineteenth Amendment and then
continued their efforts as federal and state governments sought to exclude
women of color from the ballot box after 1920.
Although these Native American, Spanish
American, African American, and Chinese American suffragists embraced common
goals, they employed distinct arguments and strategies. Their complex
relationships are revealed here by placing them in conversation not only with
white suffragists but also with each other.
We think we know the story of women's suffrage in the United States: women met at Seneca Falls, marched in Washington, D.C., and demanded the vote until they won it with the ratification of the Nineteenth Amendment. But the fight for women's voting rights extended far beyond these familiar scenes. From social clubs in New York's Chinatown to conferences for Native American rights, and in African American newspapers and pamphlets demanding equality for Spanish-speaking New Mexicans, a diverse cadre of extraordinary women struggled to build a movement that would truly include all women, regardless of race or national origin. In…
As a feminist writer, I first gravitated to light female-driven stories in college as a break from the heavy academic tomes I was reading. I tore through the chick lit section of my local bookstores and realized that there was so much more to the genre than I knew or had heard it given credit for. They explored relatable themes— friendship, injustice, love, loss, sex—while being unapologetically feminine and light. For my own writing, I still read a lot of heavy nonfiction about injustice and smashing the patriarchy, but I keep the lightness by blending the heavy stuff with humor—this genre’s specialty.
I came across this book in the research stage of writing my new novel and from the very beginning I was hooked. I love a good fairytale, in this case Rapunzel, retold as feminist historical fiction. The characters are deliciously multi-faceted, the alternating storylines deftly woven together, and I felt like I was being doled out insights into where we are now as women through the lens of where we’ve been before. Engaging and enlightening. After reading it I felt inspired to read more of her work, write more of my own, and empower as many women as possible.
A Library Journal Best Book of 2014: Historical Fiction
The amazing power and truth of the Rapunzel fairy tale comes alive for the first time in this breathtaking tale of desire, black magic and the redemptive power of love
French novelist Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful…
I am a historian with a doctorate and years of experience in diplomatic history. While researching a foreign minister’s policy decisions, I stumbled across his wife’s diaries. Later, I went back to read them. What started as sheer curiosity turned into a mission when I realised how vital diplomats’ wives were to the functioning of twentieth-century diplomacy. Yet I had spent years in the field without reading about the influence of gender. I wrote a book to bridge the gap and challenge the idea that diplomatic history can disregard gender if its focus is political. The books on my list show how everyday gendered practices are connected to political power.
Before I read Women and States, I was familiar with the concept of like-minded states and aware that similar or different normative values could complicate or facilitate the cooperation between states.
Yet, I had never considered those norms in terms of international status. Political scientist Ann Towns convincingly argues that, like any society, international society is social. To arrange relations, whether familial, local, or global, norms are used to compare and rank.
Contrary to a society built on shared values, though, international society incorporates parallel and conflicting values in an inherently unequal system, making for the coupling of norms to international status.
I love how Towns uses this simple and elegant observation to connect the political emancipation of women in different national contexts to (changing) hierarchical norms between states. Identifying links like these between local and so-called big politics is vital for better understanding international power relations.
Momentous changes in the relation between women and the state have advanced women's status around the globe. Women were barred from public affairs a century ago, yet almost every state now recognizes equal voting rights and exhibits a national policy bureau for the advancement of women. Sex quotas for national legislatures are increasingly common. Ann E. Towns explains these changes by providing a novel account of how norms work in international society. She argues that norms don't just provide standards for states, they rank them, providing comparative judgments which place states in hierarchical social orders. This focus on the link…
My passion for 19th-century French art, literature, and social history was enkindled in academia, but when my doctoral research uncovered the remarkable story of a forgotten 19th-century courtesan, I set out on a career in biography. During the 19th century, the ‘woman question’ was marked by both radical change and fierce dispute. Based on careful research, my writing seeks to lift this history out of the dusty annals of academia and bring its characters and events vividly to life for the 21st-century reader. My books introduce real women, piecing their stories back together in intimate detail so that readers can really share their successes and frustrations.
Every biographer needs a reliable social history, an authority that distils the essential, orders the chronology, and acts as a framework on which to pin all those facts. In his assured style, James F. McMillan artfully weaves the myriad strands of history into a seamless and engaging narrative. From prostitutes to housewives and from workers to salonières, the author spans the whole social spectrum to pinpoint not just what French women did, but why, and crucially, how their actions were received. The scrupulous research, swift pace, and crisp style make this comprehensive study a bible to anyone interested in the history of French women during the long 19th century.
France and Women, 1789-1914 is the first book to offer an authoritative account of women's history throughout the nineteenth century. James McMillan, author of the seminal work Housewife or Harlot, offers a major reinterpretation of the French past in relation to gender throughout these tumultuous decades of revolution and war. This book provides a challenging discussion of the factors which made French political culture so profoundly sexist and in particular, it shows that many of the myths about progress and emancipation associated with modernisation and the coming of mass politics do not stand up to close scrutiny. It also reveals…
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
As a teenager, Sophie leaves behind all that she knows in Haiti to be reunited with her mother. In New York, she falls for a man closer in age to her mother than herself. Her mother rages against him, or any man deemed unsuitable. Desire to guard Sophie's purity drives a wedge between them. The patriarchy of Haiti has lingering effects, resulting in maternal protection that resembles cruelty. Sophie tries to make a marriage work out in different ways and for different reasons than the women (mother, aunt, grandmother) who raised her and formed her ideas of womanhood. Stories of family often center on the differing priorities and expectations of different generations. This aspect of the gracefully written Breath, Eyes, Memory is what drew me in and kept me hooked.
At the age of twelve, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti--to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence, in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.
A Southern California-based author and screenwriter whose adventures in and around the film business have led to hundreds of feature stories for such magazines as Vibe, Playboy, Entertainment Weekly, American Film, Smithsonian, and Movieline. My books include three dedicated to Disney animated classics and a volume on the art of American movie posters. The lovingly satirical book Bad Movies We Love, co-written with Edward Margulies, inspired a Turner Network movie marathon series. My next non-fiction book will be published in 2024.
Newbie novelist Jacqueline Susann created an iconic all-time bestseller with her tale of three young glamazons who vault to the show business heights, only to tumble into a pit of addictions, poor choices in men, and delightfully overripe dialogue. Susann made her sweeping, sexy soap opera shenanigans even more irresistible by patterning her characters on such 20th-century headline-makers as Marilyn Monroe, Judy Garland, Grace Kelly, Ethel Merman, and the Kennedys. Said publicity-savvy Susann, “They can keep calling it that ‘roman à clef'. It’ll only make my books sell.” They did. It did. Although the sanitized and critically bashed 1967 movie version toned down the à clef elements, it became a box-office smash that has gone on to become enshrined as a kitsch classic.
Before Jackie Collins, Candace Bushnell and Lena Dunham, Jacqueline Susann held the world rapt with her tales of the private passions of Hollywood starlets, high-powered industrialists and the jet-set.
Valley of the Dolls took the world by storm when it was first published, fifty years ago. Never had a book been so frank about sex, drugs and show business. It is often sited as the bestselling novel of all time.
Dolls - red or black; capsules or tablets; washed down with vodka or swallowed straight. For Anne, Neely and Jennifer, it doesn't matter, as long as the pill bottle is…
