The most recommended Viking books

Sadly this book is now out of print, but hopefully, Snorri will create an updated and expanded edition in the near future. This book is a look at the Sagas of Icelanders, and particularly the combat in the sagas, from the perspective of a slaughterhouse worker, a perspective that only a butcher would have. In researching Vikings and their combat, one must intently look for experts who often are far outside one’s own field of expertise. Snorri’s book shows the benefits of an approach from a different perspective.

Judith Jesch is Professor of Viking Studies at the University of Nottingham and whilst she is primarily a specialist in early medieval literature she has a rare inter-disciplinary command of historical and archaeological sources. In this sweeping review of the Viking World she provides an authoritative overview of the Scandinavians at home and their migrations overseas, with a particular focus on gender and the family, and cults, beliefs and myths. By using the concept of diaspora, she focuses on the ways in which migrants maintained their sense of cultural identity with the Scandinavian homelands and other areas of Scandinavian migration. The interconnectedness of the Viking world is at the heart of this book, and language is seen as key to the maintenance of the Viking diaspora, reinforced by texts and material culture.

Cornwell’s storytelling is tight and engaging. The characters of Arthur, Guinevere, Lancelot, and Merlin are portrayed as real people with flaws and true arcs. 

The settings range from Gaul to all parts of ancient Britain. The twists on the traditional Arthur myths and the disregard shown to others helped to keep this more historical retelling of those familiar stories fresh and unpredictable. 

This novel is immersive and creates a vibrant, exciting, and dangerous world in which the characters are with and against one another.

This is a pretty dense scholarly work, but that very density makes it a cornucopia for anyone interested in how a specific historical culture regarded magic.

I appreciated that while academic, Price is never boring or needlessly obscure; he does a very good job of not only explaining the historical record but also the best guess at how it can be interpreted.

Not only did it teach me a great deal about the Vikings, but it also taught me other strategies and ways of thinking about other cultures’ magical practices, and for a fantasy writer, that’s pure gold.

While written in a similar vein as The Last Kingdom, Kristian has a knack for making his writing come to life in a very Anglo-Saxon epic poem kind of way. In this novel, we follow an orphan of sorts, Raven, as he joins a rapacious band of Norsemen embarking on a violent quest. Kristian is a relative newcomer compared to the others on this list, but he does not disappoint and will take the reader on a grand adventure.

I've read Anglo-Saxon history. I've read Viking Age history. But this is the first book I've read that combined them together to make a clear picture of the forces that drove these two people against each other.

This book covers the alliances, battles, and the people who were constantly shifting from one person's orbit to another. Although its main focus was England, the book also provides a view of the conflicts going on in Norway and Denmark, to give a holistic view of Northern Europe and what happened when huge armies of Danes and Norwegians came to England, leaving a power vacuum behind them in the north.

This new book is the best one-volume history of the Vikings and the Viking Age available. It sometimes reads like a thrilling novel, taking the reader deep into this mysterious and often misunderstood world.

Price explodes many misconceptions about the Viking Age and the people who lived in it while presenting fantastic new information in the fields of archeology, history, and literature to give us a clearer picture of the time.

It’s an absolute must-read for anyone interested in Norse history, spirituality, and culture and was invaluable background reading for my book.  

This is my favorite of McCullough’s Masters of Rome series. Though fictional, they are impeccably researched, rendering the collapse of the Republic in truly astonishing detail. McCullough manages to render the twists and turns of Roman politics in a way that a reader can not only follow them, but understand why they mattered so much. You’ll feel as though you are right there in the Forum or the dining-room with Caesar, Antony, Pompey, Servilia, Fulvia, and the rest. McCullough’s vivid prose drives home that these were real people, living real lives, with the same petty concerns and daily frustrations as all of us, even when they were also shaping the fates of nations.

This was another one of my favourites for learning about the Norse gods and the Norse religion. I found the information about the different gods, where their names came from, and how they were worshipped invaluable, as well as the detailed information about the different worlds the Vikings believed in and those who lived on those worlds.

This book was great for learning about how the Scandinavian people viewed their religion and how it affected their lives and their views on magic and the cosmos. I found it useful to learn about their afterlife and how the Vikings viewed it. It’s another book I regularly revisit when writing my novels.

If you are interested in early England’s history you would have heard of Alfred the Great – but what of his children, especially his daughter, Æthelflæd, who became The Lady of Mercia, almost, our first English Queen? Set between the years AD 874 and AD 918, Ms. Whitehead’s research about this turbulent period of Viking invasion, and of Æthelflæd's life, is impeccable. All the characters are believable and the writing itself is beautiful. The author handles the politics, the personal feelings, and the warfare with skillful competence. What is so enthralling about this novel is the author's dextrous ability to blend the facts (those few that are known) with her imagined ‘made-up’ scenes and interactions. This is how good historical fiction should be written and how history should be told – as well-crafted, superb storytelling.