I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This is now a well-recognised and established intervention in the ongoing debate about the status and function of violence of life in society.
Simmel makes particularly telling points in his discussion of the ways in which group identities may be forged and maintained through violent action and the costs that may be incurred by resisting such social practices.
I’m a Black man born in Jim Crow America to domestic servants so challenged by their circumstances that they had to place me in a kind of orphanage because they weren’t given permission to raise me in their employer’s home. I’ve known poverty, violence, racism, and law enforcement changing the rules to single me out. But I have also known the rarified success of Wall Street, my own thriving law practice, entertainment industry deals, and, of course, the privilege of a lifetime working side-by-side with Dr. Martin Luther King Jr. Therefore, I understand both the promise of the American Dream and the cruelty with which it’s mostly (and purposely) withheld from her citizens of color.
There is something in the structure of this true story that aligns with my fundamental understanding of life as a Black American man.
Education saved me, plain and simple. Education is the answer out of the ghetto, out of street life, out of poverty. Two Black boys named Wes Moore grow up on the same streets, get into the same kind of trouble early, and start a friendship as adults – one is a governor-elect of his home state, the other serving life without parole.
Their names appeared in the newspaper on the same day: for one, the announcement of a Rhodes Scholarship win; for the other, a manhunt in a botched robbery. Little difference between the men, but a lot in terms of where they put their focus.
NEW YORK TIMES BESTSELLER • The “compassionate” (People), “startling” (Baltimore Sun), “moving” (Chicago Tribune) true story of two kids with the same name from the city: One went on to be a Rhodes Scholar, decorated combat veteran, White House Fellow, and business leader. The other is serving a life sentence in prison.
In development as a feature film executive produced by Stephen Curry, who selected the book as his “Underrated” Book Club Pick with Literati
The chilling truth is that his story could have been mine. The tragedy is that my story could have been his.
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
A Dowry of Blood is an homage to Dracula’s brides, written entirely in epistolary format by his first bride, Constanta. It starts in the middle ages and spans several centuries as Dracula (ever nameless in this book) collects two more brides besides Constanta, creating an MFFM polycule.
It’s a repudiation of abusive romantic relationships, and to that end it’s deeply satisfying. A Dowry of Bloodis a standalone gothic horror, with an all-bisexual cast of vampires.
S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta.
This is my last love letter to you, though some would call it a confession. . .
Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.
Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark…
I’ve always been an outsider and empathized with people on the fringe. Being a first-generation-born Chicano gave me a different experience of growing up in the US that permanently shifted my perspective. I felt most comfortable around other creatives and intellectuals whose views were subversive. So, naturally, I began focusing on characters at the bottom of the social ladder. My writing style, “Gutter Surrealism,” combines elements of hard street culture with the supernatural to portray a viewpoint most readers have never considered.
An ex-nuclear researcher takes his mentally handicapped son out of school because he fails to convince the teachers and parents that the children should be trained in combat for when society inevitably decides to kill all handicapped children in Japan. So, naturally, they set off on a divine mission concerning warring student political factions, an atomic bomb, terrorism, and a shadowy mastermind named Big Shot. Their adventure is absolutely absurd, a demented dark comedy. Yet Ōe uses his profound ability to write with dire seriousness, which results in a mind-bending story.
I have been researching and writing about the era of the American Civil War for something over half a century. My passion for the subject remains strong today, having just published my seventh book. Given the seemingly endless amounts of material from soldiers and civilians alike, I have enjoyed deeply researching neglected subjects and writing about them in a way that appeals to both historians and general readers. For me the Civil War never grows stale, there are always little-used sources to research and fresh ideas to consider. The American Civil is omnipresent in my life—not excluding weekends and holidays!
From its wonderfully apropos title to its cautionary final paragraph, The Calculus of Violence is a deeply thoughtful and original analysis of who was killed and did the killing in the American Civil War—and why.
Aaron Sheehan-Dean argues that a very bloody civil war could have been much bloodier. The book is powerful but never preachy because complex human beings with complex beliefs and motivations are always at the forefront. This superb work forces readers to rethink many supposedly settled questions about the American Civil War.
Winner of the Jefferson Davis Award Winner of the Johns Family Book Award Winner of the Army Historical Foundation Distinguished Writing Award
"A work of deep intellectual seriousness, sweeping and yet also delicately measured, this book promises to resolve longstanding debates about the nature of the Civil War." -Gregory P. Downs, author of After Appomattox
Shiloh, Chancellorsville, Gettysburg-tens of thousands of soldiers died on these iconic Civil War battlefields, and throughout the South civilians suffered terrible cruelty. At least three-quarters of a million lives were lost during the American Civil War. Given its seemingly indiscriminate mass destruction, this conflict is…
As an equipment operator for the Army Corps of Engineers, I didn’t serve in a “combat” role, per se, but the engineers go wherever the military needs things built, so we were often repairing IED damage, hauling supplies outside the wire, or fortifying bases so the infantry, cavalry, etc. could do their job effectively. Coming home, I owe a lot of my successful reintegration to my writing and the many people who encouraged me to share it with the world. Now with my Master of Arts in English, I’ve taught college courses on military culture, and I present for veteran art groups, writing workshops, and high schools and colleges around the country.
As a young psychologist during the Vietnam War, Edward Tick served his country not by enlisting himself but through tireless efforts to help those who returned from war traumatized. This was the first book that helped me understand that posttraumatic stress is not just some “disorder” that I’d suffer from forever. Rather, it is simply the human mind’s normal—probably unavoidable—response to combat, and, Tick argues, there is also such a thing as posttraumatic growth. He examines how ancient and modern societies train their warrior classes, noting that the ritualistic civilian-to-soldier process (we’d call it “boot camp” or “basic training”) often lacks a necessary counterpart today: that is, a formal soldier-to-civilian process, and this only compounds the issues of PTSD and the American military-civilian divide.
War and PTSD are on the public's mind as news stories regularly describe insurgency attacks in Iraq and paint grim portraits of the lives of returning soldiers afflicted with PTSD. These vets have recurrent nightmares and problems with intimacy, can’t sustain jobs or relationships, and won’t leave home, imagining “the enemy” is everywhere. Dr. Edward Tick has spent decades developing healing techniques so effective that clinicians, clergy, spiritual leaders, and veterans’ organizations all over the country are studying them. This book, presented here in an audio version, shows that healing depends on our understanding of PTSD not as a mere…
I'm an avid reader, lover of history, and newly-published author of The Real History of Thanksgiving (with more projects in the works!). I'm a mother of two and come from a large family at Gaa-waabigaanikaag, White Earth Reservation. I'm enrolled citizen of the White Earth Band of Ojibwe. I'm also an Oneida descendent with Irish, French, and Black ancestry. Much of my journey as a writer has been exploring the threads of our humanity and histories. It's powerful to think that we are still here, through time, distance, love, pain, and survival. There is immense beauty in being human and being Indigenous, and these books have been a source of connection and learning in my journey.
I randomly found The Break in a bookstore and was drawn in by the cover, which features a light-skinned Indigenous woman wearing a black dress covered in florals. It immediately reminded me of a ceremonial dress that was taken from White Earth long ago and now sits in a museum in Washington DC.
There is grief in the many removals and losses Indigenous people have endured through the years, and real human consequences that echo down the generations. But I feel fuller and wiser when I get to explore this through other’s perspectives.
There are many characters to keep track of in this book, but it is gratifying to get lost in their journeys, gleaning insights and teachings from their stories.
Longlisted for the Dublin Literary Award 2018 Crime Book of the Month, Sunday Times, February 2018
'I loved this... very tough and very real.' - Margaret Atwood
When Stella, a young mother in an Indigenous community, looks out her window one wintry evening and spots someone being attacked on the Break - a barren field on an isolated strip of land outside her house - she calls the police. By the time help arrives, all that is left of the struggle is blood on the snow. As the search for the victim intensifies, people…
I spent many a night growing up glued to the television, watching Ken Burns’ Civil War. But as I got older, I found my interests stretching beyond the battles and melancholic music on the screen. I decided to become a historian of abolitionism–the radical reform movement that fought to end the evils of slavery and racial prejudice. Through my research, I seek to explain the substantial influence of the abolitionist movement as well as its significant limitations. I received my Ph.D. from the University of Virginia in 2017, and have since held positions at such institutions as The New School, the University of Bonn, and the Massachusetts Historical Society.
This book demonstrates a point that I always try to make to students: the antislavery movement was much more than mass meetings and heroic escapes along the Underground Railroad.
It was far more complex–and, at times, far more violent. Many Black activists in the years before the Civil War turned to the tactics of violence to try and shake a complacent nation into action. They did so in desperation, and only with much anguish–and much controversy.
Jackson's book gets deep into the weeds of how the struggle for antislavery progress actually worked.
From its origins in the 1750s, the white-led American abolitionist movement adhered to principles of "moral suasion" and nonviolent resistance as both religious tenet and political strategy. But by the 1850s, the population of enslaved Americans had increased exponentially, and such legislative efforts as the Fugitive Slave Act and the Supreme Court's 1857 ruling in the Dred Scott case effectively voided any rights black Americans held as enslaved or free people. As conditions deteriorated for African Americans, black abolitionist leaders embraced violence as the only means of shocking Northerners out of their apathy and instigating an antislavery war.
In Force…
I was born just before the start of World War ll. My father served throughout the war in the RAF but before that he had been a professional singer. I was interested in the idea that the war had sent people along paths that they would never have otherwise explored and I decided to write about four young performing artists and their wartime experiences. The result was the four novels in my Follies series. It meant a lot of research, in the process of which I discovered the work of the Special Operations Executive. This has provided me with material for several more novels, of which Operation Lightning Bolt is the most recent.
This is the book that first sparked my enduring fascination with the women who were recruited into the Special Operations Executive in World War ll. Binney draws vivid pictures of the women from many different backgrounds who volunteered for this dangerous work. He made me realise that this was no romantic adventure but an existence where danger lurked round every corner, very often with tragic results. Although entirely factual in content, it reads like a novel. Inspiring and chilling at the same time.
"They flirted with men, and with death." In The Women Who Lived for Danger, acclaimed historian Marcus Binney recounts the story of ten remarkable women -- some famous, some virtually unknown -- recruited to work behind enemy lines as secret agents during WWII. Part of Winston Churchill's Special Operations Executive, formed in 1940 to "set Europe ablaze," the women of the SOE were trained to handle guns and explosives, work undercover, endure interrogation by the Gestapo, and use complex codes. Once in enemy territory, theirs was the most dangerous war of all, leading an apparently normal civilian life but in…
Claudia Keenan is a historian of education whose interest in American culture was awakened during her doctoral studies, when she researched the lives of mid-twentieth-century educators. Growing up in Mount Vernon, N.Y., she developed a strong affinity with place and time among the beautiful old homes and avenues lined with elms, set against a backdrop of racial strife and ethnic politics. She continues to reconstruct and interpret American lives on her blog, and has recently finished a book about Henry Collins Brown, founder of the Museum of the City of New York. Claudia received a BA from the University of Chicago and a PhD from New York University.
This unlikely thriller of a book explores a seemingly bland subject: the network of interstate highways built by the Federal Government after World War II. In fact, these highways transformed American culture, not only spelling the demise of many country roads and small towns but replacing the friendly hitchhiker with the terrifying “killer on the road.” Further, the highways led to the creation of rest stops and shadowy neighborhoods that came to harbor predators, while the interstates aided the criminals’ flight. Killer on the Roadkeeps you on the edge of your seat, unfolding into horror, mystery, and victimization.
Starting in the 1950s, Americans eagerly built the planet's largest public work: the 42,795-mile National System of Interstate and Defense Highways. Before the concrete was dry on the new roads, however, a specter began haunting them-the highway killer. He went by many names: the "Hitcher," the "Freeway Killer," the "Killer on the Road," the "I-5 Strangler," and the "Beltway Sniper." Some of these criminals were imagined, but many were real. The nation's murder rate shot up as its expressways were built. America became more violent and more mobile at the same time.
