When writing about the everyday challenges that women face within the workplace, I aim to express the events that occur before, during, and after the experience. Unpopular belief, life doesn’t go back to normal for most of us, as getting back to normal from any traumatic experience will leave you shielded. I found my voice through writing about my passion for enabling female empowerment. My path as a woman in leadership came from understanding the lack of consistent supportive resources, encouragement, and validation, amongst women in the workplace. Through my writing, I aim to creatively empower and encourage my readers to find their voice.
This book empowered me during one of the most defining phases of my career in technology. Minda Harts' strategic blueprint on maneuvering the workplace as a woman of color provides guided insightthat enables and prepares cognizance of professional politics.The Memo is by far the greatest playbook guiding women on the foundation within their professional atmosphere while navigating through their careers.
The Memo is the much-needed career advice guide for women of colour specifically, finally ending the one-size-fits-all approach of business books that lump together women across races and overlook the unique barriers to success for women of colour.
In a charismatic and relatable voice, Minda Harts brings her entrepreneurial experience as CEO of The Memo to the page, as well as her past career life as a fundraising consultant to top colleges across the country. With wit and candour, Harts begins by acknowledging the "ugly truths" that keep women of colour from getting the proverbial seat at the table in…
As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
This is hands down the best book on transnational feminism that I’ve ever read!
I have recommended this book to so many people that I’m planning on hosting a book club. Zakaria opens the book with her own experience attending a happy hour with a group of white women that ends on a particularly awkward note.
Zakaria is not only challenging white feminists, but she is also calling out all people who subscribe to white feminism and how it does more harm than good. What is white feminism you ask? Pick up this book and let Zakaria tell you.
Upper-middle-class white women have long been heralded as "experts" on feminism. They have presided over multinational feminist organizations and written much of what we consider the feminist canon, espousing sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity, all while branding the language of the movement itself in whiteness and speaking over Black and Brown women in an effort to uphold privilege and perceived cultural superiority. An American Muslim woman, attorney, and political philosopher, Rafia Zakaria champions a reconstruction of feminism in Against White Feminism, centering women of color in this transformative overview and counter-manifesto to white feminism's global, long-standing…
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
Schuller’s book critiques the elitist and racist views of well-known white feminists from Elizabeth Cady Stanton to Sheryl Sandberg and highlights a counter-politics created by women of color and poor and trans women. The author explores as well white feminists who embraced the latter’s intersectional vision. Each chapter examines two contemporary feminists. I found the comparisons of Elizabeth Cady Stanton and Frances E. W. Harper, Pauli Murray and Betty Friedan, and Harriet Beecher Stowe and Harriet Jacobs especially powerful. (The author’s discussion of Jacobs draws on letters she wrote to her friend and ally, Amy Post.) Schuller presents a powerful critique of one version of white feminism and an equally powerful vision of a racially-inclusive intersectional feminism.
An incisive history of self-serving white feminists and the inspiring women who’ve continually defied them
Women including Elizabeth Cady Stanton, Margaret Sanger, and Sheryl Sandberg are commonly celebrated as leaders of feminism. Yet they have fought for the few, not the many. As award-winning scholar Kyla Schuller argues, their white feminist politics dispossess the most marginalized to liberate themselves.
In The Trouble with White Women, Schuller brings to life the two-hundred-year counter history of Black, Indigenous, Latina, poor, queer, and trans women pushing back against white feminists and uniting to dismantle systemic injustice. These feminist heroes such as Frances Harper,…
Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
Cacicaswere women who held high status, positions of political authority, and/or communally-significant economic or other responsibilities in colonial Spanish American native societies.
This book offers compelling portraits of how colonial women strategized to maneuver around patriarchal limitations of Spanish law, especially because they could not hold formal offices in the colonial governing hierarchy (though sometimes they actually did).
The individually-authored essays in this collection provide insightful portraits of individual women in a variety of circumstances across a wide range of geographic locations and types of communities across the Caribbean, Mesoamerica, and Central and South American societies.
The reader will feel she or he learns something about these women as people defending themselves, their families, and peoples.
The term cacica was a Spanish linguistic invention, a female counterpart to caciques, the Arawak word for male indigenous leaders in Spanish America. But the term's meaning was adapted and manipulated by natives, creating a new social stratum where it previously may not have existed. This book explores that transformation, a conscious construction and reshaping of identity from within.
Cacicas feature far and wide in the history of Spanish America, as female governors and tribute collectors and as relatives of ruling caciques - or their destitute widows. They played a crucial role in the establishment and success of Spanish rule,…
I'm intrigued by boundaries and the relationships between different ideologies, or isms. In 1992, I joined the European Project at The Van Leer Jerusalem Institute. This was a fascinating group of people from Israel, Palestine, and Germany who studied the connections between Europe and the Middle East. Then I opened a new field of studies that continues to engage me: multiculturalism. In my books and articles (most recent:The Republic, Secularism and Security: France versus the Burqa and the Niqab), I examine the extent to which democracy may interfere in the cultural affairs of minorities within democracy, how to find a balance between individual rights and group rights, and whether liberalism and multiculturalism are reconcilable.
This is an excellent collection of essays. Susan Moller Okin and some other world's leading thinkers discuss the tensions between feminism and multiculturalism. This book served for me as a point of departure when I wrote my book. One of the major criticisms of multiculturalism is that it is bad for women. I examined whether this is necessarilythe case, and whether it is possible to resolve the tensions between group rights and individual rights.Is Multiculturalism Bad for Women? raises serious concerns as many cultural rites are, indeed, harmful to women. They include polygamy, forced marriage, female genital mutilation, punishing women for being raped, differential access for men and women to health care and education, unequal rights of ownership, assembly, as well as political participation, and unequal vulnerability to violence. While as liberals we want to respect the customs of minority cultures, we also do not wish to…
Polygamy, forced marriage, female genital mutilation, punishing women for being raped, differential access for men and women to health care and education, unequal rights of ownership, assembly, and political participation, unequal vulnerability to violence. These practices and conditions are standard in some parts of the world. Do demands for multiculturalism--and certain minority group rights in particular--make them more likely to continue and to spread to liberal democracies? Are there fundamental conflicts between our commitment to gender equity and our increasing desire to respect the customs of minority cultures or religions? In this book, the eminent feminist Susan Moller Okin and…
As an author, editor, and woman of color, I celebrate stories that reflect a diversity of voices. Good storytelling allows us to catch a glimpse into lives that may be similar or different from ours, that champion what makes us unique while reminding us that we are not alone.
Originally published in 2002, Colonize This! brings together the voices of young women of color writing about their experiences of race and gender in America. The 2019 edition features essays by a new generation of feminists of color writing on issues such as police violence, transgender rights, and immigration. These fresh voices are intermixed with essays from the original 2002 publication, creating a poignant feminist dialogue.
It has been decades since women of color first turned feminism upside down, exposing the feminist movement as exclusive, white, and unaware of the concerns and issues of women of color from around the globe. Since then, key social movements have risen, including Black Lives Matter, transgender rights, and the activism of young undocumented students. Social media has also changed how feminism reaches young women of color, generating connections in all corners of the country. And yet we remain a country divided by race and gender.
Now, a new generation of outspoken women of color offer a much-needed fresh dimension…
As an author, editor, and woman of color, I celebrate stories that reflect a diversity of voices. Good storytelling allows us to catch a glimpse into lives that may be similar or different from ours, that champion what makes us unique while reminding us that we are not alone.
In the preface to the fourth edition of This Bridge Called My Back, editor Cherrie Moraga writes that the anthology was created with a “hope for revolutionary solidarity.” This groundbreaking collection of essays, poems and artwork remains a moving testimony of the experiences of women of color in America.
I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about women’s roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
This hefty tome is a comprehensive and valuable collection of articles about women who were bound by race and class, and who also defied the expectations of these categories. Native American, Latinx, Asian, and Black women fill this fascinating volume, with stories that span colonial New Mexico to modern-day Hollywood. If you need a reference work on women of color, this book is not only your starting point, but it also has an extensive bibliography for further reading.
A valuable introduction to the rapidly changing field of western history, Writing the Range explains clearly how race, class, and culture are constructed and connected. The first section examines issues raised by more than a decade of multicultural western women's histories; following are six chronological sections spanning four centuries. Each section offers a short introduction connecting its essays and placing them in analytic and historical perspective. Clearly written and accessible, Writing the Range makes a major contribution to ethnic history, women's history, and interpretations of the American West.
This book positions
itself as an authoritative and guide and is filled with practical tools,
strategies, and advice, delivered in a coaching and mentorship style.
Designed
for training and mentoring sessions, it offers a refreshing perspective on
female leadership. The author provides empowering tips to boost women's
self-esteem and unleash their creativity. The writing is energising. Central to
its guidance is the assertion: "If you don't promote yourself, no one else
will" – a potentially tough but genuine truth.
Advance your career with this insightful playbook for underrepresented women
In Prep, Push, Pivot, award-winning career coach and author Octavia Goredema delivers an indispensable career coaching guide for women looking for a new job, dealing with job loss, pivoting to a new career, or returning to the workforce after an extended absence.
You'll discover practical strategies you can implement at crucial times during your career, ensuring your considerable talents and skills are used to their full potential. In this important book, you'll:
Discover your true worth, cement your career values, and carve out a realistic and aspirational career plan
Learn…
As an author, editor, and woman of color, I celebrate stories that reflect a diversity of voices. Good storytelling allows us to catch a glimpse into lives that may be similar or different from ours, that champion what makes us unique while reminding us that we are not alone.
Edited by former Poet Laureate Joy Harjo, this poetry
collection does not exclusively feature women, but we all need more poetry in
our lives. This expansive collection of native voices spans from 17th
century to the 20th, and is the most historically comprehensive collection
of native poetry to date. When the Light of the World Was Subdued should
be recommended reading everywhere.
United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into one momentous volume. This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries.
Opening with a blessing from Pulitzer Prize winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organised sections. Each section begins with a poem from the massive libraries of oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake…
