The most recommended watercolor painting books

In a story as mournful as a country song, a homeless big black dog resolves to lie down and never get up again. But he does find happiness, although it takes several tries. Themes of disappointment, loneliness, sorrow, yearning, and love are interwoven in the poetic text. As a bonus, Orville gleans people’s dearest wishes just by sniffing them. Watercolor and ink illustrations illuminate this poignant and powerful bond between a dog and his person.

The Secret World of Walter Anderson is one of my favorite picture book biographies. From the first lyrical lines, Bass draws the reader into another time and place where a solitary Mississippi artist climbs into his leaky skiff and sails off to an uninhabited island to paint the world around him. The watercolor illustrations are so wonderful, the reader will hear the crash of the waves, feel the warm sun on their shoulders, and breathe in the salty air right along with the illusive artist. It’s a brilliant story about a man who “may be the most famous American artist you’ve never heard of.”

What I found most enjoyable about If I Were a Bear is that it uses a rhyming text to share simple facts about various Alaskan bears. It’s a lovely combination of lyrical writing and nonfiction, with soft watercolor illustrations by Erik Brooks. Young children love hearing rhyming texts (their brains actually need rhythm and patterns for healthy development!), so whenever I find a book with well-written rhyme that conveys factual information, it’s a winner in my book!

Walter Langley was a 19th C English artist who specialized in watercolor paintings. His journey began in the Industrial city of Birmingham UK where he developed great skill and mastery of watercolor. His career took off when he moved to the Cornwall fishing village of Newlyn. There he found the subjects and characters that would feature in his work and with which he would make his name. He was elected to the prestigious RI in London. 

This book is a biographical in-depth study of his life and work featuring numerous full-color plates. The incredible skill sets in the paintings he made show that watercolor as a medium, used with passion and care, deserves total respect. In the hands of a true master any subject can be rendered in a convincing and moving manner.

This is pretty much a perfect (or should I say purr-fect?) picture book. It is a collection of 13 charming short poems, each one about a different cat, accompanied by wonderful watercolor paintings. The cats—ranging from “Sylvie the Boss” to “Romeo”—put on a good show of being independent from their humans, but the reader quickly learns otherwise. My favorite poem is about “Henry” who sleeps blissfully on his human’s wedding dress, “…the white silk gathered like a cloud/Around me.” Like the best poems, what is unsaid is just as important as what is said. Here, it is left up to the reader to imagine how the wedding dress’s owner feels upon discovering Henry’s new favorite sleeping place! Readers and cat-lovers of all ages will adore this book. 

Let me start by saying that Peter Sís is a genius and his books are like no one else’s. This story about Antoine Saint-Exupéry, the author of the beloved classic, The Little Prince, is original in every possible way. Maps and mountains are transformed into creatures smiling at each other. In a scene describing the German invasion of France in 1940, his careful tiny crosshatching gives way to loose watercolor, red paint that spreads across the page like fire or blood. At the end, where Saint-Exupéry dreams of the Little Prince, is a stunning double-page spread with no words, just an expanse of blue with prince-like golden stars on the far horizon. The book is sheer perfection.

An incredibly haunting book. At first glance it looks like a fairy tale for children but after only a few pages in you realise it is quite a sinister tale and something much darker altogether. It is a very brave book I think and I’m not really sure how to categorize it other than it being very, very dark indeed.

Spinsters Abroad set out to celebrate Victorian women traveller such as Mary Kingsley, Amelia Edwards, and Isabella Bird. However, Birkett quickly discovered that these women were not straightforward role models. Yes, they travelled Africa, the Middle East, and Asia, braving hardship, and making all kinds of discoveries along the way. But it turns out, they managed that because their whiteness trumped their gender. Spinsters Abroad reveals the complexity of these women’s travels, and their lives and worlds. It reflects on their motivations for travel, as well as how Victorians conceived gender and race. The book is also jam-packed with anecdotes. Here is Edwards complaining about flies interrupting her watercolour painting of Egyptian ruins: ‘Nothing disagrees with them; nothing poisons them - not even olive-green’.

Growing up, I was enchanted by Jill Barklem’s detailed watercolour illustrations of this miniature world of mice. The cosy, fire-lit interiors—crammed with furniture, food and flora—are so intricately drawn as to give you the feeling you could walk through them.

Barklem also makes liberal use of one of my favourite devices for visual exploration: the cutaway. It’s used to excellent effect here as the mice carve out even more real estate under the snow, namely an Ice Hall for their winter ball.

These illustrations instilled in me a love of detailed artwork, and faithful rendering of a three-dimensional environment, that persists to this day in my own style.

Nothing will create an impact on my life's work as the original transformation scene from Sailor Moon. This scene inspired me to pursue my fashion schooling, and the pages of this art book are pure inspiration. Watching traditionally drawn dresses and beautiful characters always motivated me to push my creative boundaries and strive for perfection. Revisiting the ways of creating magical light effects and textures by using only watercolors and ink is crucial for any artist, especially one wanting to connect with manga.