We live in a bizarre era of Elon Musk stans who seem certain that if you work hard you’ll be rewarded not only with ‘fuck you’ money, but ‘fuck everyone’ money. I think any writer worth their salt should at some point tackle the issues of their age in their writing. In our era racism, sexism, climate change, and a range of other social justice issues are all exacerbated through the improper distribution of wealth. You could give a man a fish, and he might eat for a day. Or you could eviscerate the rich, share their wealth, and throw the whole world a parade!
McGahan is one of my all-time favourites for numerous reasons. When I was a baby writer just getting started, I was so excited to have McGahan writing about my home city of Brisbane, showing all its scars and burn marks. He has an incredible knack for writing across genres, something that I think more writers should aspire to. In this case he turns his hand to an elegant take on the supernatural thriller. The supernatural elements here are uniquely and beautifully presented. There are no vampires or magic, just nature in a primal and anthropomorphic capacity. Many books are described as ‘man vs nature,’ but that relationship has never been more savagely explored than in this book. It also has the most bittersweet author’s note I’ve ever read. Gets me every time.
In the freezing Antarctic waters south of Tasmania, a mountain was discovered in 1642 by the seafaring explorer Gerrit Jansz. Not just any mountain but one that Jansz estimated was an unbelievable height of twenty-five thousand metres.
In 2016, at the foot of this unearthly mountain, a controversial and ambitious 'dream home', the Observatory, is painstakingly constructed by an eccentric billionaire - the only man to have ever reached the summit.
Rita Gausse, estranged daughter of the architect who designed the Observatory is surprised, upon her father's death, to be invited to the isolated mansion to meet the famously reclusive…
Since I was very young, I’ve had experiences with the paranormal. Whether it be a soft graze along my cheek or a spirit standing in front of me, I’ve always been drawn to things behind the veil. Joining the world of the living with the dead comes natural for me, and reading the genres of paranormal and fantasy is like a cup of hot tea on a chilly winter afternoon.
This book because it drew me in immediately and took hold. I had a love/hate relationship with reading the ending though. I enjoyed it immensely and although I wanted more and I wanted to know the ending, I was bummed when it was finished because I didn’t want to let go of the characters.
At the time I was struggling with the death of my mom and for a while, it took me away and brought me into another world. This book will always hold a special place in my heart.
My whole world changed when I stepped inside the academy. Nothing is right about this place. Or the other students in it. Here I am, a mere mortal among gods.or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me.
And then there's Jaxon Vega. A prince. A vampire. An annoyingly kissable boy who hasn't felt a thing in over a hundred years. But there's a darkness to him. A secret craving that threatens to consume him whole.…
I’ve been a huge fan of vampires, werewolves, elves, fairies, and all sorts of supernatural-themed creatures since I can remember. In addition, I grew up on sci-fi and fantasy movies and novels, which inspired me to pen my first short story at ten years old and send it in for publication. Since then, I’ve enjoyed creating art and writing stories that feature fantastical characters and creatures in extraordinary worlds having adventures. Though I have had two book series and numerous short stories published, I have many more stories and novels in the vault that I can’t wait to share with my readers.
Wow! Talk about meaty and juicy with substance! I bought this book in paperback and it is the definition of a tome! When I first read it, it reminded me of a good gothic literature tale with a dash of the beautiful world-building of Anne Rice’s Interview With the Vampire sprinkled with the language of Gabaldon’s Outlander book. It’s another book that deals with life through the paranormal characters’ lives in a human world which I can never get enough of.
Blood Tears takes place across the centuries throughout the large world wars and other historical events that nicely tie into our real timeline. Every time I cracked open the book to read just a little bit I would find myself entranced in the story and the characters.
A foreign child - taken to live under Azrar's protection as his ward. But what strange ability does this girl possess, that so terrified her own people it led them to abandon her in Isolann's wolf-ridden forests? And will it aid in Prince Azrar's destruction or his survival?
My first memory of storytelling was as a kid reading Jules Verne’s, The Mysterious Island in the basement of my house in The Bronx where I grew up. It transported me to a world of magic and mystery. The effect of that experience wouldn’t seriously take hold for decades when I realized the acting career I’d pursued for twenty years wasn’t where I was meant to be. Fascinated with mysteries and metaphysics and studying the world of past lives and reincarnation led me to incorporate this vast realm into what I write. The Occurrence, my first novel, took these ideas and thread them through a story of politics and spirituality.
My intrigue with the cost of transformation, mortality, and morality led me to the vampire genre. In my search for books, I discovered an amazing author, Andy Davidson. I was captivated by his book, In the Valley of the Sun. I searched him out to let him know he elevated the vampire genre for me, and his southern gothic setting was extraordinary.
I can’t think of a better recommendation if you’re connected to the world of vampires.
Haunted by his past, Travis Stillwell spends his nights searching out women in West Texas honky-tonks. What he does with them doesn't make him proud, just quiets the demons for a little while. But after Travis crosses paths one night with a mysterious pale-skinned girl, he wakes weak and bloodied in his cabover camper the next morning-with no sign of a girl, no memory of the night before.
When motel-owner Annabelle Gaskin offers the cowboy a few odd jobs to pay his board, he takes her up on the offer. By…
This Twilight spinoff only took them a few hours to read, but they liked it because it presents fresh characters in the world of Twilight that aren’t the same couple revamped (ha!) every five years. They said they liked the story between Bree and Diego, their relationship is overwhelmingly positive and it’s sad when you realize what happens to Diego.
I turned off my brain. It was time to hunt. I took a deep breath, drawing in the scent of the blood inside the humans below. They weren't the only humans around, but they were the closest. Who you were going to hunt was the kind of decision you had to make before you scented your prey. It was too late now to choose anything.
Bree Tanner can barely remember life before she had uncannily powerful sense, superhuman reflexes and unstoppable physical strength. Life before she had a relentless thirst for blood. . .life before she became a vampire.
Along with a decidedly dark and quirky sense of humor, one of the things that connects Vamped with my other published novels is the way each takes its premise and builds an intricate world around it. I generally like to start with the world as it currently is, introduce an element of the fantastic, and then explore how that one tweak changes everything. In the case of Vamped, the fantastic element was having a group of vampires turn the vast majority of humanity into bloodsuckers by spiking blood donations, turning influencers, and getting “Pope Peter the Last” to add a little something special to the sacramental wine.
Bloodsucking Fiends begins in the mid-1990s (the present day as of its writing) and is set in AIDS-fighting, pre-tech-boom San Francisco – a time and place rendered with great affection and plenty of humor. It’s that latter quality – the humor – that I love about this book. Beginning with the beginning, we get Moore’s take on the classic tableau of a vampire rising as the sun sets. But instead of emerging from a coffin, our vamp pops out of a dumpster that’s being peed on by a homeless, benevolent lunatic known as the Emperor. If that setup just made you smile (fangs or no fangs) then Bloodsucking Fiends is for you. It is also why, when I decided to write a funny vampire novel, I turned to Mr. Moore’s novel for inspiration.
Jody never asked to become a vampire. But when she wakes up under an alley Dumpster with a badly burned arm, an aching neck, superhuman strength, and a distinctly Nosferatuan thirst, she realises the decision has been made for her. Making the transition from the nine-to-five grind to an eternity of nocturnal prowlings is going to take some doing, however, and that's where C. Thomas Flood fits in. A would-be Kerouac from Incontinence, Indiana, Tommy (to his friends) is biding his time night-clerking and frozen turkey bowling in a San Francisco Safeway.
I first started reading vampire stories when I worked at Kitt Peak National Observatory in the 1990s. One of my co-workers suggested that we were the vampires of the mountain because we were only seen between sunset and sunrise. She encouraged me to read Anne Rice, whose work gave me a taste for heroic vampires. A while later, I moved to Las Cruces, New Mexico, known as the City of Crosses. Another friend suggested I write a story asking what a vampire would make of such a thing. That became an early chapter inVampires of the Scarlet Order.
Bloodshotis a mystery thriller that tells the story of a vampire thief named Raylene Pendle who is hired by a blind vampire to find and steal records that'll help a doctor restore his sight. The idea that the military would find vampires interesting has always seemed natural and Raylene soon finds herself in a world of military secrets. Although Raylene is a vampire, she cares for the people in her life, particularly the two homeless, human children who have taken up residence in her Seattle lair. Although Raylene is strong and smart, she can be hurt, especially by soldiers who are used to containing vampires. I loved that she needed to use her wits to solve the mystery she's presented.
Raylene Pendle (aka Cheshire Red) is a vampire and world-renowned thief. When the infuriatingly charming Ian Stott asks for help, Raylene doesn't bargain for a case that takes her from the wilds of Minneapolis to the mean streets of Atlanta. And with a psychotic scientist on her trail, a kick-ass drag queen on her side, and Men in Black everywhere, the case proves to be one hell of a ride.
I’ve loved reading ever since I learned how. Sometimes, that can be inconvenient. I now own over 8000 books, not including ebooks, so storage space is an issue. Fortunately, my heart space is not as constrained as my physical space. Anyway, given my keen interest in reading, it’s no surprise that I began to write. Though my reading tastes are wide, I mostly write in fantasy, my favorite genre. It’s an opportunity to explore new worlds and to use them to reflect upon our own. We may not make literal pacts with demons, but we all face temptation. Figuring out how to navigate our desires is a crucial part of life.
Conroe has a talent for creating interesting characters, as Chris Gordon, the main character in this book, illustrates. He has violet eyes, a perfect physique, and enough sexual chemistry to overwhelm most women. Yet he is at best standoffish with them.
I was puzzled by this pattern until I realized his motivation. He lives a dangerous life, exorcising demons and driving them back to Hell. He doesn’t want to subject a woman to that kind of risk. It’s lucky that he finally encounters a woman who can deal with such risks—Tatiana Demidova, a vampire princess.
One of the things I like about Conroe is the introduction of that kind of twist—at a point when Chris doesn’t even know vampires exist. A demon hunter and a vampire wouldn’t normally make a plausible couple, but Conroe creates a different kind of vampire, one capable of good. His fresh take on old themes…
Book 1 of the Demon Accords. Chris Gordon is a rookie cop in the big apple with an interesting sideline - hunting demons. But after rescuing a beautiful girl from a demonic attack, he finds life stranger than he ever thought possible. Vampires, werewolves, shadowy federal agencies and a giant short-faced bear. And it's not even halloween yet.
My expertise in things adult stems from my 65 years of life on this earth. I have a passion for adult-level writing (not “adult” as in “erotica”) because I was a junior high teacher during the Twilightcraze. It didn’t take long to get my fill of sparkling vampires. I had to retire from teaching because of a disability, which left me with time on my hands. I turned to writing, something I had wanted to do since I was a high school student. I now do freelance non-fiction writing (gotta pay the bills) and writing novels. One is never too old to chase a dream.
If you’re looking for cyberpunk sci-fi on steroids, this is the book for you. The depth of imagination that went into the world-building here is phenomenal.
Not only are you treated to a well-fleshed-out futuristic cyberpunk setting, there’s also some serious tech in play. Once you look past the norms of the social structure of the day – which is nothing short of brilliant – you realize this is also a good, old-fashioned police crime drama. Entertaining, mesmerizing, surprising, shocking.
This book has it all. I really loved the quirks of the language that the characters use. Not only has society changed drastically in Dae D. Shields’ world, but so has the English language. You have to read it to fully appreciate the talent of the author behind it.
The USA is a patchwork of hyper-political city-states and rogue nations.
The police have disbanded.
And somebody's killing Nobodies.
In a searing cyberpunk vision of the future, the sinister Black Devilfish walks the endless rainy streets of an overpopulated megalopolis searching for his own soul.
The bizarre Devilfish power suit belies a hard-pressed insomniac struggling to find meaning in his aimless existence. He spends his nights drowning his sorrows in Lysol sponges, calling a wife he…
I have written more than 20 non-fiction books on a wide range of topics. I was trained as a chemist and physicist, and as both an author and a journalist I am mostly concerned with the sciences and how they interact with the broader culture – with the arts, politics, philosophy, and society. Sometimes that interest takes me further afield, and in my new book The Modern Myths, I present a detailed look at seven tales that have taken on the genuine stature of myth, being retold again and again as vehicles for the fears, dreams, and anxieties of the modern age. Ranging from Robinson Crusoe to Batman, this list also inevitably includes Bram Stoker’s classic Dracula – leading him to examine how we have used the legend of the vampire in the past and present.
Although this book focuses on just the most famous vampire narrative of all, you don’t need to look far into Dracula to find universal vampire themes: sexuality, paranoia, misogyny, xenophobia, psychoanalysis, and the sacred power of blood. This collection of essays also sets Stoker’s tale within the wider context of the Victorian vampire boom, and looks at what became of his tale on stage and screen. It shows how Stoker was tapping into richer, deeper seams than even he realised, making Dracula “one of the most obsessional texts of all time, a black hole of the imagination”, in horror expert David Skal’s words. “The most frightening thing about Dracula’, says Skal, “is the strong probability that it meant far less to Bram Stoker than it has come to mean for us.”
Bram Stoker's Dracula is the most famous vampire in literature and film. This new collection of sixteen essays brings together a range of internationally renowned scholars to provide a series of pathways through this celebrated Gothic novel and its innumerable adaptations and translations. The volume illuminates the novel's various pre-histories, critical contexts and subsequent cultural transformations. Chapters explore literary history, Gothic revival scholarship, folklore, anthropology, psychology, sexology, philosophy, occultism, cultural history, critical race theory, theatre and film history, and the place of the vampire in Europe and beyond. These studies provide an accessible guide of cutting-edge scholarship to one of…
