I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
I read this book relatively recently, not at school or when I was in my twenties, but when I was in my late thirties. I had heard of the novel, and the concept of burning books was all-too familiar as I studied a module on Holocaust literature at university. However, the premise of Ray Bradbury’s novel, written in 1953, was so simple yet so powerful.
It echoes with our own reality today, as although books are not being burned, we are seeing the art of writing itself being "burned" or minimized by tools such as AI or social media. The virtual burning of honest reportage or poetry for opinionated views and algorithms is one symptom of today’s fast-paced society.
There were some great quotes in Fahrenheit 451, too; the one that really stuck out was, “Everyone must leave something behind when he dies… A child or a book or a…
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
In The Ministry of Truth, I wanted to bring together two longstanding interests: dystopian fiction and the history of totalitarianism. Nineteen Eighty-Four is of course a landmark work in both categories. In trying to explain how and why Orwell came to write his masterpiece, and its subsequent influence on fiction and political thought, I read a huge range of books that wrestled with the horrors of Nazism and Stalinism and asked how they were able to hold sway, physically and mentally, over tens of millions of people. Many of them are gripping and valuable but these five in particular make for great companions to 1984.
Arendt’s three-part masterwork had the same US editor as 1984 and can be read as the non-fiction equivalent. While scholars have subsequently questioned aspects of her grand theory of totalitarianism, much of it holds up. Her commanding, aphoristic prose has made this one of the most widely quoted books of recent years, especially on the subject of power creating its own alternate reality: “In an ever-changing, incomprehensible world the masses had reached the point where they would, at the same time… think that everything was possible and that nothing was true.”
Hannah Arendt's definitive work on totalitarianism—an essential component of any study of twentieth-century political history.
The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses…
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
Divided into “The Poetics of Power” and “The Sociology of Politics,” the better known first half explores rhetoric, symbolic forms of political practice, and imagery in novel ways that have influenced both my scholarship and my teaching.
But I was even more struck by the second part where Hunt considered the backgrounds, age, occupations, and experience of Revolutionary political actors in four French cities as a way to understand the political geography of the Revolution, networks, culture brokers, and the emergence of a new political class.
This approach shaped my dissertation and first book, but, more importantly it made me think about the link among and between cultural influences, socio-economic backgrounds, and the lived experience to understand the French Revolution.
When this book was published in 1984, it reframed the debate on the French Revolution, shifting the discussion from the Revolution's role in wider, extrinsic processes (such as modernization, capitalist development, and the rise of twentieth-century totalitarian regimes) to its central political significance: the discovery of the potential of political action to consciously transform society by molding character, culture, and social relations. In a new preface to this twentieth-anniversary edition, Hunt reconsiders her work in the light of the past twenty years' scholarship.
Since I was a kid, I've devoured books. But I have to be perfectly honest here and confess that my taste has always run to genre fiction. Mystery. Science fiction. Adventure. Fantasy. Suspense. That sort of thing. I’ve never been one for “serious” literature that addresses the miseries of modern life. Non-fiction, as well, is rarely on my reading docket. I prefer action…intrigue…humor. So when I started writing novels, that’s where I went. There are my three canine cozy mysteries, the first of which is noted below; and my historical mystery series. Under my real name, D. R. Martin, I wrote a ghost adventure trilogy.
Jonathan Lethem’s first book is, perhaps, not as well regarded as some of his later works. But it blew me away back in the ’90s—with a black humor that satirized both noir mystery and science fiction. I still love it.
The future is totalitarian. Everyone is stupefied by mandated memory-deadening drugs. Karma scores must be kept up, or you’re put in the freezer—literally. Gumshoe Conrad Metcalf gets hired to tail a cheating wife. But things go sideways when the client turns up dead. The cops suspect Metcalf. He encounters many a shady, seedy character, including animals given human-like intelligence; such as Joey, the kangaroo hitman. And whodunit? I think the answer is shocking…and hilarious. I think you’ll think so, too.
The first novel by Jonathan Lethem (author of the award-winning Motherless Brooklyn) is a science-fiction mystery, a dark and funny post-modern romp serving further evidence that Lethem is the distinctive voice of a new generation.
Conrad Metcalf has problems. He has a monkey on his back, a rabbit in his waiting room, and a trigger-happy kangaroo on his tail. (Maybe evolution therapy is not such a good idea). He's been shadowing Celeste, the wife of an Oakland urologist. Maybe falling in love with her a little at the same time. When the doctor turns up dead, Metcalf finds himself caught…
This book is a history of the Battle of Britain, but one focusing more on the common folk and non-aviation personnel that held England together, upright, and unconquered during the German onslaught that followed the collapse of France. Meticulously researched, painstakingly analyzed, and somewhat shocking in its conclusions.
Lord, what an eye-opener! This book shows just how deep into totalitarianism a democracy can sink, just how fascistic a democracy can become overnight, and just how riven with class strife and unfair treatment the UK was throughout the battle.
Here are a few examples of the things that were happening during that time.
1) Given the shortage of coal miners and an unwillingness to pay the miners a fair wage, something on the order of twenty thousand young men were effectively enslaved, not conscripted to fight, but enslaved, to mine coal.
2) The British people were lied to consistently and continuously…
Immortalized in Churchill's often quoted assertion that never before "was so much owed by so many to so few," the top-down narrative of the Battle of Britain has been firmly established in British legend: Britain was saved from German invasion by the gallant band of Fighter Command Pilots in their Spitfires and Hurricanes, and the public owed them their freedom. Richard North's radical re-evaluation of the Battle of Britain dismantles this mythical retelling of events. Taking a wider perspective than the much-discussed air war, North takes a fresh look at the conflict as a whole to show that the civilian…
I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines.
Does this book qualify today as non-fiction? Everything about this tale is eye-opening and applicable to our present. Written during the Great Depression, this is a must-read for anyone who has a feeling that not everything is what it seems.
I adore the gripping narrative, notable arcs, and subtle humor, which give this stark tale some needed levity. I always come away from this book with a lot of questions: How can we as a civilization do better? How did Aldous Huxley so accurately portray life in the 21st century? If I had to build a bookshelf of must-reads for my kids, which I may actually do, this book is on the list.
**One of the BBC's 100 Novels That Shaped Our World**
EVERYONE BELONGS TO EVERYONE ELSE. Read the dystopian classic that inspired the hit Sky TV series.
'A masterpiece of speculation... As vibrant, fresh, and somehow shocking as it was when I first read it' Margaret Atwood, bestselling author of The Handmaid's Tale.
Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs.
You can be happy too. All you need to do is take your Soma pills.
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
The title alone sets the stage. This is meta at its most meta-ness. Who is narrating? Who is listening? Is the author complicit in the sometimes catastrophic, always deeply strange, events that unfold in these tiny tales? More importantly, do we the readers play a role? Less is more. Lesser still is even more more. The reach of suggestion. A knockout punch of inference.
The Austrian playwright, novelist, and poet Thomas Bernhard (1931-89) is acknowledged as among the major writers of our times. At once pessimistic and exhilarating, Bernhard's work depicts the corruption of the modern world, the dynamics of totalitarianism, and the interplay of reality and appearance.
In this stunning translation of The Voice Imitator, Bernhard gives us one of his most darkly comic works. A series of parable-like anecdotes-some drawn from newspaper reports, some from conversation, some from hearsay-this satire is both subtle and acerbic. What initially appear to be quaint little stories inevitably indict the sterility and callousness of modern life,…
I’m a writer by profession, but until recently I was never in a book club. My wife was, briefly, and my friend Ben’s wife was (he’s also a writer). One day I said to Ben “why don’t we start a book club?”, and we did. Seven years later, the club is not only going strong, but it has assumed a central place in the lives of the seven of us who make it up. The book is the excuse to get together, to create and deepen friendships, to build a community around ideas. Start a book club. Choose some books. These are a good start. At least in my opinion.
I have always been fascinated with Russia, and love reading any book about Russia and Russians, whether the classic fiction of Dostoyevsky, or the absurdist work of Gary Shteyngart. But for insightful political analysis of Putin’s destruction of Russia’s democracy and society, written with a love for the people and country, and a keen eye toward their humanity, nothing beats this dead-eyed read from the great Masha Gessen. Her analysis of modern Russia under Putin’s grip came out a few years before the invasion of Ukraine, which is sort of a culmination of the ideas and stories here. This book is a portrait of individual tragedies woven together as a collective, where the historical resentments of one man (Putin) doom the future of an entire people. If you want to understand how Russia got here. Or what it might feel like to be a young Russian, caught up in this…
In The Future is History Masha Gessen follows the lives of four Russians, born as the Soviet Union crumbled, at what promised to be the dawn of democracy. Each came of age with unprecedented expectations, some as the children or grandchildren of the very architects of the new Russia, each with newfound aspirations of their own - as entrepreneurs, activists, thinkers and writers, sexual and social beings. Gessen charts their paths not only against the machinations of the regime that would seek to crush them all (censorship, intimidation, violence) but also against the war it waged on understanding itself, ensuring…
Full disclosure: I am a fantasy world nerd! I treasure my visits to these imaginary places, and I love imagining how the world goes on after the last page. I’ve spent hours pondering what would happen in Narnia after the invention of the internal combustion engine, or in Middle Earth when populations reach levels requiring building codes and infrastructure planning. (I told you I was a nerd!) Advancing fantasy technologies creates new problems, new solutions, and new parallels to our own time. The books on this list redefine our assumptions of what a fantasy world is, and what stories they have to share.
Oh, man… I love this book so much! Donnelly writes the kind of prose that makes me jealous. I frequently stop and go back, rereading her words just to savor the imagery and effortless flow. Characterizations are rich and full, not only for the leads but also for the background characters. Now, I need to point out that there is no magic in this book, so if you’re looking for dragons and lightning bolts, it won’t scratch that itch. But Amberlough feels like a proper fantasy world, and that earns it a place on this list. if you enjoy the encroaching global conflict of Lord of the Rings, but also love John LeCarre and Cabaret, Amberlough is the perfectly-blended cocktail you’ve been looking for.
A double-agent sacrifices all his ideals in order to save his smuggler lover before a government coup takes over their decadent city in Lara Elena Donnelly’s glam spy thriller debut, now a Nebula finalist for Best Novel!
“Exploring the roots of hatred, nationalism, and fascism, while at the same time celebrating the diversity, love, romance, fashion, and joy the world is capable of producing.” ―Bookriot
In Amberlough, amidst rising political tensions, three lives become intertwined with the fate of the city itself.
The Smuggler: By day, Aristide Makricosta is the emcee for Amberlough City’s top nightclub. By night, he moves…
I
had never read Nabokov before, so this book was my introduction to the
alternating concentrated power and playfulness at work here. There is a great,
underlying seriousness to this investigation of the evils and
individual-crushing machinations of a dystopian, totalitarian State.
At moments
the story and prose rushes with an emotionless coldness, only to be re-balanced
by the self-sacrificing love of father for son. There is a deep humanity in the
book; alongside a terrible and pitiless exposure of the inhumane. The language
and storytelling are startlingly original and uncompromising, right from the
very beginning.
Krug, and his adversary, Paduk, "The Toad", make a fascinating
human aspect to this story of a country’s descent into authoritarian nightmare
and insanity. Even at the darkest moments, the exquisite beauty of thought and
language here offers the characters a last escape from Hell, even if only by
means of a Heaven-sent beam…
Part of the fabulous new hardback library of 22 Vladimir Nabokov books, publishing over the coming year, with an elegant new jacket and text design.
The state has been recently taken over and is being run by the tyrannical and philistine 'Average Man' party. Under the slogans of equality and happiness for all, it has done away with individualism and freedom of thought. Only John Krug, a brilliant philosopher, stands up to the regime. His antagonist, the leader of the new party, is his old school enemy, Paduk - known as the 'Toad'. Grieving over his wife's recent death, Krug…
